Poems about flowers

1. Looking for poems about Huajian

Is it from the Huajian Ci School? Huajian Ci is a work of the Huajian Ci School, which is named after the "Huajian Collection" edited by Zhao Chongzuo of Xishu.

"Huajian Collection" compiled works by Wen Tingyun and Xishu The poets of the "Huajian Ci School" in Western Shu regarded Wen Tingyun as the "originator" and strongly respected and imitated them. The main writers of the "Huajian Ci School" include Wei Zhuang, Niu Xiji, Li Xun, Ouyang Jiong, etc.

The content of their poems mainly writes about the feelings of men and women about parting and missing each other, as well as about singing, dancing and reveling. The words are soft and gorgeous, but there are also some writers whose works are more elegant, natural and lofty.

The poems written by Wen Tingyun are more like the fragrance of jade stove and the tears of red wax.

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The eyebrows are thin, the temples are covered with clouds, the night is long and the quilt is cold. Ming. Dreaming of Jiangnan is full of hatred.

I don't know what's going on in my heart. The water and wind are empty, and the green clouds are swaying. I just wash up and lean on the Wangjiang Tower. /p>

Thousands of sails pass by, and the slanting light flows slowly over Bai Pingzhou.

Wei Zhuang's words. The Bodhisattva barbarians all say that Jiangnan is good, and tourists only like Jiangnan.

The spring water is as green as the sky, and the boat is sleeping while listening to the rain. The people beside it are like the moon, and the frost and snow are on the bright wrists. It's a melancholy night at the Red House, with the incense lamp half-rolled in the tassel tent.

When the moon goes out, the beauty and the pipa are playing with golden feathers, and the oriole's words are on the string, urging me to go home early. People in the green window are like flowers. 2. Poems about wind and flowers

1. The sound of wind and rain at night makes you know how many flowers have fallen

——Meng Haoran's "Spring Dawn"

< p> 2. The wild fire will not burn out, but the spring breeze will blow again.

——Bai Juyi's "Grass"

3. Sneak into the night with the wind, moistening things silently.

——Du Fu's "Spring Night Happy Rain"

4. Winter wind: The wind roars in Luntai in September, and the gravel in the river is as big as a bucket, and the stones are scattered all over the ground in the wind.

< p> ——Cen Shen's "Zou Ma Chuan to Send the Army to the West"

5. The wind blows across Yumen Pass

1. There are several plum trees in the corner, and Ling Han is alone. Blooming--Wang Anshi's "Plum Blossoms"

2. Sparse shadows slant across the clear and shallow water, and the faint fragrance floats in the moonlight at dusk--(Song Dynasty) Lin Bu's "Small Plum Blossoms in the Mountain Garden"

3. When you come from your hometown, you should know about it. In front of the beautiful window, the winter plum blossoms are blooming. (Wang Wei, Part 1 of "Miscellaneous Poems")

4. I heard the plum blossoms blooming in the morning wind, and the snow piled up. All over the four mountains. How can one transform into hundreds of billions, one plum blossom tree and one blooming man? (Plum Blossoms "Lu You")

5. It's amazing to take a walk in the mountains, it's late at night at dusk. One plum blossom blooms, but annoyingly it's on the highest branch. (Exploring Plum Blossoms "Yang Wanli") 3. Describe "flowers and harmony" What are the poems about "Butterfly"?

1. There are two more butterflies among the flowers - the unknown "Nine Zhang Ji" of the Southern Song Dynasty.

Interpretation: Butterflies fly in pairs among the flowers.

2. The butterflies fluttered around the flowers and disappeared without a trace - Zizhi of the Song Dynasty, "Moon over the Xijiang River·The wind turns the weak catkins on the surface of the pool"

Definition: The butterfly flew around the flowers for a while and then disappeared. trace.

3. Flowers are disturbed by flying butterflies - "Linjiang Immortal Improvisation and Hannan Jianyun" by Xin Qiji of the Song Dynasty

Definition: Butterflies are flying and disturbing the flowers.

4. Zhuang Sheng was fascinated by butterflies in his dream, and looked forward to the emperor's spring heart with cuckoos. ——"Jin Se" by Li Shangyin of the Tang Dynasty

Interpretation: My heart is like Zhuangzi, confused by the dreams of butterflies; and like the hope that the emperor turns into a cuckoo, expressing the sadness of spring heart.

