The living can die and the dead can live. People who are born but can't be born and die, and those who die but can't be resurrected, are not affectionate.
3. I was shocked to find that 7A686964616FE78988E69D8331333366303237 Acacia was not exposed, but it was only in the bones. 4. Originally, colorful bloom was everywhere, which seemed to have given the broken well, beautiful scenery and beautiful scenery. Who is happy to enjoy the courtyard, the sunset is flying, the clouds are green, the wind is raining, and the people of Jinping are so embarrassed! 5, people are easy to get old, have many things, and dreams are hard to grow.
A little affection, three points shallow soil, half points setting sun. 6. Dreams are short and long. What year will you go next year?
7. For you, it is as beautiful as flowers and jade, like water flowing for years. This is a question of looking around in a quiet boudoir and feeling sorry for yourself.
8. The world, what the world can do. 9, such flowers and plants are loved by people, and life and death are as people wish, sour and clear.
10. Sometimes my heart is like a dragonfly, beside a plum tree, like flowers and plants being loved, and people complain about life and death. I am miserable and no one wants to. I'm waiting to be beaten and popular, guarding a beautiful rainy day. Extended data:
Artistic features of The Peony Pavilion: The Peony Pavilion has distinct romantic features, and the author enthusiastically gives "emotion" the power to transcend life and death.
Du Liniang has experienced three realms: reality, dream and ghost, which is obviously the product of the author's fantasy. The author uses the artistic contrast of three realms to express his ideals and thoughts, and uses dreams and ghosts to contrast the cruelty of reality.
Du Liniang's dream is so tender and colorful. I woke up to see my mother's nagging and desolation.
Although the judge of the nether world is ferocious, after all, he checked the marriage certificate for her and let her out of the city of death, which embodies a kind of human touch. The father behind the resurrection is just cold and stiff.
All these well reflect the author's critical power to Neo-Confucianism. The work presents a strange color, and the structure of flower god, land, underworld judge, ghost pawn and realistic character has become a dual world of reality and spirit, profoundly depicting the essence of feudal society.
Let the impossible love ideal come true in reality, which embodies the author's strong idealism. Wen Qu in the play shows the author's achievements in artistic language.
Especially in lyricism, it depicts the character, Du Liniang's psychological activities and spiritual world very carefully and truly. References:
Baidu Encyclopedia _ Peony Pavilion Resurrection.
2. Ask for appreciation of the famous sentence of Peony Pavilion: 1, as beautiful as flowers and as beautiful as jade, like water passing by, and so on, all of them were given to rubble.
2, the west wind of the Yangtze River Jintou tree, looking at the Changhuai haze.
The Sound of Anvil It is reported that it is another autumn. The river flows slowly.
4. Occasionally, my heart is like a dragonfly, beside the plum tree. It seems that flowers and plants are loved, people complain about life and death, and no one cares. I will be scented, and I will keep a rainy and sunny day.
5. Things in the world are beyond the power of the world.
6, the beauty of a day, who is happy.
7. I don't know how I feel, but I'm getting deeper. The living can die and the dead can live. Why am I unreal when I dream?
8. You gave birth to a falling skirt, and you filled it with beautiful flowers and flowers; It can be seen that my hobby is natural all my life, but I have no income in just three years. Don't be wary of sinking fish and falling wild birds, lest I be ashamed to close my eyes.
9. Love is born from the heart, life can die, and death can live; Life can't die, death can't be born, what a pity!
10, such flowers and plants are loved by people, and life and death are as people wish, and no one complains.
1 1. I want to send spring to the pond to plant grass, and I want to relax at the bottom of the tea pot rack. I will be sent to Penglai Cave to teach. Hong Xiuxie, the golden lotus, swings the skirt of Hunan and turns to the west.
12, I was shocked that my lovesickness didn't show up, because it was already in my bones.
13, have a nice day and you will be happy. For you, it's as beautiful as flowers and jade, like water passing by.
14, I don't know what I am doing, but it is gone forever.
15, it turns out that this colorful place is everywhere, and it seems that it is all paid for broken wells. It's a beautiful day today, and everyone is happy! Fly to dusk, clouds and green pavilions; Rain and wind shadow, smoke and waves draw boats. What a shame the people of Jinping saw!
16, it's early autumn, the golden wind is slight, and the bridge is painted outside the city gate.
17, the wind blowing in the yard shook the spring like a line. I stopped for a long time to adjust the buds, but I didn't steal half of them. The colorful clouds were off. How to show your whole body when you step on the boudoir?
18, I don't know what the situation is, but if we go deeper, the living can die and the dead can live. People who are born but can't be born and die, and those who die but can't be resurrected, are not affectionate.
