Ouyang xiu's literary common sense 1. Ouyang xiu's fussy and hard-working literary common sense.
Ouyang Xiu (1007~ 1072)
Politicians and writers in the Northern Song Dynasty. One of the eight masters in Tang and Song Dynasties. The word Yong Shu,No. Drunken Weng, No.61 layman (the guest asked: "What is 61?" The layman said, "My family has a collection of 10,000 books, including 1,000 copies of epigraphy of three generations, a piano and a chess game, and always a pot of wine." The guest said, "It's for Wuyi Er. What can I do? " The layman said, "I am not an old man in these five things?" )。 Posthumous title's Wenzhong wrote Ouyang Wenzhong's Public Collection, and he was born in Yongfeng, Jizhou (now Jiangxi). Ouyang Xiu claimed to be a native of Luling, because Jizhou originally belonged to Luling County.
Ouyang Xiu lost his father at an early age and studied under the care of his widowed mother. Injong Tiansheng eight years (1030), Ouyang Xiu Jinshi. The following year, he was appointed as an official of Xijing (now Luoyang) and became a close friend of Mei He, exchanging poems with each other. In the first year of Jingyou (1034), the bachelor's college was called, Xuandelang was appointed, and the pavilion was filled for collation. In the third year of Jing You, Fan Zhongyan criticized the current politics in the last chapter and was demoted to Raozhou. Ouyang Xiu defended him and was demoted to the county magistrate of Yiling (now Yichang, Hubei).
Ouyang Xiu is also good at poetry. In Preface to Mei Poetry, he put forward the argument that "poor works are the last", which developed the poetic theories of Du Fu and Bai Juyi and had a great influence on the poetic creation of that time and later generations. His Poems on June 1st is the first poem in the history of China literature. It comments on poetry in a casual and intimate way and becomes a new form of poetry conversation.
Ouyang Xiu is also good at lyrics. The main contents of his ci are still acacia, drunken songs, cherishing spring and enjoying flowers. He is good at writing Thirteen Poems of Picking Mulberry with fresh and light brushstrokes, depicting the natural beauty of Yingzhou West Lake, which is quiet, clear and full of emotion, just like elegant landscape paintings. In other words, "apricot blossoms and red hills are scarce, and pedestrians on the hillside rest under the mountain", "Jade House Spring" and "people in the upper reaches of the dike row boats one by one, patting the spring water on the dike to the sky. Qingyang building goes out to swing "([Huanxisha]) and so on. It is also a good sentence to write about scenery. Lyric writing is elegant and touching, with deep feelings. For example, the last two sentences of "Walking in the Sand", "The sorrow is getting farther and farther away, and the distance is like spring water", "Spring mountains are everywhere, and pedestrians are more outside", express their feelings very deeply through spring water and spring mountains. He still has something to say. Although he is old and complaining, he speaks his mind directly, showing his generosity and optimism. There are also some colorful words, although they are written about dating between men and women, but they are also simple and vivid; Of course, there are also some shallow and vulgar works.
2. The literary knowledge of Zuiwengting
1. The author of Zuiweng Pavilion is Ouyang Xiu, whose real name is Yongshu, whose name is Zuiweng Pavilion, and in his later years, whose name is Liu Yiju, posthumous title Wenzhong, was born in Yongfeng, Jizhou (now Jiangxi) and was a famous writer in the Northern Song Dynasty. One of the "Eight Masters in Tang and Song Dynasties". Poetry and prose are all good, and prose is the highest achievement.
The first paragraph explains the geographical location, owner and naming reason of Zuiweng Pavilion, describes the author's love for mountains and rivers, and leads to the word "music", pointing out that "Zuiweng cares about mountains and rivers for his sake";
The scenery around the drunken pavilion in the second quarter is the joy of enjoying natural scenery;
The third paragraph is the joy of people traveling in the mountains and the joy of satrap banquet;
The fourth paragraph, feel what you see and hear when you come back drunk, and express your feelings-the joy of satrap lies in having fun with the people.
2. Central idea: The word "music" runs through the whole text. Through the description of the beautiful scenery of Chuzhou, it shows the author's thought of caring for mountains and rivers, using "music" to dispel the pain of being demoted and having fun for the people.
3. Writing characteristics
(1) loves mountains and rivers, and integrates scenery writing, discussion and lyricism.
