Complete collection of classic love poems: The clothes are getting wider and wider, but you will never regret it, and you will feel haggard because of your love.

1. The clothes are getting wider and wider, but I don’t regret it at all. I feel haggard because of the beauty. - Liu Yong's "Feng Qiwu"

2. The relationship between life and death is broad, as explained by Zicheng. Hold your hand and grow old together. -Anonymous "Book of Songs." Beifeng. "Drumming"

3. If love lasts for a long time, how can we stay together day and night? - Qin Guan's "Magpie Bridge Immortal"

5. If there is a beautiful woman, you will never forget it when you see her. If you don't see her for a day, you will miss her like crazy. -Anonymous "The Phoenix Seeks the Phoenix." "Qin Song"

6. This time I left you, it was wind, rain, and night; you smiled, I waved my hand, and a lonely road spread to both ends. -Zheng Chouyu's "Fu Farewell"

7. Entering my lovesickness door, I know that my lovesickness is painful. Long lovesickness brings long memories, but short lovesickness brings endless love. -Li Bai's "Three Five Seven Words"

8. Once upon a time, the sea was difficult to overcome, except for Wushan, it was not a cloud. -Yuan Zhen's "Five Poems on Lisi"

9. The king is like dust on the road, and the concubine is like muddy cement. They rise and fall in different ways. When will they meet in harmony? -Cao Zhi's "The Moon Ascends a High Building"

10. The last two echoed the desolate farewell, the most indescribable one is the bright moon. - Nalan Xingde's "Yu Meiren" Classic love poems and sentences: As the clothes get wider and wider, you will never regret it, because of the beauty that makes people haggard

1. As the clothes get wider, you will never regret it, because of the beauty, you will win people Haggard. - Liu Yong's "Feng Qiwu"

2. The relationship between life and death is broad, as explained by Zicheng. Hold your hand and grow old together. -Anonymous "Book of Songs." Beifeng. "Drumming"

3. If love lasts for a long time, how can we stay together day and night? -Qin Guan's "Magpie Bridge Immortal"

4. When will we know each other when we miss each other? It's embarrassing to be at this point in the night. -Li Bai's "Three Five Seven Words"

5. If there is a beautiful woman, you will never forget it when you see her. If you don't see her for a day, you will miss her like crazy. -Anonymous "The Phoenix Seeks the Phoenix." "Qin Song"

6. This time I left you, it was wind, rain, and night; you smiled, I waved my hand, and a lonely road spread to both ends. -Zheng Chouyu's "Fu Farewell"

7. Entering my lovesickness door, I know that my lovesickness is painful. Long lovesickness brings long memories, but short lovesickness brings endless love. -Li Bai's "Three Five Seven Words"

8. Once upon a time, the sea was difficult to overcome, except for Wushan, it was not a cloud. -Yuan Zhen's "Five Poems on Lisi"

9. The king is like dust on the road, and the concubine is like muddy cement. They rise and fall in different ways. When will they meet in harmony? -Cao Zhi's "The Moon Ascends a High Building"

10. The last two echoed the desolate farewell, the most indescribable one is the bright moon. - Nalan Xingde's "Yu Meiren" 20 sad poems: The clothes are getting wider and wider, but I don't regret it anymore, and I feel haggard for the beauty.

1. There are few willows blowing on the branches, and there are no fragrant grasses anywhere in the world. . ——Su Shi Butterflies Love Flowers

2. Picking up all the cold branches and refusing to live on them, the lonely sandbank is cold. ——Su Shi Bu Shuzi

3. Peach blossoms fall, Xianchi Pavilion. Although the mountain alliance is there, it is difficult to trust the brocade book. Tear-jerking verses. ——Lu You Chaitoufeng

4. If you look closely, you will see that they are not poplar flowers, but the tears of separation. ——Su Shi's Water Dragon Song

5. Only dream souls can meet again, but it is a pity that dreams cannot be made by people. ——Lu You Die Lianhua

6. Love is still there, but hatred is not buried in the loess. ——Yuan Hao asked Maipi Tang

7. It is he who brings sorrow with spring, but he does not know where spring will return, but it will bring sorrow away with it. ——Xin Qiji Zhu Yingtai is near

8. The crowd searched for him thousands of times, but suddenly looking back, the man was there, in the dimly lit place. ——The Sapphire Case of Xin Qiji

9. Smiling gradually disappears and becomes quieter, passionate but ruthlessly annoyed. ——Su Shi's Butterfly Loves Flowers

10. I miss you for a long time and hate for a long time, and my hatred will not stop until I return. Tear-jerking verses. The moonlight person leans against the building. ——Bai Juyi's Acacia

11. With tears in my eyes, I asked the flowers without saying a word, and the red flowers flew across the swing. ——Ouyang Xiu Die Loves Flowers