5. Amorous butterflies fly with flowers - Li Shi 2 "Huanxi Sand"

Interpretation: Butterflies also fly with flowers as if they are amorous.

6. Dreaming about a green butterfly among the flowers - Song Dynasty Bai Yuchan's "Qingming"

Interpretation: Dreaming about a green butterfly among the flowers.

7. Dreaming about butterflies sleeping in flowers - Song Bai Yuchan's "Thinking"

Interpretation: Dreaming about butterflies flying among flowers.

8. In August, butterflies come and fly on the grass in the west garden. ——"Changgan Xing·Part 1" by Li Bai of the Tang Dynasty

Interpretation: In August, yellow butterflies danced on the grass of the West Garden.

9. A butterfly flutters at flowers and knows people. ——"The Poppy·The Misty Jade Tower" by Ouyang Che of the Song Dynasty

Interpretation: If the butterflies flying around the flowers understand my heart.

10. Green plums are like beans and willows are like eyebrows, and butterflies fly as the day goes by. ——"Ruan Langgui·A half-spring outing in Nanyuan" by Ouyang Xiu of the Song Dynasty

Definition: The green plums are as big as peas, and the delicate willow leaves are as beautiful as eyebrows. The spring days are getting longer, and the butterflies fly so lightly.

4. Are there any beautiful poems between flowers or poems about boudoir's resentment?

Boudoir's grievance Author: Wang Changling Dynasty: Tang Genre: Seven-character quatrains The young woman in the boudoir knows no worries, and goes up to the green building with makeup in the spring.

Suddenly I saw the color of willows on the street, and I regretted teaching my husband and son-in-law to find a title. Palace Resentment (Tang Dynasty) Sima Zha The varying colors of the willows cover the painting building, and the wail of the dawn oriole fills the palace with sorrow.

No one sees the flowers falling every year, chasing the spring spring out of the ditch. The Palace of Yuan Zhen The ancient palace is lonely and lonely, and the palace flowers are lonely and red.

The white-headed maid is here, sitting around talking about Xuanzong. Gong Ci Zhu Qingyu The courtyard gate is closed when the flowers are quiet, and the beauties stand side by side in the Qiongxuan.

He wanted to talk about palace affairs with passion, but the parrot in front did not dare to say anything. Autumn Eve by Du Mu Silver candles paint the screen in the cold autumn light, and small fans flutter against the flowing fireflies.

The sky is as cold as water at night, and I lie down to watch Altair and Vega. Ouyang Xiu How deep is the courtyard? The willows are piled with smoke, and the curtains are countless.

The jade-carved saddle is in the place where you can see the Zhangtai Road. The rain is blowing and the wind is blowing wildly at the end of March, the door is closed at dusk, and there is no way to stay in the spring.

With tears in her eyes, she asked the flowers without saying a word, and the red flowers flew across the swing. Jin Changxu: When you fight the oriole, don't teach it to sing on the branches.

When I cry, I startle my concubine in my dream, and I cannot get to western Liaoning. Wen Tingyun After washing up, he leaned alone on the Wangjiang Tower. There were thousands of sails passing by, but the water was long and slanting, and the heart was broken by Bai Pingzhou.

Acacia Wang Wei Red beans grow in the southern country. How many branches will grow when spring comes? I hope you will pick more of them. This is the most loved thing. Yu Xuanji's poem "Gift to My Neighbor" (sent to Li Yi) was a famous poem she wrote in despair after learning that Li Yi and his wife had left Chang'an. Too lazy to put on makeup; It is easy to find priceless treasures, but it is rare to find a lover.

Tears are shed on the pillow, heartbroken among the flowers; Why should I hate Wang Chang when I can glimpse Song Yu. There are many poems about women's resentment in ancient times. Most of them mainly describe abandoned wives and missing women. They use the theme of grief and nostalgia to analyze women's complex psychology of mourning, regret, loss, or melancholy in specific social situations and life encounters. state.

Boudoir poetry mainly expresses the sorrow of abandoned and missing wives (including married women, merchant wives, wandering wives, etc.) in ancient folk, or the feelings of young girls who are pregnant and miss their lovers. Both types of poems originated in the Zhou Dynasty: "The Book of Songs·Xiaoya" has an article "Bai Hua". According to Zhu Xi's "Collected Poems", King You of Zhou was praised by his concubine and deposed Empress Shen. "Empress Shen wrote this poem" to hurt herself. , is the origin of ancient palace resentment poetry.