19, for you, it's as beautiful as flowers and jade, like water passing by. This is a question of looking around in a quiet boudoir and feeling sorry for yourself.
20. It turns out that bloom is all over the ground, and it seems that it has been given to that broken well. When is the beautiful scenery, who is happy?
3. Ask Tang Xianzu's classic poem "Peony Pavilion" to blossom everywhere, as if they had all given the broken well. When is the beautiful scenery, who is happy?
The full name of Peony Pavilion is The Rebirth of Peony Pavilion, which is adapted from the novel The Rebirth of Muses by Du Liniang in the Ming Dynasty. Peony Pavilion is the representative work of Tang Xianzu, a playwright in Ming Dynasty, and also the most proud work in his life. He once said: "I have four dreams all my life, and I am proud of peony."
Peony Pavilion, Zi Chai Ji, Handan Ji and Conan Ji are collectively called "Tang Yuming Four Dreams" and "Linchuan Four Dreams". Influenced by different theories of Confucianism, Buddhism and Taoism, its story background describes the decadent feudal system of Confucianism, but the flower god in the story is the product of Taoism, while the heroine Du Liniang's resurrection from the dead is the Buddhist theory of Sansheng. In a word, Tang Xianzu devoted his life's thoughts and feelings in the Peony Pavilion, which perfectly interpreted his "theory of utmost affection".
The work combines legends and stories with Ming society, and it is a romantic spiritual masterpiece. There are fifty-five plays, each of which provides hints for the following plot. The following poems all adopted Tang poetry, and none of them were satisfactory. It can also be seen that Tang Xianzu paid more attention to his Peony Pavilion than his other works. The Peony Pavilion not only eulogized human nature, but also attacked Zhu Cheng Neo-Confucianism which was popular at that time in another unique way.
Tang Xianzu (1550— 16 16) was a dramatist and writer in China in the Ming Dynasty. Word meaning is still, Hai Ruo people, number if stone, Qingyuan road flyover. Han nationality, Linchuan, Jiangxi. Tang was born in Yunshan Township, Linchuan County, and later moved to Tangjiashan (now Fuzhou City). Born in a scholarly family, he has a long-standing reputation. He is not only proficient in China's ancient poems, but also in astronomy, geography and medical divination. At the age of 34, he was a scholar and served as a doctor in Taichang Temple, a satrap in Zhan and a Taoist in Nanjing Temple.
In the 19th year of Wanli in Ming Dynasty (159 1), he witnessed the corruption and anger of bureaucrats at that time, and was demoted to Xuwendian history, which angered the emperor. Later, he was transferred to Suichang County, Zhejiang Province for five years with remarkable achievements. However, he was criticized by his superiors and opposed by local forces because he suppressed and angered dignitaries. Finally, during the twenty-sixth year of Wanli (65438) at home, on the one hand, I hope that there will be a day of "repaying the kindness of knowing the encounter", on the other hand, I hope that "there are important officials in the court, and there are no hungry tiger officials in counties and counties, and it is enough to add a volume of poems every year." Later, he gradually gave up the idea of being an official and devoted himself to drama and poetry creation.
Among Tang Xianzu's achievements in many aspects, opera creation is the most important. His dramatic works, Return to the Soul, The Story of Purple Hairpin, Conan and Handan, are collectively called "Four Dreams in Linchuan", among which Peony Pavilion is his masterpiece. These plays are not only loved by the people of China, but also spread to Britain, Japan, German, Russian and many other countries, and are regarded as the treasures of world drama art ... Tang's monograph "Qingyuan Opera Temple in Yihuang County" is also an important drama performance document in the history of China opera, which has a pioneering guiding role. Tang Xianzu is also an outstanding poet. There are four volumes of the Complete Works of Tang Yuming, one volume of Hongquan Yicao, and two volumes of Asking about Acacia.
4. What does the translation of the famous sentence Peony Pavilion express? "No one sees the benefits of just three spring days" means that no one appreciates your youth and beauty, just like spring in this deep house compound. "If you don't watch out for birds, you are afraid of flowers." I have the appearance of a fish and goose, but I am ashamed to spend my time.
Du Liniang, egged on by her handmaid Chunxiang, went to the garden behind her father's back and saw the beautiful spring of nature for the first time. "It turned out to be colorful", but there is no elegant environment to match such a beautiful scenery. "In this way, it was all given to the broken well and the broken wall." Du Liniang can't help but think that her beauty is only in the face of unhappy teachers and suffocating study, her youth is slipping away quietly, and her natural nature is imprisoned. At this time, it was a great spring that awakened her inner vitality, and the beauty of body and mind and the beauty of nature produced a strong * * *, which could not help but give birth to a sigh of cherishing spring: "What a beautiful day, who is happy?" I feel that spring is too casual and there is no pity.
