Li Bai is not only brilliant in literary talent, but also likes fencing. He is "fifteen good swordsmanship" and "swordsmanship self-study". Li Bai's poems, Pei Minzhi's swordsmanship and Zhang Xu's cursive script are collectively called the three wonders of the Tang Dynasty.
According to statistics, the word "sword" appeared 107 times in Li Bai's Poems of the Whole Tang Dynasty, except that "Jiange" appeared three times as a place name and "Sword Wall" appeared 1 time, the weapon "sword" still appeared 103 times.
Li Bai's story:
Li's "Qinglian Jushi" is based on the "Qinglian" Buddhist scripture in Vimalakīrti Classic, which shows Li Bai's respect for Buddhism and longing for life style. Li Baiyuan's name of "violet" and the introduction of "violet" into poetry have their own origins, both of which were inherited from the Six Dynasties to the Sui and Tang Dynasties. "Qinglian layman" is Li Bai's external identity beyond his inner Buddhist feelings. ?
In the genealogy of Mahayana Buddhism, Li Bai reveres Vimalakīrti the most and even compares himself with it. From the analysis of his works handed down from ancient times, Li Bai's belief in the late Wei Dynasty mainly highlights the spiritual connotation of "going to restaurants to make a career" in Convenient Goods in Beijing.
Li Bai's frequent use of Buddhist vocabulary shows one of his Buddhist accomplishments. In fact, Li Bai did not have any knowledge of Buddhist scriptures, but read and studied them carefully. Among Li Bai, there is a monk, that is, his nephew and monk Zhongfu. The monk crouches in the middle, which is one of the most important monks to associate with Li Bai. In many of Li Bai's poems, the scene of getting along with him is mentioned, which is very clear, drinking tea.