Poems about Li Shangyin's love (Li Shangyin's love poems) 1. Li Shangyin's Love Poems
Inlaid harp
I want to know why my Jinse has fifty strings, and each string has a youthful interval.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
Revisit the Temple of Our Lady
The white stone gate of the shrine of the virgin is covered with moss, and it has recovered from the fairyland-like fairyland.
In spring, drizzle is often sprinkled on the hall with green tiles, and the flag in the ancestral hall cannot be moved by the night wind.
Elvhua freely said that she had come to live somewhere, and Tong Jie's family in Dulan Township said that she would leave and come back.
Yulang and the virgin met here and informed the fairy that the virgin wanted to board Zizhi with the fairy.
Frost moon
Just beginning to hear the chirping of the southern geese, the chirping of cicadas has disappeared, and I climbed to the top, looking as far as I can, and the water is natural.
The frost goddess and the moon are not afraid of the cold, and they are more beautiful and pure in the cold and frost recreation.
cicada
The pure heart is hungry because of this, and you sing in vain all night.
Oh, this last broken breath, in the green indifferent trees! .
Yes, I am like a driftwood. I have made my garden full of weeds.
I thank you for your sincere advice and live a pure life like you.
Give it to Liu.
The wind and waves in the river move the roots of clouds, and the danger is heavy and faint in the day.
Hong Yan's early rise was broken, which even surprised the poet and returned to his soul.
The imperial court of the Han Dynasty urgently ordered who would enter first, and Chu Lu sang.
Wan Li wept with joy when they met, and the phoenix nest was separated by nine doors.
After mourning, I went to Shu Dong, and went to the three customs to see the snow.
The road beyond the sword I'm going to is very remote. You can't send me warm clothes without home.
The snow in the three passes is three feet thick, and the past is like a dream. Remember the past and make a loom for me.
Leyouyuan scenic spot
In the evening, I was unhappy and drove to Gu.
Sunset, infinitely beautiful, only near dusk.
2. Li Shangyin's most classic love poems
Li Shangyin, people will naturally think of his untitled poems, and will also think of his poetic style, hazy, disillusioned and worried.
Under his vague and graceful style, his poems often express a kind of inexplicable feeling, so that there is a lot of controversy in interpretation. For example, a poem can still cause people to think a lot, and its charm lies in everyone's different understanding of it.
Li Shangyin's love poems have an indescribable charm, and I think it is more appropriate to interpret love with this taste, because feelings are erratic and dreamy. At the same time, Yishan's love poems are full of sadness and sentimentality, expressing the poet's infinite sense of disillusionment and showing a kind of hazy beauty and tragic beauty.
At the same time, Li Shangyin's love poems fully express the poet's feelings and worries in the last days, which is very different from Yuan Zhen's poems. We can find that Yuan Zhen's love poems pay more attention to love, that is, a true, sensible and solvable love, which seems to rarely touch personal deeper feelings. The most famous untitled love poems are those written by Li Shangyin (about 8 13- about 858), a poet in the late Tang Dynasty. Because it is not convenient for the author to write this kind of poem clearly, he often marks it untitled or takes the first two words of the first sentence as the title. Why is it not convenient to write clearly? Because it involves love, they may also have other sustenance. Most of these poems are seven-character poems, which are intertwined with the poet's complex feelings of hope, disappointment and despair for love. Their feelings are lingering, their words are delicate, their metaphors are appropriate, they are well-known and their reading is thrilling. Untitled (you said you would come, but you didn't come, and you didn't leave me any other traces) is about the long-term yearning for distant lovers. The poem begins with a dream of lovesickness after separation. Dreams and dreams, reality and illusion are written in a contract, the pain of lovesickness and the barrier of mountains, and the hate of hard parting are repeatedly rendered. The hopeless sentimentality of lovesickness also contains the unspeakable pain of the author's bumpy life. Untitled (a misty rain blowing with the east wind) is about a girl in a secluded room who is frustrated in love and deliberately hurts her spring. The first two sentences are about sad spring scenery, which sets off the heroine's budding spring heart and spring sorrow. The homonym with "burning incense" and "tie wire" is "Acacia", and two allusions, Jia Zhi peeping at the curtain and Fu Fei leaving a pillow, reflect the irresistible pursuit