Hu Xiaoshi was introduced by his teacher, Mr. Li Ruiqing, and studied under Mr. Chen Sanyuan (Li San) with Hu Xiangdong, influenced by poetic theory. Mr. Sanyuan is the son of Chen Bao Zhen, the father of Chen Yinque, and one of the "Tongguang" leaders in the poetry circle in the late Qing Dynasty. He taught students in accordance with their aptitude, ordered Hu Xiangdong to specialize in the Five Laws of the Middle and Late Tang Dynasty, and Hu Xiaoshi specialized in the Seven Musts of the Tang Dynasty, and then learned all kinds of things in sexual proximity. Hu Xiaoshi listened to the teacher's guidance, transferred to many teachers, and developed his own style. Most of his life's works are four wonders, with wonderful themes and beautiful styles. Mr. Sanyuan once praised him for "chasing Liuke for 700 years." Our female disciple and the director of Nanjing Museum once said in the Epitaph of Professor Hu of Nanjing University: "Mr. is a writer, and Longmen is the ancestor. In poetry, he devoted himself to Xie Tao and the Ministry of Industry. He was calm and good. He made quatrains and caught up with the middle and late Tang Dynasty. I occasionally make a small order, which has the wind of the Song people. " Modern Poetry Banknotes, edited by Professor Qian Zhonglian of Soochow University, contains more than 80 poems by Hu Xiaoshi.
Hu Xiaoshi wrote many poems in his life. In his later years, he was divided into six volumes: The Collection of Rocks in Lin Xia, Poems Without the Same Sand, Grass Lost Tower (a poem written before 1949), The Collection of East Wind Hall (a poem written after liberation) and Xia Lu's Long Short Sentences (throughout his life), of which three or four volumes have been finalized, and the sixth volume has Zeng. 1962 After the death of Mr. Hu Xiaoshi, Hu Lingde, the eldest son who worked in the United Nations, went back to the Mainland to attend the funeral and wanted to bring his father's calligraphy and poems to Hong Kong for photocopying and publishing. Guo Yingqiu, then president of Nanjing University, advocated that it should be published in the mainland first. Yang Baihua, his second son (who later went out to his uncle's house and changed his surname to Yang), collected extensively, compiled poems and sent them to Zhonghua Book Company. At that time, there was no precedent for mainland publishing houses to publish modern old-style poems, so Zhonghua Book Company rejected the finishing committee of Hu Xiaoshi's posthumous works in Nantah. Not long after, the "Cultural Revolution" storm suddenly broke out and the manuscript was looted. It's a pity that "Yuanbao" is gone!
1986, a large bundle of Hu Xiaoshi's relics, mostly his essays, mimeographed speeches and reference materials, as well as miscellaneous poems +09 19 14 written from the beginning of 2003 to the beginning of 2003, was suddenly found in the reference room of NTU Chinese Department. Professor Wu Baiyun, a disciple of Hu Xiaoshi, took this as the main topic, collected and supplemented it in many ways, and printed it as "Xia Lu Shi Yuan", which included 25 poems1head and the word 19, "accounting for about half of the whole picture"
Hu Xiaoshi's talent is extraordinary, and his poems are "ready-made". /kloc-in the summer of 0/950, General Chen Yi of the East China Military and Political Commission came to Nanjing to meet with celebrities in Nanjing literary and art circles at Cuihongtang in Xuanwu Lake. After lunch, Chen Yi asked Mr. Hu Xiaoshi to write a poem as a souvenir. Teacher Chen pondered for a moment and wrote a poem: Millennium wine, ten miles of wind. In order to swallow the river and complete the work of crossing the sea.
In the poem, it is hoped that General Chen Yi, who is known as a "Confucian general", will cross the river with the momentum of millions of heroes and complete the feat of crossing the sea and liberating Taiwan Province Province in one fell swoop.
Bibliography:
Hu Xiaoshi attached great importance to his teachers, and his works were rarely circulated. He had an academic mind and saw more works by his disciples.
Oracle Bone Inscriptions case (1924)
Travel far (1926)
Textual research on Shuo Wen Gu Wen (1927)
Interpretation of inscriptions on bronze (1928) with examples
On the Changes of China's Ancient Literature (1933)
Qi and Chu ancient gold watch (1934)
Acoustics System Table (1937)
Jiangjin County Dialect Records
Textual Research on the Radicals of Shuowen
Discrimination of the names of Chu ci
Oracle Bone Inscriptions Printed Version of the Second Tibetan Language in the Library
Jin Shi Jin fan chicken
Lecture on Qu Yuan's Fu Examination
History of Chinese literature
"I wish poetry money" (Wu)