1. Sentences that describe subtle feelings for a person
1. You need to go through many, many things, and then you slowly become stronger, your heart is full of scabs, and your chest is bleeding. Then I gradually learned how to face it, face the unbearable suffering, grow up, accept it, fight back, including hatred.
2. Thinking about this life, youth is fleeting, holding the mortal world in hand, day and night, condensing words into love. We are dependent on each other, like a flower, you are the warmth that I keep alone, you will not let me down, the prosperous lips are lingering. How can we stay together when we are drunk and forget each other? It is a pity for the silent night, and the sparse shadows speak desolately. Thousands of years of predestined acquaintance, this life's emotions are melancholy; unable to bear them, there are many sorrows, and tears flow before I want to speak. Looking back, last night's dream was shattered. How could so many tears fall into my heart?
3. Being strong does not mean facing sadness without shedding a single tear, but wiping away the tears and facing the future life with a smile. Everything is over and everything is about to begin.
4. When I said goodbye to you with tears, you just said goodbye to me indifferently. My heart has been broken into a thousand pieces without looking into your cold eyes.
5. People keep leaving or entering in life, so what is seen is no longer visible; what is remembered is forgotten. There are constant gains and losses in life. So, what is invisible is seen; What is forgotten is remembered. However, does being invisible mean that it does not exist? Keep in mind, it is not forever?
6. If you are successful, why should you die? Tang Dynasty; Lu Zhaolin "Ancient Chang'an Meaning"
7. Don't be aggressive or lethal when speaking, don't praise your abilities, don't criticize others, and you will naturally turn your enemies into friends.
8. Choose the lightest worries to interpret the rough life.
9. There are only two ways to end love: break up or get married. 2. What are the idioms that describe subtlety?
1. Chaochaoxuanzhu [chāo chāo xuán zhù]: Chaochao: describes superb; Xuan: subtle; Zhuo: obvious. The speech and writing are brilliant and clear.
2. Hongyixiaozhi [hóng yì miǎo zhǐ]: refers to grand and subtle intentions. Xuan means "wonderful".
3. Mo Ke Ming Zhuang [mò kě míng zhuàng]: Name: to say in words; Zhuang: to describe, to describe. Can't be described in words. Refers to things that are extremely complex and subtle and cannot be described.
4. Qu do its best [qū jìn qí miào]: Qu: euphemistic, meticulous; do: express everything. Fully express the subtleties euphemistically and meticulously. Describes strong expressive ability.
5. Tan Yan Wei Zhong [tán yán wēi zhòng]: Wei Zhong: subtle but to the point. Describe the words euphemistically and to the point. 3. Describe subtle idioms
To observe the subtle details thoroughly: to see the deep and subtle points thoroughly.
Hongyi means: refers to grand and subtle intentions. Xuan means "wonderful".
Hongyi Miaozhi: refers to grand and subtle intentions. Refers to, same as "purpose", meaning, purpose.
It can be understood but cannot be expressed in words: it can only be understood and experienced with the heart, but cannot be expressed concretely in words. It means that the truth is mysterious and difficult to explain. Sometimes it also refers to a situation that is too delicate to explain.
Mo Kezhuang: name: say it in words; Zhuang: describe, describe. Can't be described in words. Refers to things that are extremely complex and subtle and cannot be described.
Mystery: something elusive, especially something subtle, difficult to understand, or difficult to detect or explore.
Qingweitanyuan: elegant and subtle, indifferent and profound. 4. Idioms with subtle emotions
Idioms with subtle emotions
The more common ones are as follows:
Love is deep in the pond, love is in the same boat, love is like brothers, fan Zhang chicken millet , acquaintances of the poor and the humble, as deep as the sea, loving each other, as glue as lacquer, singing in harmony, heart to heart
Heart to heart xīn . They can understand each other without saying their feelings. Describes that each other's thoughts and feelings are completely consistent.
The idiom comes from: Pei Xiu of the Tang Dynasty, "The Monument of Zen Master Guifeng Dinghui of the Tang Dynasty": "But the hearts and minds are in harmony, and the seals are in harmony with each other, so that they can realize the light and benefit from it."
Idioms Simplified spelling: xxxy
Number of words in the idiom: 4 words
Emotional color: Heart to heart is a neutral word
Idiom structure: subject-predicate type
< p> Era of the idiom: Ancient timesDegree of common use: Commonly used
Idiom example: After seeing Futai, we feel like each other, and there is absolutely no reason to reject it. (Chapter 59 of "The Appearance of Officialdom" by Li Baojia of the Qing Dynasty) 5. Poems about escaping from the world
The house is in a human environment, without the noise of cars and horses.
From "Twenty Poems on Drinking - Part 5" by Tao Yuanming, a poet of the Eastern Jin Dynasty, the house is in a human environment, without the noise of cars and horses. I ask you, what can you do? The mind is far away from itself.
Picking chrysanthemums under the eastern fence, you can leisurely see the Nanshan Mountain. The mountain air is getting better day by day and the birds are flying back and forth.
There is a true meaning in this, but I have forgotten to explain it.
Appreciation Roughly before the Wei and Jin Dynasties, with Confucianism as the core, the Chinese had always believed that human beings and nature were under the control of "heaven" with will.
This kind of authority, which is external and higher than human individual life, was strongly doubted in the Eastern Han Dynasty. Thus ushered in the era of individuality awakening; in literary creation, there was correspondingly the rise of the so-called "human theme".