of girls for love. Finally, the pain of' longing for love' is issued. This poem may also be full of lamentations about the author's life experience. "Untitled" (last night's star, last night's wind), the poet came out of the mountain in one night. Zhuan Xu regretted that he didn't have wings and couldn't fly across Qian Shan to meet him, so he had to give his feelings to their soul mates. Necklace association expresses the poet's longing for a better life and his sense of loneliness by speculating on the beautiful situation of the ideal person. Couplets are bitter and helpless, and time is ruthless. They are like floating grass, going to socialize with the morning drum. Poetry combines the barrier of love with the gap of life experience, with profound meaning, gorgeous language, gorgeous colors and meticulous conception. "Although my body doesn't have bright phoenix wings, I feel the harmonious heartbeat of the sacred unicorn." This sentence is beautiful and affectionate, and the metaphor is appropriate, which has become a famous sentence throughout the ages. Another masterpiece, untitled (it was a long time before I met her, but it was longer after we broke up), the poet's sentimental parting with the woman he loved in late spring and his deep-rooted yearning after parting expressed his loyalty to love and persistence in his ideals. The first part is about the scene where lovers are inseparable when the flowers are falling and dying. Spring Festival couplets express their eternal love through homophonic puns, metaphors and symbols, such as Spring Festival couplets and wax torch tears. The neckband further expresses its concern by imagining each other's makeup and the bitterness of singing at night; I look forward to the biography of the bluebird at the end of the poem, showing the sincerity of lovesickness. This poem may have pinned the poet's depressed life and still full of hope. The whole poem is novel and ingenious, full of emotion, with the care of function words, harmonious rhythm, delicate imagination and language warning, it has become a beautiful and moving poem. The words "spring silkworms must spin until they die, and candles will drain the wick every night" have become the swan song to describe love.
3. What are Li Shangyin's love poems?
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night. In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! . The eight-year-old girl likes to look in the mirror secretly and has been able to raise her eyebrows.
At the age of ten, I went for an outing and imagined the clothes that Lotus made for myself. I began to learn to play the guzheng at the age of twelve, and the silver nail on my finger has never been pulled out.
At the age of fourteen, she avoided seeing men, even the closest ones. At this time, she may be thinking about when to get married. At the age of fifteen, she was crying in the spring breeze on the swing, fearing the disappearance of spring.
Lingluo of Pteris, thin; Never put off till tomorrow what you can, I chased it late into the night. It's too late to cover up the encounter with a fan; But you drove by, speechless.
Once lonely and sleepless, I missed candles; But I haven't heard from you until the pomegranate blossoms. I will tie my horse to a willow tree by the river and stay in the southwest.
The curtains were drawn deeply, and I was in Mochow's house. Sleeping alone makes the night even longer. Fairy's life is a dream, if they don't bring lovers into their rooms? .
I am a weak lingzhi, biased by storms; I'm Lingfang, but I don't have any fragrant leaves. Although fully aware of lovesickness, there is no good health; I am infatuated with it to the end and fall in love for life.
You said the meeting was empty talk, after we didn't see its trace; Wake up in the oblique moonlight upstairs and listen to Xiao Zhong Chuming. The dream in the wound is far from being called; When I woke up, I began to write a letter.
The layering of residual jade is hazy; Musk smoked through the tulle, soft. But what I can't reach is the magic mountain. You are over there, beyond Wanfeng.
The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond. There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem. Never mind the flowers, even this bright flame of love, is it only ashes? .
The stars were bright last night, but there was a cool breeze at midnight. Our banquet is on the side of Hualou Temple and the east of the county. Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same.
Guessing and intrigue, wine warms the heart; This group of people came to the bet of drinking friends, and a win-lose red in candlelight. Twelve brothers until the drums beat, alas, told me to perform my duties, and I rode on my horse, just like a water plant cut off drifting and Wang visited Wei's foreign minister. When they saw the drinks, they mourned. As the day drew near, they didn't go because they sent it.
