Question 2: The cursive scripts of the four famous cursive writers are characterized by simple structure and continuous strokes. Cao Zhang originated in the Western Han Dynasty and flourished in the Eastern Han Dynasty. The font is in the form of official script, and the characters are different and correct each other. This grass originated in the late Eastern Han Dynasty, with diverse styles and beautiful brushwork. The sum of the present and the present is longer than this grass, and the present and the rest are also longer than this grass. Wild Grass, also known as Big Grass, has bold brushwork and continuous posture, such as Zhang Xu's Thousand Pieces of Broken Monuments and Four Ancient Poems in the Tang Dynasty, and Notes on the Autobiography of Monks in Huai Su. Sun's brushwork is lively and charming. "Big grass" and "small grass" are symmetrical. Big grass is pure grass-based and difficult to identify. Zhang Xu and Huai Su are good at it, and their words are written in one stroke, sometimes out of line, but the context is constant. In Qing Dynasty, Feng Ban gave a lecture on cursive script in "Blunt Printing Book": learn from it, learn from it, learn from it, and learn from Zhang Xu as weeds, so it is better to learn from Huai Su. Huai Su's cursive script is easy to recognize, the handwriting is fine, and the relationship between words is clear and easy to put pen to paper. Zhang Xu's glyphs vary widely, often a number, and the momentum between them is constant, which is difficult to identify and forms a unique style. As mentioned in Han Yu's Preface to Giving People a Noble Mind, Zhang Xu's cursive script is "angry and embarrassed, sad and sorrowful, resentful and resentful, yearning, drunk and annoyed, unfair and moving in the heart, which is bound to be reflected in the cursive script", so it is difficult to learn from Zhang.
Among them, Zhang Xu, the second king of calligraphy and Zhang Zhi, made the greatest achievement. He is famous for his bold changes and neat writing style. The most famous cursive script is odd and easy, continuous and tortuous, good at wild grass and new style, and is known as the "sage of grass".
Question 3: Who are the famous cursive writers in China? There are too many master calligraphers. Let's make a simple list.
Ancient times: Zhang, Xu, Wang Xizhi, Mi Fei, Huai Su, Zhang Xu, Su Dongpo, Huang Tingjian, Wang Duo, etc.
Today: Yu Youren, * * *, Wang Quchang, Lin Sanzhi, Shutong, Qigong, Shen Peng, etc.
Question 4: Who are the modern calligraphers? Pang Zhonghua is the chairman of China Hard Pen Calligraphy Association.
Question 5: Who are the calligraphers in China? Zhong Shi, Qi Gong and Wang Dongling are several famous contemporary Ouyang. ...
Question 6: Mr. Li Zhimin, a famous contemporary cursive master, is known as the first person in China in the new period of reform and opening up. Lin Sanzhi cursive script is elegant, while Li Zhimin cursive script is boundless, with different styles, which complement each other and are indispensable. What is extremely commendable is that Weibei pays attention to the spirit of stone and stone, the shape of Fang Jun is difficult to cut, and the wild grass pays attention to exile. These two kinds of calligraphy are very different. Mr. Li Can organically integrated the two, and Wei Bei's calligraphy was more thoroughly integrated into the wild grass, creating a unique style of wild grass calligraphy, which was both vigorous and beautiful. This is more perfect than another modern monument combined with cursive master Yu Youren.
Question 7: Who is the most accomplished cursive writer? What are the characteristics of his art? Zhang Xu and Zhang Zhi, the two kings of Q&A calligraphy, are bold in reform, meticulous in writing, most famous in cursive script, fantastic in escape, full of twists and turns, good at crazy grass and new style, and are known as "grass saints".
Question 8: Who are the famous calligraphers in modern and contemporary China ―― Yan Zhenqing, Liu Gongquan and Ou Yangxun; four great calligraphers in early Tang Dynasty in Zhao Mengfu in Yuan Dynasty ―― Yu Shinan, Ou Yangxun, Chu Suiliang and Zhong Wang in Xue Qi ―― and two calligraphers in Three Kingdoms, Wei Zhongyu and Wang Xizhi in Eastern Jin Dynasty ―― referring to Zhang Zhi in Eastern Han Dynasty and Zhang Xu in Tang Dynasty ―― and Zhao Mengfu in Yuan Dynasty. Among them, Dong Qichang and Xing Dong have the theory of "Xing in the East, South and North". "Zhong Hao's four gifted scholars" refer to the calligraphers Tang Bohu (Tang Yin), Zhu Yunming in southern Jiangsu in the Ming Dynasty. : refers to the two brothers, Shen charm, who were also called "Bachelor of Size" in their early years. The former is sure to win, and the latter is sure to win. Xian Zhao refers to Zhao Mengfu and Xian Yushu, calligraphers of the Yuan Dynasty. Also known as Yuan's "Second Brother". Zhao's representative works include Qiu E's Epitaph, Sanmen Collection, Biography of Ji An, Postscript of Erlu, Dear John, Thirteen Prefaces to Lanting Collection, etc. The representative works of Xian Yushu include Han Yu's Understanding Learning, Poem of Fisherman, Song of Ancient Transparent Mirror, Song of Stone Drum by Han Yu, Poem of Begonia by Su Shi, and Tao Te Ching by Lao Zi. Mi Fei and Xue in the Northern Song Dynasty. The representative works of the latter, such as Miscellaneous Books, are modern Mei Mosheng and Qi Gong. Zhao Puchu Sun Xiaoyun Huaren Dechu Lian Zhen He Yinghui Huang Dun Liu Zhengcheng Wei Tianchi Shi Kai Zhou Junjie Zhao Yanjun Xue Longchun Xue Minghui Liu Yantao Lin Bond Wang Yong Nie Chengwen Zhang Qiang
Question 9: How many types of calligraphy are there? The five types of calligraphy are kai, yin and xing. Grass. Li.