(2) From the outside to the inside, from far to near, the use of antithesis, repetition and judgment makes the article sing in unison, full of rhythm and rhythmic beauty.
(3) Landscape writers grasp the characteristics and keep their words concise.
Third, the main points
1, the four situations of visiting Langya Mountain can be summarized in turn as follows: Chu people travel, Taishou banquet, many guests are happy, and Taishou is drunk.
2. "Too drunk" is not caused by wine, but by the beauty of nature and the people's peace and prosperity.
3. The sentence that the author named himself "Drunken Weng" in the article is "Taishou and his guests come here to drink, and they are drunk with less, but the year is the highest"; The following sentence echoed with it is "pale white hair, and those who are in it are too drunk."
3. Literary common sense: Ouyang Xiu's Ode to Autumn Sound is urgently needed.
Qiu (Ouyang Xiu in Northern Song Dynasty)
Ouyang Zi was reading a book at night when he suddenly heard a voice from the southwest. He listened in horror and said, "What a surprise!" At the beginning of the rain, it suddenly surges; Such as the night terrors of stormy waves and the sudden arrival of wind and rain. It clinks when it touches something, and gold and iron clink; For another example, the soldiers who defected to the enemy scurried away with medals in their hands, but they could not hear the orders, only the voices of people and horses.
Yu said to the boy, "What's that noise? You watch. " The boy said, "The stars and the moon are bright, the Ming River is in the sky, and the trees are silent."
Yu Yue said, "Alas! Why do you come here to listen to the sound of autumn? Gai Fuqiu's behavior is also like this: its color is dim and smoke gathers; Its capacity is clear, the sky is high and the sun is shining; Its qi is bitter and bitter, which makes people bones and muscles; Its meaning is gloomy, and the mountains and rivers are lonely; Therefore, it is also a sound, sad and urgent, calling for anger. The grass is lush, lush and pleasant; Grass turns white when brushed, and wood falls off when touched; The reason why the scattered people were destroyed was because they were fierce in anger. Criminal officer, then Yin; Being a soldier is like being a soldier, which means loyalty between heaven and earth, and often takes killing as the heart. Heaven is to things, and spring gives birth to autumn. Therefore, it is the voice of music and business that dominates the voice of the west, and foreigners are the law of July. Business, injury also; Things are old and sad. Easy, slaughter also; If things are too rich, they should be killed. "
"Well, the vegetation is ruthless and sometimes falls. Man is an animal and the spirit of all things. Worry is the heart, and everything is shaped. If you move in the middle, you must shake its essence. And the situation is beyond its power, worrying about its wisdom; Those who are suitable for the world are trees, and those who are black are stars. Why compete for glory with non-stone quality vegetation? Think about who is a thief, why hate autumn sound! "
The boy is right, sleep with his head down. But the smell of insects singing on the four walls seems to help me sigh.
4. Zuiwengting's literary knowledge is simple and clear.
Zuiweng Pavilion was written in six years (AD 1046), and Ouyang was the prefect of Chuzhou. Ouyang Xiu came to Chuzhou after Li Qing was demoted in five years. Located at the foot of Langya Mountain in the southwest of Chuzhou City, Anhui Province, it is also known as "the four famous pavilions in China" with Beijing Taoran Pavilion, Changsha Aiwan Pavilion and Hangzhou Huxin Pavilion. It is one of the famous historical sites in Anhui Province and a pavilion written by Ouyang Xiu, a great essayist in the Song Dynasty. This paper describes the beautiful environment and natural scenery of Zuiweng Pavilion, outlines a picture of Taishou having fun with the people, and expresses the author's political thoughts and feelings for mountains and rivers, so as to dispel the complicated feelings of being hit. /view/90770
Satisfied, please adopt.