Fu Xie's family is the last stream of the old line, and now the Song belongs to Tan Lang. There is no place to hang curtains, so I fall down on the bed when I want to dust.
Ji's teenager is still poor, how can the charming girl on the left expect it? All diseases are difficult to cure, and the west wind is long in Wan Li.
4. How many love poems does Li Shangyin have?
Untitled Author: Li Shangyin Year: Tang Style: Seven Laws Category: The time in my boudoir was long before I met her, but after we parted, the east wind started and a hundred flowers blossomed.
Silkworms in spring will weave until they die, and candles will drain the wick every night. In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! . Note: 1. Untitled: Since the Tang Dynasty, some poets often use "untitled" as the title of their poems when they are unwilling to mark the topic that can express the theme.
2. silk exhaustion: silk is homophonic with "thinking", and "silk exhaustion" means missing until death. 3. Tears begin to dry: Tears refer to candle oil when burning, and pun here refers to the tears of lovesickness.
4. Xiao Jing: Dress up and look in the mirror in the morning; Yunbin: A woman's beautiful hair is a symbol of her youth. 5. Pengshan: Penglai Mountain, the legendary fairy mountain on the sea, is a metaphor for the place where mourners live.
6. Bluebird: a mythical messenger to the Queen Mother of the West. Untitled Author: Li Shangyin Age: Tang School: Five Ancient Categories: Unknown Eight-year-old Stealing Mirror, Long Eyebrows Can Draw.
At the age of ten, I went for an outing and imagined the clothes that Lotus made for myself. I began to learn to play the guzheng at the age of twelve, and the silver nail on my finger has never been pulled out.
At the age of fourteen, she avoided seeing men, even the closest ones. At this time, she may be thinking about when to get married. At the age of fifteen, she was crying in the spring breeze on the swing, fearing the disappearance of spring.
Untitled 2 Author: Li Shangyin's Year: Tang School: Category: Unknown piece of faint phoenix-tail yarn, which makes you feel green, close your eyes and spend the night. It's too late to cover up the encounter with a fan; But you drove by, speechless.
Once lonely and sleepless, I missed candles; But I haven't heard from you until the pomegranate blossoms. I will tie my horse to a willow tree by the river and stay in the southwest.
The curtains were drawn deeply, and I was in Mochow's house. Sleeping alone makes the night even longer. Fairy's life is a dream, if they don't bring lovers into their rooms? .
I am a weak lingzhi, biased by storms; I'm Lingfang, but I don't have any fragrant leaves. Although fully aware of lovesickness, there is no good health; I am infatuated with it to the end and fall in love for life.
Note: Mochow: Generally refers to girls. Liang Xiaoyan's Song of the River was published: "The river flows eastward, and the female name of Luoyang is Mochow."
Analysis: The first song seems to be about a thoughtful and loving woman. Writing sleepless nights, still sewing Luo Zhang, remembering what happened at that time.
And write about longing and melancholy, looking forward to the opportunity to meet again. It can also be interpreted as a woman from a male perspective.
The second song is about a girl waking up to savor her dream, doomed to loss and sadness, expressing her determination to suffer for love and pursue happiness. Untitled two authors: Li Shangyin Age: Tang School: Category: Unknown You said you would come, but you didn't. You left me nothing but the moonlight on the five-watch clock tower.
The dream in the wound is far from being called; When I woke up, I began to write a letter. The blue candle burns its jade feather lamp, and the musk deer embroiders the hibiscus slightly.
But what I can't reach is the magic mountain. You are over there, beyond Wanfeng. The wind in the east wind, the rain in the wind, the rain in the wind, the sound of light thunder came from the other side outside the lotus pond.
There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water. Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem.
Never mind the flowers, even this bright flame of love, is it only ashes? . Note: Liu Lang, according to legend, in the fifth year of Yongping in the Eastern Han Dynasty, Liu Chen and Ruan Zhao went up the mountain to collect herbs, but they couldn't get out. When I meet two women, I invite them to live at home for half a year and then pay them back. Later generations used this as a metaphor for an affair.