There are many poems about boudoir resentment in the Book of Songs, such as "Beifeng·Gufeng" and "Weifeng·Meng" about abandoned wives, "Weifeng·Boxi" and "Wang Feng" about missing wives. "Wind: Gentleman in Service" and so on are all representatives of early boudoir poetry. During the Han, Wei, Jin, Southern and Northern Dynasties, poems about women's resentments developed rapidly. The more famous ones include Han Yuefu's "Song of Resentment", "Baitou Yin", "Going Up the Mountain to Pick Weeds", the ancient poem "Xing Xing Xing Xing Xing Xing", and Cao Zhi's "Beauty Chapter" , Fu Xuan's "Yu Zhang Xing Pian", as well as some works from the Yuefu "Midnight Song" and "Chun Nong Song" in the Southern and Northern Dynasties; in the poems about boudoir, we can also see that the reality of male superiority and female inferiority makes many women whose husbands travel abroad. Girls who are not yet married are often worried about their husbands and lovers.

When parting, a woman's mood becomes even more painful: "If you want to leave me, I will ask you where you are. If you don't want to return late, don't go to Linqiong." (Nie Yizhong's " "Ancient Farewell") This is the same as Yingying warned Zhang Sheng when parting in "Wang Xixiang", "If you see the flowers and plants in a foreign land, you will never live here again for a long time." She is afraid that her husband will find a new love elsewhere.

Especially since the Eastern Han Dynasty, with the prevalence of officialdom and officialdom, the improvement of the status of scribes and the implementation of the imperial examination system, scholars' awareness of "official status" has increased day by day, and they often "go to other towns" , traveled many places and never returned, thus causing "relatives to be isolated and boudoirs to be separated" (Xu Qian's "Zhonglun·Cunjiao"). Once you win an official position and your identity and status change, it will be inevitable to abandon your wife and children and find a new love. As the old saying goes, "When a prodigal becomes famous, he will abandon his wife who is a wretched man."

The above-mentioned type of boudoir poems about wandering wives truly express women’s sorrow and resentment. As for the poems about business women's grievances, the focus of the lyrical protagonist's grievances lies in her husband's emphasis on profit over farewell, and his failure to keep promises.

Tang Dynasty Liu Deren's "Jia Fu's Resentment": "Marrying a businessman makes your head turn white, and you never get married in a day. Let the king pursue profits and light the rivers and seas, but don't let the wind and waves be as light as a concubine."

There is actually no difference between women in this type of marriage and abandoned wives. Therefore, in addition to mourning their abandoned fate, they often have an extra period of regret.

There are also many works in the poems about women’s resentment that take women as the object of narrative. Because ancient rulers frequently launched internal and external wars, the military service system was dark and the people's corvee burden was heavy.

The phenomenon of "someone is over eighty years old but still serving as a slave, or some is just seven years old and is already serving in the army" (Volume 100 of "Song Book") is not just a matter of the Song Dynasty; the so-called "fifteenth year of joining the army" It is not an exaggeration to say that after conquering, one can only return at eighty" (Han Yuefu's "Fifteenth Military Expedition"). Years of conquests, on the one hand, made it difficult for conscripts and conscripts to return home, and on the other hand, countless longing wives were left alone at home, thus producing many poems about women's resentment, such as "conquest women's resentment".

These poems also contain deep resentment, but their emotional connotations are different from the above-mentioned poems about women's resentment.

For example, Shen Quanqi's "Three Miscellaneous Poems" No. 3: I heard that Huanglong garrisoned, but for many years he did not disband his troops.

Poor Guiliyue, she grew up in the Han family camp. The young woman is in love with spring today, and her husband had sex last night.

Who can use the flag and drum to capture Dragon City? Although he was also resentful that his beloved would not return for a long time, it more prominently expressed a feeling of resentment and war weariness.

While complaining about the war, this type of poem also reveals a kind of sadness, but it is not about the husband abandoning the old and welcoming the new (except for a few works), but about the life and death of the husband, as well as life and death. Such as "sitting and thinking about the sound of drums and rhinoceros, with a hundred arrows stored in my heart" (Lu Guimeng's "The Resentment of the Lonely Candle"), "you should be haggard in a hard battle, and don't wear too wide a cold coat" (Part 3 of Bai Juyi's "Three Poems on Guinea Resentments"), "Twice the clothes you need to wear." "Thick and thick, I still think that the cross river is deep and frozen with snow" (Chen Tao's "Ten Poems on Shuidiao Poems" No. 7). There is a deep and nuanced concern and consideration between the lines, which makes it feel quite affectionate when read.

