original text
Stop sewing every social day. How can I bear to see them flying in pairs? It's half spring in Jiangcheng today. A suit is still there, deep in the chaotic mountain, by the Guxi Bridge.
Whose needle and thread is broken? Little by little, I burst into tears. Sunset loose saddle, grass shore. No one wears flowers, no one advises people to drink, and no one cares about drunkenness.
Distinguish and appreciate
The word is included in Chun Xue's Anonymous, Momo's Complete Works, Flower Nazi Collection and other works. Only Selected Poems of Past Dynasties and Selected Works of Linz have the name of "Huang Gongshao", which Mr. Tang Guizhang thinks is caused by failing the exam. This word is the work of thinking people. The reason why it was listed in the name of a famous poet by an anonymous person shows that it has been widely circulated and has high aesthetic value.
"Stop sewing every social day, how can you bear to watch them fly together?" In ancient times, social day was a day to worship the land god, which was divided into spring society and autumn society. "Cosmic Calendar" says: "The last five days in beginning of spring are Spring Club, and the last five days in beginning of autumn are Autumn Club", which means Spring Club. On social days, women have the habit of stopping sewing. "Mo Zhuang Man Lu" says: "It is taboo for women in Tang and Song Dynasties not to sew on social days." Zhang Ji's poem also said: "Today's society does not sew", which is the poet's book. From the beginning, the poet was interested in his beloved wife who was far away from home: when this social day came and she was bored, she would be full of sadness because she missed her husband in a foreign land. Because the poet used Chun Yan's couples to compare the separation of husband and wife, there is no need to describe them in detail, so the image of a sad, haggard and thoughtful woman is like this. The word "year after year" is particularly painful, which means that this unfortunate couple has experienced a long separation, and today's sadness is only a continuation of the past!
"Now, Jiangcheng is half spring, and it is still there, deep in the chaotic mountains, by the lonely creek bridge." These three sentences of the poet's own loneliness are even more calm and moving because they echo the bleak situation of the right person. More than half of spring has passed, but I am still staying for a long time, clinging to the pain of parting in the depths of chaotic mountains and beside the stream bridge. The word "chaos" contains all the conditions and tastes of a poet. It not only means the loneliness of life experience, but also symbolizes the disorder and profundity of parting. In this way, the "chaotic mountain" in the poem is not only an objective existence, but also an emotional product that arouses the poet's melancholy. Its heaviness and desolation naturally remind us of the poet's spiritual anguish.
"The spring shirt is full of tears." These two sentences mean: spring clothes are worn out, who will mend them? I can't help crying at the thought of this. It seems vulgar here, but it is actually the Excellence of the poet. Because there are generally two ways for poets to express their feelings of lovesickness, that is, to express their feelings through things or to express their feelings directly, the poet abandoned the old model and chose the most common "needle and thread" plot in daily production as an opportunity to express his feelings from the perspective of the special relationship between husband and wife, so as to be concrete but not abstract, true and not pretentious. What the business said is: "The words are light and affectionate, and the things are shallow and profound."
"When the sun sets, no one wears flowers, no one persuades wine, and no one is drunk." These four sentences are the key to the whole word and the most wonderful fragment. The beauty of it lies in putting the feelings of missing into concrete things, so it is full of energy and lingering. From the formal point of view, it is very similar to the opening sentence of Chao's "Remembering Teenagers": "Infinite official willows, ruthless paintings, rootless walkers", which gives people a sense of extraordinary momentum. From the perspective of artistic conception, it is closer to the charm of Li Shangyin's poem "Even if there are flowers and moons, there is no wine and no one": when the sun sets, the poet returns from the saddle, although there are flowers, but no one wears them, drinks wine to drown his sorrows, no one holds a lamp, and no one cares after drunkenness. This is a very sad scene. Here, the poet's emotions are unrestrained and his style is indulgent, but it won't make people feel frivolous when reading. The mystery lies in, as Chen Tingzhuo said: "It's not debauchery, just a cavity of blood and tears."