5. Appreciate The Peony Pavilion, which was written in the 26th year of Wanli (1598). According to the author's understanding, there are many sources of its theme, the most influential of which is the story of Du Liniang Muse Rejuvenating in the Ming Dynasty.
The processing and adaptation of Tang Xianzu's dialogue "Du Liniang Muse Revives the Soul" is mainly manifested in the following aspects: First, it highlights the guardian status of Du Bao and others; The second is to change the relationship between Du and Liu. The third is to change the color of Du Liniang feudal ladies into rebellious women; The fourth is to emphasize the difficulties and twists in pursuing free love. This traditional "rebirth" motif has a brand-new ideological content.
Peony Pavilion is a love drama. Du Liniang, a young girl, lived in a boudoir for a long time and was influenced by feudal ethics. However, she still feels homesick. In her dream, she had a tryst with scholar Liu Mengmei and died for love. After her death, she married Liu Mengmei, and finally came back to life and married Liu.
Through the unswerving love between Du Liniang and Liu Mengmei, the script praises the indomitable struggle of young men and women for the pursuit of a free and happy love life, and expresses the hazy desire to break free from the feudal cage, smash the shackles of Neo-Confucianism in Song and Ming Dynasties, pursue individual liberation and yearn for an ideal life. From the content, The Peony Pavilion still shows the ancient theme of "the conflict between love and civilization". However, in The Peony Pavilion, "civilization" has a special connotation, that is, Neo-Confucianism and ethics advocated by Ming officials.
Du Liniang's longing for love is natural. Although she was taken care of for a long time, she still had a strong desire for love and finally got it. The significance of The Peony Pavilion lies in affirming the objectivity and rationality of love desire by visual means and strongly criticizing the unreasonable "civilization".
The Peony Pavilion is similar in thought to The Romance of the West Chamber, but The Romance of the West Chamber focuses on the feelings before desire, while The Peony Pavilion focuses on the feelings after desire. The Romance of the West Chamber describes the natural development of emotions, and more expresses the good wishes of all sentient beings in the world, while The Peony Pavilion particularly highlights the conflict between emotion (desire) and reason (ceremony), emphasizing the objectivity and rationality of emotions. This difference is caused by the difference of the times.
The love description in The Peony Pavilion has the ideological height and characteristics of the times that some previous love dramas can't match. The author clearly regards this rebellious love as the breakthrough of ideological liberation and personality liberation, and no longer stays in the narrow sense of opposing parents' orders and matchmakers' words.
The author let the young men and women in the play risk their lives for love, which not only has a strong romantic color, but also gives love great power to overcome everything and transcend life and death. The brand-new drama concept is expressed by brand-new characters, which is one of the most outstanding achievements of Peony Pavilion.
Undoubtedly, it has shaped the image of Du Liniang and provided a glorious image for the China Literary Figures Gallery. The biggest feature of Du Liniang's personality is his persistent pursuit of love.
She died for love, born to love. Her death was not only the real result of young women's pursuit of love in the real society at that time, but also a means for her to transcend the bondage of reality.
6. Who can introduce the famous sentence in The Peony Pavilion The West Chamber: The blue sky and yellow land are tight with the west wind, flying north and south.
Whoever gets drunk at dawn always leaves people with tears. Surrounded by mountains, a whip is still shining.
Fill in the worries of the world and measure how these cars can be bought. I was a sad and sick person when I left for my eyes, so I can't treat you as a beauty.
See Peony Pavilion: If you want to weave gold and silver, you must go from yellow to white. I never dreamed that Huizhou was so colorful in my life, as if there was nothing left.
Today's weather is very good, which is a pleasure for anyone! I am tired of flying, and the clouds are green; Rain and wind shadow, smoke and waves draw boats. Jinping people are very proud of this.
I don't know what happened, but it went on. The living can die and the dead can live. The love in the dream is not true.
7. How to appreciate The Peony Pavilion from a literary perspective? The Peony Pavilion is the representative work of Tang Xianzu, which has made outstanding contributions to the drama of Ming Dynasty and occupies an important position in the history of China literature and China drama.
I think its artistic features are as follows: First, through the love story between Du Liniang and Liu Mengmei, it eulogizes the spirit of opposing feudal ethics and demanding individual liberation. Du Liniang's novel is a vernacular novel in Ming Dynasty, which is widely circulated. Based on this novel, Tang Xianzu made a thoroughly remoulded creation, closely combined the legend of the novel with the real life of the Ming Dynasty, and showed the love story of two young people who pursued freedom of personality, free love and anti-feudal ethics with fuller characters, more tortuous storylines, complicated lyrics and scene design.