Poetry about Gusu City

1. Poems about the scenery of Suzhou City

Poems about the scenery of Suzhou City 1. Poems about the scenery of Suzhou

1. Describing the scenic spots in Suzhou Verse: Hanshan Temple outside Gusu City, the midnight bell rings for the passenger ship.

2. Famous aphorisms about cherishing time. If a young man does not work hard, he will be sad when he is old. 3. Learning without thinking is useless, thinking without learning is dangerous. The sun has set, and the rays of rays are reflected on the calm lake. The lake is like colorful silk. Seeing this beautiful scenery, I can't help but think of what Bai Juyi wrote. Two poems: A setting sun spreads over the water, half of the river is rustling and half of the river is red. 4. The beauty of April in the world is gone, and the peach blossoms in the mountain temple begin to bloom.

Night Mooring at Maple Bridge by Zhang Ji of the Tang Dynasty The moon is setting and the sky is full of crows and frost, and Jiang Feng, the fisherman, sleeps in sorrow. At Hanshan Temple outside Gusu City, the bell rang for the passenger ship at midnight.

Visiting the Yuzhi Temple in Gusu again by Xu Hun of the Tang Dynasty A single leaf of Gao Wu fell in the early autumn, passing through the old corridors of the old sojourn. The moon passes through the blue window and I drink wine tonight, and the rain dims the red walls last year.

The dew in the jade pond is cold and the hibiscus is shallow, and the green trees are tall and windy, and the leaves are sparse. Tomorrow I will set sail and go further east, and the immortal will laugh like a perch.

Crossing the Wujiang River by Du Mu of the Tang Dynasty The nights are longer when there are fewer people in Huiguan, and the trees in the distance of Gusu City are green. The rivers and lakes are ebbing and the tall buildings are far apart, and the rivers and rivers are returning to Guangdian in autumn.

As the moon turns, the magpie shadows move across the blue sky, and the red grass beneath the dew is wet with fluorescent light. Poet lovers in the literary garden should think more and not drown the hall in drunken music and singing.

On behalf of the prostitutes, I presented them to Judge Zhou. Bai Juyi of the Tang Dynasty. The prostitutes’ banquet will leave Gusu tonight, and the guests will go to Jinghu Lake tomorrow. Don't go out in a boat to look for Fan Li, and follow the five horses to look for Luofu.

Can the Orchid Pavilion return to the moon after the moon breaks, but the autumn coolness in the Baby Pavilion is gone? I wish I could be my wife with you, and I will stop dyeing my mustache white when I return. Wu Yue Nostalgia Li Yuan, Tang Dynasty Wu Yue has been complaining for thousands of years, and the two palaces are playing woodcutter songs.

When Gusu is defeated, the clouds are colorless, and Fan Li swims in the water from the waves. The mist of the old city turns to despair, and the moon falls on the barren trees, thinking of moths.

Pedestrians want to ask about Xi Shi's pavilion, but the birds flying in the river are cold and the grass is green. Sending people off for a trip to Wu. Du Xunhe of the Tang Dynasty. When I see you in Gusu, I will find you all resting on the river.

The ancient palace has little free space and many water lanes and small bridges. Lotus root is sold in the night market, and Qiluo is carried on the spring boat.

I know the moon is not sleeping in the distance, and my homesickness is in the fishing songs.

2. Sentences describing the scenery of Suzhou’s Maple Bridge

1. The moon is setting, the crows are crying, the sky is full of frost, and the river maples are fishing and the fire is sleeping in sorrow. At Hanshan Temple outside Gusu City, the bell rang for the passenger ship at midnight. " ("Night Mooring at Maple Bridge" by Zhang Ji of the Tang Dynasty)

2. The nights are longer when the people in the museum are sparse, and the trees in the distance of Gusu City are green. The rivers and lakes are ebbing with tall buildings, and the rivers and Han Dynasties return to Guangdian in the cool. The moon is full. The shadows of magpies turn around, and the red grass on the dew is wet with fluorescent light. The poets in the literary garden should think more, and don't drown the hall with drunken songs. ("Crossing the Wujiang River" by Du Mu of Tang Dynasty)