In terms of creative characteristics, ancient palace resentment poems and boudoir resentment poems both have a strong folk song style. Many of their works were originally folk songs from the Zhou and Han dynasties; many works by literati were also influenced by folk songs.

In addition to copying Yuefu titles, their folk song style is also prominently reflected in the following aspects: (1) Strong sentimental tone. This was determined by the social status and psychological state of ancient women under the feudal patriarchal system. It was also determined by the theme (i.e. "resentment") of two types of poems. The palace resentment poems and the boudoir resentment poems in folk songs since the Zhou, Han, Wei, Jin, Southern and Northern Dynasties. It has formed a sentimental traditional tone; written by literati, whether it is the lamentation of "the emperor's kindness is impermanent" or "the concubine's body is thin" in the poems about palace resentment. 5. Poems about wind, flowers, snow and moon

Wind 1. The spring breeze is green again in the south of the Yangtze River Shore, when will the bright moon shine on me again? - "Mooring the Boat on Guazhou" Wang Anshi 2. Sneaking into the night with the wind, moistening things silently

- "Spring Night Rain" Du Fu 3. Lin Ancao. When the wind blows, the general draws his bow at night - Lu Lun 4. The wild fire will not burn out, but the spring breeze blows again

- Bai Juyi 5. Chai Menwen. The dog barks, returning home on a snowy night - "The Master of Furong Mountain in the Snow" 6. Sneaking into the night with the wind, moistening things silently

- "Spring Night Joyful Rain" - Du Fu---- --------Flowers--------------------- 1. Suddenly, like a spring breeze, thousands of pear trees bloomed -- "Song of Bai Xue Sending Magistrate Wu Back to the Capital" Cen Shen 2. A few peach blossoms outside the bamboo are a prophet of the warmth of the spring river.

-- "Evening Scene on the Spring River in Huichong" by Su Shi 3. The sound of wind and rain at night will tell you how many flowers have fallen -- "Spring Dawn" by Meng Haoran 4. Sense of time and flowers. Splashing tears, hating the other birds and startling the heart.

- "Spring Hope" Du Fu 5. Looking at the red and wet place at dawn, the flowers are heavy in the official city. - "Spring Night Happy Rain" Du Fu 6. Bamboo Path. In the secluded place, the Zen room is deep with flowers and trees

--"Ti Po Shan Temple Back Zen Temple" Chang Jian------------Snow---------- 1. The clouds come and the air reaches the long Wu Gorge, and the cold moon rises and the snow-capped mountains are white. - Du Fu 2. I heard the plum blossoms blowing in the morning breeze, and the snow piles are all over the four mountains.

-- "Plum Blossoms" Lu You 3. If you want to cross the Yellow River and the Sichuan River is blocked by ice, you will climb the Taihang Mountains covered with snow - "The Journey is Difficult" Li Bai 4. Thousands of miles of yellow clouds and white sun, and the north wind is blowing with snow.

-- "Farewell to Dong Da" Gao Shi 5. The window contains Qianqiu snow in Xiling, and the door is docked with ships thousands of miles away from Dongwu. - "Quequatrains" Du Fu 6. The north wind blows and the white grass breaks, and the snow falls in August.

--"Bai Xuege Sends Judge Wu Back to the Capital" Cen Shen------------Month------------ 1. The moon is setting, crows are crying, and the sky is filled with frost. , Jiang Feng and the fisherman are facing sorrow and sleep. --"Mooring at Maple Bridge" Zhang Ji 2. The sky is low and the trees are low, and the moon is clear over the river.

--"Su Jiande River" Meng Haoran 3. The moon is pine. The clear spring and stone flow upstream. --"Mountain Residence in Autumn" Wang Wei 4. The black geese fly high in the moon, and Shan Yu escapes in the night.

--"Song under the Sea" Lu Lun 5. Toast. Invite the bright moon and form three people in the shadow. --"Drinking Alone under the Moon" by Li Bai 6. When I don't know the moon, I call it a white jade plate.

--"Gu Lang Yue Xing" by Li Bai.