But the awakening of personality is not only the end of old dilemmas and contradictions, but also the discovery and beginning of new dilemmas and contradictions. First, and most basic, is the opposition between limited individual life and the eternal universe.
People continue to express sad sighs: "Life in the world is like a traveler from afar" ("Nineteen Ancient Poems"); "White Horse Wang Biao"); "Life is like dust and dew, and the way of heaven is long and narrow" (Ruan Ji's "Poetry of Ode to Huai"). What people feel in nature is the oppression of infinite existence on finite life.
However, even if difficulties and contradictions are destined to accompany the entire process of mankind (this is an existential concept), at different stages, people still have to find different ways of relief. Even if it is conceptual or poetic, people must discover a perfect life form.
So by the end of the Eastern Jin Dynasty, in the context of metaphysics, Tao Yuanming's poems began to express a new outlook on life and nature. This is to oppose the oppositional attitude towards the relationship between man and nature, but on the contrary emphasize the unity of man and nature and pursue the harmony between man and nature.
This is most fully and beautifully expressed in his fifth song "Drinking". With its simple language, subtle structure, lofty artistic conception, and profound philosophy, this poem has almost become the most well-known piece in the history of Chinese poetry.
The purpose of the whole poem is to return to nature. The first step to return to nature is to deny secular values.
From ancient times to the present, power, status, wealth, and honor are generally the basic objects that people pursue, which are also the value standards recognized by society. Although Zhuangzi has long said that all of this is a "guest", that is, the opposite of the spiritual subject (in modern terms, it is "alienation"), for most people, they cannot get rid of it after all.
Tao Yuanming seems to be different. He had just retired from officialdom at the time, and he knew very well how people had to use tricks, show off, and shamelessly lose all dignity in order to get all this.
He vowed to throw away these "bin" things and return to the "true" nature of human beings. Hence the first four lines of this poem.
At the beginning, I said that although my residence is built in an environment where people come and go, I can't hear the noise of cars and horses. "The noise of carriages and horses" means the interactions between upper-class people. It is the so-called "the crown and the belt lead to each other."
Because Tao Yuanming likes to complain about poverty and people often forget that the "poverty" of a noble family is not the same as the "poverty" of common people, the meaning of these two poems has been ignored. In fact, the Tao family is the descendant of Tao Kan, the founding father of the Eastern Jin Dynasty, and is the most powerful family in Xunyang.
Therefore, even though Tao Yuanming's branch has declined, it is unusual for him to be so lonely that he has no carriage or horse. So the next question is: How can you do this? Then there is an answer, which naturally boils down to the core of the first four sentences - "the heart is far away and is biased."
"Yuan" is the most commonly used concept in metaphysics, which refers to a spiritual state of indifference and contentment that is detached from worldly interests. The word "afar" here refers to an attitude of isolation and indifference towards the world that competes for fame and wealth. Naturally, it alienates people traveling in the secular world, and the place where they live becomes secluded.
Furthermore, "the noise of carriages and horses" is not only a real thing, but also a symbol. It represents the entire bureaucratic society that is constantly striving for power, fame and fortune.
These four sentences are as simple as spoken language, but in fact they have a very strict structure. The first sentence speaks plainly, the second sentence makes a twist, the third sentence continues and asks questions, and the fourth sentence concludes with an answer.
Gao Ming has no trace of rigid artificiality in this structure, and the reader's thoughts are unknowingly guided to the fourth sentence by the author. No wonder even Wang Anshi, who writes lofty words, sighed with emotion: Since the beginning of poets, there have been no such four sentences! Rejecting the socially recognized value scale and asking where the author established the basis of his life involves Tao Yuanming's philosophical thoughts.
This philosophy can be called "natural philosophy". It not only includes the self-cultivation and self-feeding, frugal and ascetic lifestyle, but also deepens into the unity and harmony of human life and nature. In Tao Yuanming's view, people not only exist in society and in the relationship between people, but even more importantly, every individual life, as an independent spiritual subject, exists directly facing the entire nature and universe.
From its origin, human life is originally a part of nature and a manifestation of the transformation of "Dahua". It is just that people separate themselves from nature and invest themselves in positions of power that have no real value. In the competition with fame and fortune, we even lose our authenticity, making life full of anxiety and contradictions. Therefore, the perfect life form can only be obtained by returning to nature.
If these principles were written directly, the poem would become a thesis. Therefore, the author just embodies philosophy in images.
The poet (the title is "Drinking", naturally he is a drunken and unconscious poet) was randomly picking chrysanthemums in his garden. He accidentally raised his head and looked at Nanshan. (i.e. Lushan Mountain, south of Tao's residence) meet. "Seeing Nanshan leisurely", according to the rules of ancient Chinese grammar, can be interpreted as "seeing Nanshan leisurely" or "seeing Nanshan leisurely".
Therefore, this "leisure" not only belongs to people, but also to the mountains. People are leisurely and comfortable, and the mountains are quiet and high. At that moment, it seemed that a different melody was playing from the human heart and the mountain together, blending into a light piece of music.
In another version, the word "jian" in "Jian Nanshan" is "wang". Su Dongpo, who admired Tao Yuanming the most, criticized: If the word "wang" is used, the poem will become uninteresting.
Mr. Dongpo is very smart and knows the benefits of drinking. What he said is right. "Wang" cannot be used here because "Wang" is a conscious gaze and lacks the "leisurely" flavor.
We can go one step further: In Tao Yuanming’s philosophical view, nature is an existence that is self-sufficient and has no external desires, so it can be content and free.