3. The Prostitute's Feast Tonight. Farewell to Gusu, I will go to Jinghu in the morning. Don't go out in the boat to look for Fan Li, and follow the five horses to find Luofu. Can I return to the Orchid Pavilion when the moon is broken? (Bai Juyi of the Tang Dynasty, "Presenting the Prostitutes to the Magistrate of Zhou")

4. Wu and Yue have been complaining for thousands of years. The two palaces are singing woodcutter songs. When Gusu is defeated, the clouds are colorless, and Fan Li swims in the water. . The old city is full of doubts, and the moon is shining on the barren trees. Pedestrians want to ask about the Xishi Pavilion, and the birds are flying in the cold and green grass. (Tang Li Yuan's "Wu Yue Nostalgia") 5. You are here. Su saw that people were all sleeping on the river. There were few empty spaces in the ancient palaces, and there were many small bridges in the water lanes. Water chestnuts were sold in the night markets, and Qi Luo was carried on the spring boats. I knew that the moon was not sleeping yet, and I was homesick in the fishing song. )

3. Poems about Suzhou and Hangzhou

When I recall the south of the Yangtze River, I remember Hangzhou the most. Looking for osmanthus in the moonlight in the mountain temple, looking at the tide in the county pavilion. When will I visit again? ( Bai Juyi's "Reminiscences of Jiangnan")

Titled Lin'an Residence

Lin Sheng

When will the singing and dancing in the West Lake close outside the Qingshan Tower outside the mountain?

The warm wind makes tourists drunk, and they call Hangzhou Bianzhou.

At Hanshan Temple outside Gusu City, the midnight bell rings for the passenger ship (Zhang Ji's "Night Mooring at Fengqiao")

< p> The southeast is a beautiful city with three Wu cities. Qiantang has been prosperous since ancient times. It has smoked willows and green curtains, and hundreds of thousands of houses are scattered around it. Clouds and trees surround the embankment and the sand is rolled up. Qi, Jinghao Luxury.

There are three autumn osmanthus trees, ten miles of lotus flowers, and the wind is singing in the night. , get drunk and listen to the flute and drum, sing and enjoy the haze. I will go back to Fengchi to praise the beautiful scenery in the future.

(Liu Yong's "Wang Haichao", Qiantang is Hangzhou)

Qiantang. Journey to Lake Spring

Bai Juyi

North of Gushan Temple and west of Jiating, the water surface is flat and the clouds are low

There are several early orioles vying for warmth in the trees, who is new. Swallows peck at the spring mud.

The wild flowers are becoming more and more charming, and the shallow grass has no horse hooves.

My favorite lake is eastward, with the white sand bank in the shade of green poplars. > Drinking on the lake when it first clears and then rains

Su Shi

It is better when the water is clear and clear, but the mountains are also strange when they are empty and rainy

I want to compare the West Lake to the West. , light makeup and heavy makeup are always suitable.

Seeing off Lin Zifang after leaving Jingci Temple at dawn

Teaching each other to send pigeons, rhinoceros and Yang Wanli

After all, in the middle of June, the scenery of West Lake is different from that of the four seasons. same.

The lotus leaves touching the sky are infinitely green, and the lotus flowers reflecting the sun are uniquely red.

4. Poems describing the scenery on the shore of Shanglin Lake

Night Mooring at Fengqiao [Tang Dynasty] Zhang Ji The moon is setting, the crows are crying, the sky is full of frost, and the river maples are fishing and the fire is sleeping against melancholy.

Hanshan Temple outside Gusu City, the midnight bell rings to the passenger ship. "Night Mooring at Maple Bridge" is praised by the world for its dense and reasonable structural arrangement of the pictures, the rhythm and beauty of the writing like music, and the tragic character of the poem's inner connotation.

This article does not intend to discuss these aspects, but attempts to use the principles of hermeneutics to understand the overall picture and gain insight into the cultural connotation of the poem through the dismantling of the overall picture. There are four aspects worth noting: 1. The poet's subject's sensory world and emotional world are perfectly integrated with the natural world, the complicated human world and the transcendent religious world.

It not only describes the poet's own life, but also describes the natural and realistic world and perfectly integrates them to form an overall picture. 2. From the sensory world to the emotional world and then to the rational judgment.

3. Just four sentences, but full of ups and downs. 4. The image of "frost" sets the tone of the poem.

The image of "sadness" indeed opens up the poet's spiritual world. Appreciating this poem, "frost" and "sorrow" are two key images.

