In fact, poetry also has routines written by ordinary beginners. Generally speaking, learning poetry is nothing more than learning the three beauties of poetry, namely, formal beauty, spiritual beauty and bone beauty. A poem, especially a beginner, stays in the stage of "formal beauty", that is, "rhyme", which is the sentence that we often see most easily expressing "good charm". In fact, it is such a poem, but it will not be a great work. A poem that pays too much attention to "formal beauty" will only fall into "learning from foreigners". Of course, there will still be some poems with "divine beauty". This kind of poetry often pays attention to the artistic conception of a poem while paying attention to the charm. The so-called artistic conception is actually the eyes of poetry. The existence and height of a poem's artistic conception cannot be seen from the beauty of the picture rendered by the poem. The artistic conception of poetry should be more of an ability, which enables readers to sing with the poem/poet through such a beautiful picture, thus gaining spiritual enjoyment. Nine times out of ten, Tang poetry and Song poetry can write such a poem. The so-called masterpiece. Of course, the so-called "skinny beauty" in the end may not be recognized by most people. Many people think that a poem/word can actually survive in the world if it can achieve both form and spirit. I don't deny that. But I personally think that poetry/words are like people, people have backbone, and so is poetry. This kind of "backbone" is more of a historical imprint. A poet/poet ~ ~ or a person, no matter where he is in the world, can never escape the shadow of history. When a poet/lyricist writes a poem/word, he will unconsciously bring some historical marks, which often reflect a poet/lyricist's personal integrity in poetry. That is what we usually call "genre". For example, Li Bai is the representative of the "uninhibited school". . . A poet/poet who can reach this height will never be a sand grain of history, and it will be scattered when blown away. It is this "backbone" that distinguishes the so-called "great" poets from the real poets in the world. All of the above are my long-term personal understanding of my love of poetry. If there is anything wrong, it is for reference only! Supplementary poetry appreciation can also be appreciated from the above aspects. In fact, poetry is simpler than classical Chinese (personal opinion, because there are many words and function words in classical Chinese, these are not problems when you try to write poetry). I believe that appreciation under this framework does not necessarily mean that you can write any blockbuster articles, but at least it will not be any mediocre appreciation articles.
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