Pengshan and Penglai Mountain refer to fairyland in general. Han Shou, a native of Jin Dynasty, was a subordinate of Sikong Jia Chong. Every time at home, Jia's daughter peeks from the pane, sees that she is beautiful and loves her, and has an affair. After she found out, she celebrated her birthday.
Leave a pillow: Cao Zhi's Preface to Luoshen: "For three years, I served in the capital and returned to Luochuan. The ancients said that the name of water god was Fu Fei.
Feeling Song Yu's concern for the goddess Chu, he wrote a poem. "Plant waterinfo, suddenly see a woman, give a pillow.
Rich legendary daughter. Untitled Author: Li Shangyin Age: Tang School: Category: Unknown last night's star, last night's wind, is the west of the studio and the east of Guixiangtang.
Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same. Guessing and intrigue, wine warms the heart; This group of people came to the bet of drinking friends, and a win-lose red in candlelight.
Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind. Note: 1, Cailou, Guitang: they are all metaphors for the houses of the rich.
2. Linxi: It is said that rhinoceros has miraculous effects, and there is a white line on the corner, which goes straight to both ends. 3. Hook delivery: also known as Tibetan hook.
A game in ancient December was divided into two Cao to compare the outcome. After sending the hook to the other party, it is hidden in one person's hand, which makes people guess.
4. Divide Cao into several groups. 5. Shooting: There is something to guess under the cover.
Dividing Cao and shooting Fu is not necessarily the real meaning, but a metaphor for the din at the banquet. 6, drums: refers to more drums.
7, it should be an official: I am still at work. 8. Lantai: that is, the secretary province, which is in charge of book cheats.
Li Shangyin used to be a secretary. Literally, this sentence means riding to Lantai immediately after attending the banquet, which is similar to the flying of grass, but it also implies self-injury and falling.
Last night, the stars were bright, but there was a cool breeze in the middle of the night; Our banquet is located on the west side of the painting building and on the east side of Guitang. Without Cai Feng's wings, you can't compare with Qi Fei; The heart is like a soul, and the feelings are closely linked.
Guess and play with each other, and drink spring wine every other seat to warm your heart; Let's toast in groups, the candlelight will be red. Alas, when you listen to the five drums, you should go to court; Riding to Lantai is like Artemisia capillaris floating in the wind.
Comments: The so-called "untitled" poems have always had different views: some people think that they should belong to fables, while others think that they are all endowed with abilities. As far as Li Shangyin's Untitled poems are concerned, they all seem to belong to eroticism, but in fact they also refer to something, but it's just inconvenient to say.
This poem is a recollection of the erotic scene where we met. Write the time and place of the banquet first; Then write the separation of flesh and human feelings; Rewrite the feelings of meeting; Finally, write down goodbye and leave hate.
Gorgeous but not obscene, real but not crazy. -Quoted from "Ultra-pure Zhai Shi" bookbest. 163.net Translation and analysis: Liu Jianxun comments: sending a hook is a game in ancient banquets. The hook is passed in the dark and people can guess who has it. If they can't guess, they will be fined.
Shooting, an ancient game, covers things under utensils to make people guess. The secretary province Lantai is in charge of book cheating, and Li Shangyin is the secretary province orthography.
Untitled Four Authors: Li Shangyin Age: Tang Style: Seven Laws Category: Unknown (I) You said you would come, but you didn't. You left me nothing but the moonlight on your tower at five o'clock. The dream in the wound is far from being called; When I woke up, I began to write a letter.
The layering of residual jade is hazy; Musk smoked through the tulle, soft. But what I can't reach is the magic mountain. You are over there, beyond Wanfeng.
(2) Misty rain is blowing from the east wind, and the wheels outside the Lotus Pool are faintly ringing. There is also a locked golden toad incense burner. Cigarettes are elegantly wrapped, like pulleys in a jade pot, and the traction rope is pumped into the well water.
Wang Wei dreamed that she was a beautiful young girl. Wang Wei had a pillow dream and wrote a poem. Love is not a competition for flowers.