The first sentence, "The moon sets without crying and the sky is filled with frost." It describes the poet's feeling world.

"Moonset" is vision; "crow" is hearing; "frost in the sky" is feeling. In the vast dark night after the moon, although the things around him cannot be seen clearly, the poet feels the frost in late autumn. The universe, from the cold moonlight to the bone-drenching frost, gives people a sense of oppression, which already indicates the loneliness and desolation of the poet's mood.

The image of "frost" is the focus of this poem. , the word "frost" sets the tone of the poem. The second sentence, "Jiang Feng Yuhuo versus Mian Mian" is the first ups and downs of the poem. p>

There are fishing lights on the river, and the maple leaves are red on the shore. But in the face of the uncertainty of the world and the hardships of life, the lonely travelers and hard-working fishermen can only sleep in sorrow on this long and frosty autumn night. < /p>

If the first two sentences are about the poet's sensory world and emotional world, then the last two sentences rise to the rational world.

The poem is the biggest ups and downs. The first one is very dense, with fourteen characters describing six scenes, but the second one is particularly sparse, with only one thing written in two sentences: the sound of the bell at Wowenshan Temple.

But it achieves the goal. The leap from the sensory world to the rational world gives people unlimited room for reverie. The third sentence, "Hanshan Temple outside Gusu City"

On this cold night, Gusu City is a famous historical city. Is the city of Suzhou bustling with lights, singing and dancing, or is it as quiet and desolate as the river? Whether it is noisy, peaceful, happy, or miserable, this is what we should face in this world after all.

But should the human soul rely on it? Where is the destination of the human soul? Can people achieve transcendence of themselves and reality? Isn’t Hanshan Temple such a pure land? , giving people a sense of transcendence from the earthly world) The fourth sentence, "The midnight bell rang to the passenger ship." The midnight bell rang in the temple, and the poet returned from the transcendent realm to the real world.

The arrival of the "passenger ship" announces the beginning of the hustle and bustle of life in the world. The word "sorrow" opens up the poet's spiritual world and makes the poem itself open.

The poet. He began to ask questions about the relationship between the real world, the relationship between people, the relationship between people and religion, and the meaning of human existence. In the noisy and chaotic world, people have lost their sense of themselves and themselves when facing the hardships and sorrows of life. The true grasp of the world outside of itself makes all kinds of relationships secular and boring.

People lose their sensitivity to the existing world and lose the ability to dialogue with nature. This sensitivity still exists in the poet.

This creates a strong contrast and forms the tragic character of the poem, how people transcend themselves and reach the other world, and how people remain. Aren't the ability to dialogue with nature and the purity of one's own soul exactly what the poet is asking about cultural issues? This is the cultural connotation of the poem.

The loneliness and sorrow caused to the poet by questioning and exploring cultural issues can be imagined. Here, a poem by Master Hanshan can be used to explain the poet's feelings at that time.

Yao Yao Han mountain road, Luo Luo Lengjian shore. There are always birds chirping, but there is no one in silence.

The gentle wind blew across my face, and snow accumulated all over me. There is no sun in the morning, and no spring in the year.

5. Poems about Suzhou and Hangzhou

When you go to Suzhou, everyone is sleeping on the river. There is little idle land in the Forbidden City, and there are many water lanes and small bridges. (Du Xunhe, a poet of the Tang Dynasty)

A secluded mountain embraces the city. (Su Shunqin's "Canglang Pavilion" of the Song Dynasty)

Humanity means that I live in a city, but I suspect that I am in the mountains. (Yuan Dynasty) Wei Ze's "Scenery of the Lion Grove")

It's a pity that there are no carriages and horses in this place, but I believe there are mountains and forests in the city. (Ming Dynasty Wen Zhengming's "Pictures of the Humble Administrator's Garden Ruoshu Hall")

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I didn’t know that there are mountains and forests in the city, and Xie Gong’s hills and valleys should be worthy of the blame. (Qing Dynasty Xu Song’s "Autumn Passing Huaiyunting Visiting Zhou Xueke's Trip to Treading Shasha". Huaiyunting is now the northern half of Suzhou Garden)

Separated from the chatter of the city to the west, the secluded dwelling is like a savage home. (Qing Dynasty Wang Wan's "Re-Title of Jiang's Art Garden")

Who said that today is not the same as in the past, you know that there are mountains and forests in the city. ("A Sentence in the Lion Forest" by Qianlong of the Qing Dynasty)

No matter where you look for the trace of the layman, there are mountains and forests in the city. ("A Journey to the Lion Forest" by Wang Gengyan of the Qing Dynasty)

Night at Fengqiao Zhang Ji in Tang Dynasty

The moon is setting and the sky is full of crows and frost, Jiang Feng and the fisherman are sleeping in sorrow.