12. In the past, I was sick of the fragrant bottles, but today I am afraid of the fragrant bottles. ——Qian Wei plays Yu Lou Chun

13. There are too many words, but the love is not over. Looking back, I still remember: I remember the green skirt and the grass everywhere. ——Niu Xijisheng Chazi

14. Change my heart for yours, and we will know each other deeply and remember each other deeply. ——Gu expresses his feelings

15. In the small window, he is dressing up. They looked at each other without words, only a thousand lines of tears. ——Su Shi Jiang Chengzi

16. Ten years of life and death are blurred. If you don’t think about it, you will never forget it. ——Su Shi Jiangchengzi's clothes are getting wider and wider, but he has no regrets at all. He is haggard because of Yi's disappearance. Complete poem and appreciation

From "Butterflies in Love with Flowers Liu Yong" by Liu Yong, a poet of the Song Dynasty

Standing in the dangerous building, the wind is blowing softly, looking at the spring sorrow, the sky is gloomy. In the lingering light of the grass-colored smoke, there is no word as to who would lean on the fence.

I plan to get drunk and sing to the wine, but the music is still tasteless. The belt becomes wider and wider, but I don't regret it anymore. I feel haggard because of the beauty.

Appreciation Chapter 1:

This is a nostalgic poem. The first film is about climbing high and looking far away, and the sorrow of separation arises spontaneously. Standing against a dangerous building, the wind blows softly. The dangerous building implies that the lyrical protagonist has a high foothold and must travel far. Standing still, you can see the protagonist has been leaning on the railing for a long time and the depth of his thoughts. But unexpectedly, the result of standing still is to look forward to spring with sorrow, and the sky becomes gloomy. The sorrow of spring is the sorrow of leaving and looking forward to returning home.

It is not said that the spring sorrow is latent and grows in the heart, but it is born from the distant sky. On the one hand, it is trying to avoid the ordinary, trying to turn the intangible into tangible, abstract into concrete, and increase the visuality and flow of the picture; on the other hand, it is also because Its spring sorrow is triggered by the sky scenery. Then, the "Grass Colored Smoke" sentence shows what the protagonist sees when he looks across the horizon. And the wordless who knows how to express is not only a sigh of relying on the fence and having vain hopes, but also a sigh of not seeing the beloved and having a hard time expressing the heartache. There are only two words of silence, but there are thousands of thoughts. In the second part of the film, the protagonist decides to drink and sing wildly in order to relieve his sorrow of separation: he intends to get drunk with the madness. But forcing beauty for pleasure will eventually feel tasteless. From rough to dull, the strokes are turbulent and full of waves. The two sentences of "Knotted Clothes and Belts Are Getting Wider" are written with tenderness in a strong pen, vowing that they are willing to become thinner and haggard because of missing their beloved. He has no regrets in the end, that is, he has no intention of dying, which shows the protagonist's perseverance and persistent attitude, and the lyrics are sublimated as a result. He Shang's "Wrinkle Water Xuan Ci Quan" thinks that in Wei Zhuang's "Sidi Xiang", there is a young and romantic family in Mo Shang, and the concubine is suspected to be married and will be divorced for the rest of her life. Even if you are ruthlessly abandoned, you can't be ashamed of these sentences, which are wonderful words of decisiveness; and the last two sentences of this poem are based on Wei's poems, but they are more graceful and graceful. In fact, in Feng Yanwei's "Magpies Stepping on the Branches", Ri Ri is often sick and drinking in front of the flowers. In the mirror, he looks beautiful and thin. Although the language is more decadent, it still belongs to this category. Later, Wang Guowei talked about in "Human Words" that those who have achieved great things and great scholars in ancient and modern times must pass through three realms. He borrowed the word to describe the second realm, which is that the belt gradually widens but never regrets, and disappears for the sake of happiness. It makes people haggard. This is probably what Liu Yong's two sentences summarized as a perseverance and perseverance in character and attitude.

Appreciation Chapter 2:

This chapter is also a poem about farewell and lovesickness. The poet writes about cherishing someone on a spring night, and depicts a misty and sad picture of looking into the distance from a tall building at dusk. The scenery is full of emotion, expressing the deep feeling of nostalgia.

The first film depicts the endless melancholy caused by climbing up the stairs and looking into the distance, using blurry descriptions of the scenery to create a desolate atmosphere. Standing in a dangerous building, the wind blows softly. The poet climbs high and looks into the distance, feeling sad and resentful about parting. The word "standing and leaning" shows that the protagonist has been leaning on the railing for a long time and has deep thoughts. However, looking far away, what I see is the ecstasy of spring sorrow. The poet does not say that spring sorrow comes from the heart, but says that it is born in the sky. On the one hand, it is to turn the invisible into the tangible, to illustrate the abstract with concreteness, and to increase the meaning of the poem. The sense of picture, on the other hand, is also because the sadness is triggered by the scenery. The color of grass and smoke is the scene that the poet sees as far as the horizon. Facing this situation, the poet sighs and is speechless. Who can lean on the railing? Who can know my intention of leaning on the railing silently? This is a lament about leaning on the railing alone and having vain hopes. It is also a desolate lament about not seeing the one you love and having difficulty expressing your feelings.

