Yao Tao's The Book of Songs, Nan Zhou, Article 6. It is a folk song of the Chinese people in the pre-Qin period. The whole poem consists of three chapters, each with four sentences. This is a poem to congratulate a young girl on her marriage. This poem begins with a peach blossom and sings a hymn for the bride. The language of the whole poem is beautiful and refined. Not only has it been skillfully turned into various idioms and synonyms, but the word "one" has been used repeatedly, which reveals the beautiful character of the bride living in harmony with her family, and also writes that her beautiful character has injected fresh blood into the newly-built family and brought a harmonious and happy atmosphere. The Book of Songs is the first collection of poems in the history of China literature. It had a far-reaching impact on the development of poetry in later generations and became the source of the realistic tradition of China's classical literature.
This is a poem to congratulate a young girl on her marriage. According to the Zhou Li, "Mid-spring makes men and women." In the Zhou Dynasty, girls usually got married in the bright spring when peach blossoms were in full bloom, so the poet began with peach blossoms and sang a hymn for the bride. Old theories, such as Mao Xu, think that it is related to empresses and kings, but today people don't take it.
The whole poem is divided into three chapters. The first chapter compares the youthful charm of the bride with the bright peach blossoms. It is often said that the first person to compare flowers with beauty is a genius, the second is a mediocrity and the third is a fool. The Book of Songs is China's first collection of poems, so it is no exaggeration to say that it compares beauty with flowers for the first time. Since then, flowers, especially peach blossoms, have been used to describe the endless stream of beautiful women, such as Ruan Wei's "Love for Flowers in the Past": "Every day, peaches and plums bloom and shine brightly." Hu's "South Village of Jingcheng": "Last year today, at this gate, people's faces and peaches set each other off." Song Chen Shidao's "Bodhisattva Man" words: "Jade wrist pillow fragrant cheeks, peach blossom face open." Have their own characteristics. Naturally, it can't be dismissed as mediocrity and stupidity, but they are all influenced by the poem "The Book of Songs", but the influence is great and small, and the application is clever. What is written here is the fresh peach blossom, which blooms in succession. The newly-married girl in full dress is excited and shy at the moment, and her cheeks are flushed. It is really a peach blossom with a face and charm. There are both descriptions of scenery and characters in the poem, and the scene blends with each other, setting off a happy and warm atmosphere. This kind of scene can be seen even at today's rural wedding. The second chapter is to express my wishes after marriage. Peach blossoms bear fruit naturally. The poet said that its fruit was fat and big, symbolizing that the bride had a baby early and raised a fat doll for nothing. The third chapter wishes the bride's family prosperity with lush peach leaves. It is the most beautiful metaphor and the best tribute to symbolize the happiness of the newly married bride's married life with the fruit with numerous peach branches and the dense shade of peach branches. Zhu's Biography of Poems thinks that each chapter is "Xing", which is reasonable, but it is indeed a comparison between Xing and Xing to play with poems carefully. The poem consists of three chapters, each of which starts with a peach, followed by flowers, fruits and leaves, with distinct levels: from flowers to fruits, and then from fruits to Ye Sheng; Poetry also gradually changes, adapting to the growth of peach blossoms, and naturally blending into one.
After singing the peach blossom, the poet gave a congratulatory message in the spoken language at that time. The first chapter says, "When a son comes home, he must stay at home." That is to say, this girl is going to get married and have a family with Mei Mei. The second and third chapters are changed to "home" and "family" because of rhyme, but there is little difference in meaning. In ancient times, men took women as their rooms, women took men as their homes, and men and women combined to form families. A woman's marriage is the beginning of a family. Zhu's Biography of Poetry explains: "One of them is suitable, and the meaning of harmony is also. The room is where the couple live, and the home is within a door. " In fact, it means that the newlyweds' small home is the room, but they are at home with their parents. Nowadays, the interpretation of modern language is family-specific, which is easier for ordinary readers to understand.
This language is extremely beautiful and refined. Not only skillfully turn it into various inverted sentences and synonyms, but also use the word "one" repeatedly. The word "one" reveals the beautiful character of the newly-married bride living in harmony with her family, and also writes that her beautiful character has injected fresh blood into the newly-built family and brought a harmonious and happy atmosphere. The word "Yi" can hardly be replaced by one word when it hits the floor.
Some people also put forward a new view on the theme of the poem "National Wind Nan Zhou Yao Tao", thinking that this poem is the lyrics of ancestors' exorcism sacrifice, and its content is to exorcise ghosts and gods, make them return to their homes, and pray them to bless their loved ones on earth.
The Book of Songs? Qin Feng? Jia Jian: The first two sentences begin with Jia Jian, showing a scene on the river in autumn: in the early morning of late autumn, autumn water is dense, reeds are green, dew is shining and crystal clear as frost. This state is slightly sad in emptiness and loneliness, so it plays a good role in the persistent pursuit and elusive love expressed in the poem.
In this poem, the poet skillfully uses reeds, frost dew, autumn water and other scenery to render a melancholy atmosphere, so as to set off the protagonist's invisible melancholy mood. With the overlapping of pictures in the morning, the protagonist's mood becomes more and more urgent and sad. This poem has reached the realm of artistic blending. The subtle changes in the scenery in the three chapters of this poem not only indicate the time and place for the poet to pursue "Iraqis".
Nan Zhou? In Yao Tao, the word "appropriate" is used repeatedly to create a very vivid image, and vivid peach blossoms are used to compare the beauty and appropriateness of a girl. A girl should not only have the gorgeous appearance like a peach blossom, but also have the inner beauty of "suitable room" and "IKEA", which reflects the people's love for life and happiness.
From the death of peach, through bedding and rendering, I warmly and sincerely expressed my praise and blessing to the bride. I praised the bride's beauty and virtue by comparing peaches, describing peach blossoms and peach leaves, and wished the bride a harmonious husband and wife and a prosperous family from different angles. Lenovo is clever, vivid and interesting.
When you are quiet, you are moving.