Seal script is a general term for big seal script and small seal script. Dazhuan refers to Oracle Bone Inscriptions, Jinwen, Jinwen and Six Kingdoms, and retains the obvious features of ancient hieroglyphics. Xiao Zhuan, also known as "Qin Zhuan", is the common language of Qin State. In the development history of Chinese characters, it is the transition between seal script and official script. Seal script is the most meaningful and the most difficult to write. A famous seal script works, hanging on the wall, moving. It originated very early and was gradually abandoned in the change of writing, but it still expresses classical beauty and inner beauty with profound connotation and flexible lines.
Official script-inner thoughts
In the process of "writing in the same language", Qin Shihuang ordered Li Si to create Xiao Zhuan, and also adopted the official script compiled by Cheng Miao. After seal script, official script is a very beautiful style. And the beauty of Bo and Zhen. The so-called wave means that the left line of the stroke is like a curved wave, and it becomes left in the later regular script; The so-called right stroke is open and looks like a swallow-tailed pen. When writing a long horizontal line, the pen begins to cut into the silkworm head facing the front, with the pen in the middle having a wave pitch and a tail at the end. Lishu has its own unique ideological content, with soft pen, rigorous composition, serious but not rigid, tall and straight but not stiff. There are thoughts and connotations.
Cursive script-lingering artistic conception
There are three kinds of cursive scripts: Cao Zhang, Modern Cao Cao and Crazy Cao Cao. There are rules to follow in the changes of strokes, such as the urgent chapter of the Three Kingdoms Wu in Songjiang Edition. Today's grass is eclectic and fluent, and its representative works include Wang Xizhi's "The First Moon" and Jin Dynasty's "Getting Time". Mad grass appeared in the Tang Dynasty, represented by Zhang Xu and Huai Su, and its brushwork was wild and uninhibited, which became an artistic creation completely divorced from practicality. From then on, cursive script was only the works of calligraphers imitating Cao Zhang, Cao Jin and Kuangcao. Cursive script is the ultimate simplification of China's calligraphy style, which has strong artistic value.
Running script-the track of speed
Running script is a font between regular script and cursive script. Running script was the most famous in Song Dynasty, including Mi Fei, Su Shi and Huang Tingjian of Cai Xiang. The masterpiece Preface to Lanting is the most famous work of Wang Xizhi, a calligrapher in the Eastern Jin Dynasty. Predecessors described it as "a dragon descending from heaven, a tiger lying in a phoenix pavilion" and praised it as "the best running script in the world". Tang Yan Zhenqing's book "Sacrificing a Nephew" is very bold, and the ancients rated it as "the second running script in the world". Su Shi's Huangzhou Cold Food Sticker is called "the third running script in the world". The appearance of running script is the result of simplified characters and accelerated speed.
Regular script-the feminine taste of the founder
Regular script is a kind of China font, and it is a popular handwritten orthographic Chinese character, which evolved from official script. Also known as block letters. It is a kind of calligraphy with the longest development time in China. Regular script is square and strokes are straight. There were four masters of regular script in Yuan Dynasty: Ou Yangxun (European style), Yan Zhenqing (Yan style), Liu Gongquan (Liu style) and Zhao Meng (Zhao Ti). Regular script is generally used as an introductory text, which can follow seal script and play a connecting role.
Question 10: Who are the famous cursive calligraphers in China? There are too many master calligraphers. Let's make a simple list.
Ancient times: Zhang, Xu, Wang Xizhi, Mi Fei, Huai Su, Zhang Xu, Su Dongpo, Huang Tingjian, Wang Duo, etc.
Today: Yu Youren, * * *, Wang Quchang, Lin Sanzhi, Shutong, Qigong, Shen Peng, etc.