In Hanshan Temple outside Gusu City, the midnight bell rings for the passenger ship.

< p> Visit Yuzhi, Suzhou again to see Xu Hun of the Tang Dynasty

The leaves of Gao Wu are falling at the beginning of autumn, passing by the old sojourn in the long corridor.

The moon is passing through the blue window, drinking wine tonight, the rain is dim A book written last year on the wall.

The dew on the jade pond is cold and the hibiscus is shallow, and the Qiong trees are high in the wind and are growing sparsely and sparsely.

Tomorrow I hang up the sail and go further east, and the immortal should laugh like a perch.

Crossing the Wujiang River by Du Mu of the Tang Dynasty

The people in the museum are sparse and the nights are longer, and the trees in the distance of Gusu City are green.

The rivers and lakes are ebbing and the high buildings are different, and the rivers and Han Dynasties are returning to Guangdian in the cool.< /p>

The moon turns and the magpie shadows are moved by the blue sky, and the low red grass is wet with fluorescent light.

Poet lovers in the literary garden should think more, and do not cover up the hall with drunken music and singing.

On behalf of all the prostitutes, I present a gift to the Zhou magistrate Tang Bai Juyi

The prostitute banquet will leave Gusu tonight, and the guests will go to Jinghu Lake tomorrow.

Don’t go out in a small boat to find Fan Li, and follow the five horses to find Luofu. .

Can the Orchid Pavilion return to the moon, but the autumn coolness in the Baby Pavilion is gone?

I hope I will be my wife as my envoy, and I will stop dyeing my white mustache when I return.

Wu Yue nostalgic about the ancient Tang Dynasty Li Yuan

Wu Yue has complained for thousands of years, and the two palaces are playing woodcutter songs. .

When Gusu is defeated, the clouds are colorless, and Fan Li swims in the water for a long time.

The clouds in the old city turn to doubt, and the moon falls on the barren trees, thinking of moths.

< p> Pedestrians want to ask about the Xi Shi Pavilion, but the birds flying on the river are cold and the green grass is abundant.

Send people to visit Wu and Tang Du Xunhe

See you in Gusu, everyone is sleeping on the river.

There is little free space in the ancient palace, but there are many water lanes and small bridges.

Water chestnuts and lotus roots are sold in the night market, and spring boats carry Qiluo.

I know that the moon is not sleeping in the distance, and my homesickness is in the fishermen's songs. .

Two poems about the first clear and later rain on the drinking lake (Part 1) by Su Shi

The clear sky is beautiful when the water is shining, but the mountains are also strange when they are empty and covered with rain.

If you want to compare West Lake to Xizi, it is always better to put on light makeup and heavy makeup.

Send Yang Wanli away from Jingci Temple at dawn

After all, the scenery of West Lake in June is different from that of the four seasons.

p>

The lotus leaves touching the sky are infinitely green, and the lotus flowers reflecting the sun are uniquely red.

6. In the poem "Mooring at Night on the Maple Bridge", the poem describing the scenery is

Description of the scenery The poem is

"The moon is setting, the crows are crying, the sky is full of frost, the river maples and fishing fires are facing melancholy"

The whole poem is unified by the word melancholy. The first two sentences are densely packed with images: the falling moon, crows, the sky full of frost, river maples, fishing fires, and sleepless people.

"Mooring at the Maple Bridge at Night" creates an aesthetic situation with rich meaning.

These two sentences not only describe the scenery by the river on an autumn night, but also express the author's homesickness.

The images in the last two sentences are sparse: cities, temples, boats, and bells, which are an ethereal and distant artistic conception.

There is no moon when traveling at night, so it is difficult to see anything, but the fishing fire is eye-catching and the frost and cold can be felt;

In the middle of the night, when Khotan is silent, I hear the crow of the bird and the sound of the bell.