The second part expresses one's heart directly, expressing the firm and persistent heart of dying for the one you love without any regrets. In order to relieve the deep sorrow in his heart, the poet decided to drink to drown his sorrow. He planned to get drunk and indulge in indulgence. He also wanted to sing loudly to express his sorrow while drinking. However, You try to force a smile, but it is tasteless. From rough to boring, the writing style is shadowy, confusing, and full of twists and turns. It is not until the last sentence that Yi disappears that makes people feel haggard that it finally comes to the point: Spring sorrow arises from lovesickness. Such twists and turns, reverberating passion, are quite contagious. The last two sentences are famous sentences that have been passed down through the ages in Liu Ci, and were highly praised by Wang Guowei. Wang used it as a metaphor that those who achieve great things and great knowledge in ancient and modern times must pass through the second state of three realms, that is, the spirit of dedication, and said that these words cannot be spoken by anyone who is not a great poet.

The whole poem is a lyrical description of the scene, clever in conception, sincere in emotion, soul-stirring, and has the lyrical characteristics of Liu's poems.

Appreciation Chapter 3:

I remember when I was young, I first saw the name of the poem "Die Lian Hua", and I was attracted by the charming sentiment contained in it, and I felt a faint love in my heart. A graceful picture emerges: In March in the south of the Yangtze River, the breeze is pleasant, the grass grows and orioles fly, and all kinds of flowers are colorful and colorful; in the garden with carved beams and painted buildings, two beautiful butterflies dance around the flowers... .A young girl, with dazzling eyes and longing beautiful eyes, calmed her mind with her breath, quietly hiding behind the pavilion hidden by flowers and trees, secretly looking at the young man with fluttering clothes coming from the front... < /p>

Then I thought of love, and the myth of a pair of beautiful people turning into butterflies that has been passed down through the ages, and the resentful and lingering masterpiece sounded in my ears...

Liu Yong's "Butterfly Loves Flowers" further extends the lingering, unforgettable and soul-stirring love between men and women to the extreme.

Standing in the dangerous building, the wind is blowing softly, looking at the spring sorrow, the sky is gloomy. In the grass-colored smoke and the lingering light, who is silent and understands the meaning of the fence?

I plan to get drunk with the madness, and sing when I am drunk, but the forced music is still tasteless. The belt becomes wider and wider, but I don't regret it anymore. I feel haggard because of the beauty.

On the outskirts of the ancient city, there is a cool breeze and the setting sun. Outside the city, the grass is luxuriant, stretching as far as the eye can see, and the smoke is blurry. A slender, depressed scholar in white leaned silently against the railing, staring into the distance with a slightly frowning brow, a lonely expression, and a dreamy gaze. The cool evening breeze ruffled his long hair and lifted his loose clothes, but he was completely unaware of it. At dusk, the birds in the forest were chirping and gradually returning to their nests, but he was still standing there like a wooden stake, staring dreamily... This love is heavier than a mountain; this love is like the sea. deep. But in the vast twilight, who can know? Does anyone know? The long lovesickness rushed towards his face like sea water, and he couldn't breathe under the pressure.

Alas, the lingering air speaks of romance.

The darkness completely surrounded him, and Zigui's wail could be heard in the silent forest. He turned around helplessly, so he might as well spend his obsession in the wine, imitating Cao Cao from Wei Dynasty and singing to the wine, how happy would it be? But who knows, if the knife cuts off the water, the water will flow even more, and if the wine is filled with sorrow, the sorrow will become even worse! This ghostly feeling came back and locked his heart. The beauty's shadow, her smile, and her tearful eyes frequently appeared in front of her eyes. It’s really messy with constant cutting and sorting! Come on, come on, just open your heart and miss you happily and heartily! For your sake, I would rather eat food that tastes bad and stay awake at night, no matter how thin my face is like frost, no matter how thin my clothes are and how I look haggard!

Reading such soul-stirring and gripping sentences, facing such a man who values ??love and justice, and whose love is as deep as the sea, just imagine how that woman could not be shaken by her heart and shed tears on her clothes. I wish I could marry you right away and have a rest for the rest of my life? What man doesn’t look sideways, feel jealous and resentful, and find it difficult to get rid of new trends? No wonder anyone could sing Liu Ci wherever there was water flowing out at that time.