Late spring ancient poems

Two poems in late spring, the first part

[Tang Hanyu]

Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention.

Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.

writing

Flowers and trees all know that spring is back, and they all want to keep the pace of spring, but they are competing for each other.

Even beautiful flowers and elm money are unwilling to be lonely, dancing with the wind and turning into flying snow.

Make an appreciative comment

Here, it seems that it only personifies the beauty of late spring. In fact, it also implies that people should seize the opportunity to make progress and create valuable things. However, it is worth mentioning that, despite the lack of vegetation "talent", Populus davidiana is not so ignorant, but adds a landscape to late spring. Although it is not beautiful, it has made great efforts, and this spirit is commendable.

This is a poem describing the scenery in late spring. At first glance, it is just a common sight of a hundred flowers blooming, but further, it is not difficult to find that this poem is ingenious and unique. The poet doesn't write about the flowers falling and dying in late spring, but he writes about the plants staying in spring, presenting a colorful and moving scene: flowers and trees find that spring will come back, each according to his ability, colorful and flowery. Even Yang Shuhua and elm pods, which were originally full of color and flavor, were not to be outdone, and turned into snowflakes dancing with the wind, joining the ranks of staying in spring. The poem is nuanced, revealing secrets that predecessors have never obtained, opposing the feeling of ordinary poets dying in late spring, imitating the splendid situation of flowers and plants, and showing the elegance of late spring. A few strokes will give people an eyeful of scenery and a refreshing impression.

Speaking of it, it is quite interesting to renovate this poem in an ordinary way, and it also lies in the magical use of personification in the poem, combining people with flowers. Vegetation is a heartless thing, but it can know, understand and fight, and there are differences between talent and wisdom. Fantastic imagination is really rare in poetry. The last two sentences are particularly chewy, and readers can boldly imagine according to their own life experiences, which makes people think endlessly and have endless aftertaste.

After careful consideration, this collection of poems combines scenery with reason. We can understand the philosophy of life through the description of scenery: the poet describes the "known" scenery through "vegetation" and cherishes the beauty of spring, reflecting his own cherish of the beautiful scenery of spring. Facing the scene of late spring, the poet turned the common feeling of cherishing spring into subjective participation, and his mood was optimistic and innovative. You see, "Huayang Fishing Pod" does not hide from others because of "lack of talent", nor is it afraid of the ridicule of "teaching others to teach axes", which adds a lot of color to "late spring". This enlightens people that it is not terrible for a person to "have no talent and ideas". The important thing is to cherish time and seize it. "Spring" is not worthy of such a conscientious person.