Such a contrast between brightness and darkness, and the contrast between silence and sound,

make the scenes the scenery in the heart, and the sounds the sounds in the heart,

the artistic conception is sparse Densely scattered, blended and distant.

A faint trace of guest sorrow is dyed hazy and meaningful,

swaying in the night sky of Suzhou City,

for the bridge and water there , one temple and one city add to the ancient charm,

attracting dream-seekers from ancient times to the present. "Compilation of Three Collections of Tang Poems" "The whole poem starts from 'Chou Mian',

The beauty lies in not saying it."

"Qisha Tang Poems": "The third chapter of 'To Chou Mian' The word "sorrow" is used as the key word in the whole chapter.

The virtual word is the sunset scene, and the meaning of tossing and turning is evident."

"Combined Interpretation of Ancient Tang Poems": " The syntax of this poem is the most wonderful, it seems to be connected but broken, and it seems to be broken but connected."

Night Mooring on Maple Bridge

(Tang Dynasty) Zhang Ji

The moon falls. The sky is full of crows and frost,

Jiang Feng fishes and fires to worry about sleep.

Hanshan Temple outside Gusu City,

The midnight bell rings to the passenger ship.

7. Sentences describing the scenery of Suzhou’s Maple Bridge

1. The moon is setting, the crows are crying, the sky is full of frost, and the river maples are fishing and the fire is sleeping in sorrow.

At Hanshan Temple outside Gusu City, the midnight bell rang for the passenger ship. " ("Night Mooring at Maple Bridge" by Zhang Ji of the Tang Dynasty) 2. There are fewer people in the pavilion, and the nights are longer, and the trees in the distance of Gusu City are green.

The rivers and lakes are ebbing, and the high buildings are different, and the rivers and Han Dynasties return to Guangdian in the cold. The moon is full. The magpies' shadows are turning around, and the low red grass is wet with fluorescent light.

The poets in the literary garden should think more, and don't cover up the hall with drunken music and singing. ("Crossing the Wujiang River" by Du Mu of the Tang Dynasty) 3. The prostitute's feast tonight. Farewell to Gusu and head towards Jinghu Lake in the morning.

Don't go out in a boat to look for Fan Li, and follow the five horses to find Luofu. Can you return to the Orchid Pavilion when the moon is broken? For my wife, I will stop dyeing my white mustache when I return.

("Presents to Judge Zhou" by Bai Juyi of the Tang Dynasty) 4. Wu Yue has been complaining for thousands of years, and the two palaces have been singing woodcutter songs. When Gusu is defeated, Yunwu. Color, Fan Li has been swimming in the water since the waves.

The old city is full of doubts, and the moon is shining on the barren trees. Pedestrians want to ask about Xi Shi Pavilion, and the birds are flying in the cold green grass.

< p> (Tang Li Yuan's "Wu Yue Nostalgia") 5. When I came to Gusu, I saw that the ancient palaces had little free space, and there were many water lanes and small bridges.

Lotus root was sold in the night market, and spring boats carried flowers. Luo. I know that the moon has not yet fallen asleep, and my homesickness is in the fishing song.

("Sending People to Wu" by Du Xunhe of the Tang Dynasty)

8. Poems describing the scenery of Hangzhou. After all, the scenery of West Lake is different from that of the four seasons. The lotus leaves in the sky are infinitely green, and the lotus flowers in the sun are uniquely red. p>

On the short and long dike, there is an oriole singing, which cannot be hidden by the green curtain of smoke.

A tall Wu leaf falls far away in the early autumn. I am staying in the old corridor. The moon is shining through the blue window, and I am drinking wine tonight. The rain is dim and the red walls are covered with flowers. >

The boundless water is vast, and the lotus blossoms are fragrant in the night wind.

To the west of Jiating in the north of Gushan Temple, the water surface is flat at the bottom of the clouds.

There are only a few people in the garden at night. Long, the trees in the distance of Gusu City are green, the rivers and lakes are ebbing, and the tall buildings are far away. The rivers and lakes are returning to the palace in autumn. The moon is turning and the magpie shadows are moving, and the red grass is wet with fluorescent lights. The poets in the literary garden should not be buried in drunken music. Huatang.