5. Literature knowledge about Tao Yuanming
The Collection of Tao Yuanming is the first collection of literary works by scholars in the history of China literature, which is of great significance. In Preface to Tao Yuanming's Collection, Xiao Tong praised "his literary style is unique, his words are brilliant, his ups and downs are obvious, he is unique, and his cadence is like Beijing". During the Southern Dynasties, Tao Yuanming's literary position was not recognized as it should be, but his poetry and prose works were recognized. The evaluation of Tao Yuanming is getting higher and higher. Wang Ji was an idyllic poet in the early Tang Dynasty. Like Tao Yuanming, he lived in seclusion in the countryside for many times, entertaining himself with Gin. Meng Haoran, an idyllic poet in Tang Dynasty, worshipped Tao Yuanming very much. He wrote in "Going to Hannan to Send Old Beijing in Summer": He is the best Tao Zhengjun. He likes pastoral tastes too much to call himself Emperor Xi. I don't know if Su Qin has any strings, so I use Agger's towel to pour the wine. Under the breezy north window, I call myself Emperor Xi. When I arrived at chestnuts, I met my whole life. Li Bai's thought of "being able to push the eyebrows and bend over to serve the dignitaries" is in the same strain as Tao Yuanming's spirit of "fighting for rice without bending over". After the Anshi Rebellion, Du Fu lived a wandering life and regarded his inability to write poems as a regret. This means that Tao Qianjie, a poet in the middle Tang Dynasty, worships Tao Yuanming very much. In 8 15, Bai Juyi was demoted to Sima, Jiangzhou, which is close to Xunyang, Tao Yuanming's hometown. He visited Tao Yuanming's former residence and wrote the poem "Visiting Tao Gong's Former Residence". In the poem, "dust pollution does not pollute jade" was used first. There are old mountains and old waters in chestnuts. There is no chrysanthemum under the fence, and there is smoke in the open stope. Although the descendants are unknown, the clan has not moved. But if there is a Tao surname, my heart still exists. Bai Juyi wrote in Sixteen Poems of Xiao Tao's Invisible Style: Mr. Wang has been away from me for a long time, and there is a legacy of paper and ink. There is nothing else to say. I come from the boss and admire him very much. Nothing else can be achieved, and. This is inseparable from the influence of Tao Yuanming. Bai Juyi's poem makes it very clear: "There is nothing else to ask for, and the effect is drunk." In the Northern Song Dynasty, Tao Yuanming's position in the history of China literature was further consolidated and confirmed. Ouyang Xiu praised Gui Ci and said, "There is no article in Jin, only Tao Yuanming's Gui Ci. Ouyang Xiu also said: But there are no chariots and horses. Asked He Junneng, his heart is far from self-biased. " "Since the poet, there is no such sentence. However, there is a trend of glory, and between Jin and Song Dynasties, it is gone forever. " Su Dongpo said in the book with Su Zheshu, "I am not very good with poets, but there are not many poems with far-reaching brilliance, but their poems are qualitative and realistic. It's not fair. However, he summed up the artistic style of Tao poetry in eight words: "quality and reality, and wealth and reality", which is still very accurate. Su Dongpo regarded Tao Yuanming as a mentor and friend all his life. He not only loved his poems, but also admired him as a man. In his later years, he said in the book with Su Zheshu: "I am deeply ashamed of my profound knowledge and want to be a teacher after studying at night." Undoubtedly, it plays a vital role in further determining Tao Yuanming's position in the history of China literature. Xin Qiji, a patriotic poet in the Southern Song Dynasty, cited Tao Yuanming as his confidant in the depression of serving the country with no door and hard will. In the poem Water, he said, "You must believe that this man is not dead, and now he is angry. "Xin Qiji left 626 poems, which were recited, written and quoted. Almost one word in 10 is related to Tao Yuanming. Xin Qiji said in Nian Nujiao: "Under the hedge of picking chrysanthemums, you must believe that it exists, and only Tao Pengze has a high love for thousands of years. "He gave Tao Yuanming the highest evaluation through the ages. Yuan Dynasty, Ming Dynasty and Qing Dynasty followed the lofty evaluation of Tao Yuanming in Song Dynasty until modern times. Tao Yuanming's immortal poem Tao Pengze has influenced the thoughts and creations of several generations of literati, such as Li Bai, Du Fu, Bai Juyi, Su Dongpo and Xin Qiji, and made immeasurable contributions to the development and prosperity of China literature. Tao Yuanming's poems focus on lyricism and ambition. His language, seemingly simple, is actually wonderful. In his plain and mellow poems, there are warm feelings and rich flavor of life. The scenery in Tao Yuanming's poem "Returning to the Garden and Living in Five Houses" is remarkable. After reading it, it is the king for life.