This poem about pear flower is a masterpiece, pure image, and has nothing to do with personal hug, but the brushwork is vigorous and the poetic landscape is magnificent.
Starting from the pen, "muscles should be afraid of cold, and the sun should occupy the green space." Pear flowers are graceful, timely and peaceful on the sunny green grass with meticulous brushwork. "Plain muscle" is a metaphor for the white color of pear flowers. Li Bai has a poem: "The willow is golden and tender, and the pear blossoms and snow are fragrant." Pear blossoms are in late spring, so it is said that "be afraid of cold" and "be" light; Sunny Days, Flowers Collection, Mao Xizhen's Xiao Zhong Shan: "Flowers wither, you are worried about sunny days"; Du Mushi: "Pear flowers with leaves send spring alone". When the pear blossoms bloom, the spring grass has grown, so it is said that it "occupies the green space." "Plain muscle", "fear of cold" and "occupation" are anthropomorphic techniques. Then the poet expanded the realm and said, "Fan Chuan shines on the sun, the spirit closes the road, and the residual red is gathered and avoided." As early as the period of Emperor Wu of Han Dynasty, there was a pear garden named Fan Chuan in Chang 'an. "Sunbathing" is the inversion of "sunshine" to oppose "blocking the road". "Lingguan", "Hanshu Geography" said: Lingguan is in Yue County. There is a saying in Xie Tiao's "Xie Ci Zi Li": "Taste reveals the yin of Lingguan", and the note says: "Lingguan, the name of the mountain, pear planting, and many trees cover the road. The word "convergence" is interpreted as "bumper harvest", which means that in Fan Chuan and Lingguan, they are all snow-white pears, and the last spring is red, and they all disappear. These three sentences, with a bold pen, outline a magnificent space. In this case, the poet turned to write about the time when the pear blossoms opened and fell: "Pave a fire tower, admire the flowers and rain, and pass deep." Han Yi's poem "Cold Food" said: "At dusk, candles were laid in the Han Palace, and light smoke scattered into the five marquis's house." Mei Cheng summed up these two poems into four words, which are vivid and full of realm. Tomb-Sweeping Day had a cold meal two days ago and didn't make a fire. In the Qingming period of the Tang Dynasty, the emperor gave the fire of elm willow as a gift to his recent ministers. " "Overfire" refers to Qingming and "Loutai", and refers to the home of the near ministers, that is, the home of the five princes mentioned by Hanyi. These four words are in harmony with time and space. "Jealous of flowers" comes from Du Fu's poem: "The spring cold drizzle flows through the hedge, but the wind envies the safflower but blows back." Nagato Shen Guan is based on the story of Empress Chen, Emperor Wu of the Han Dynasty, and also takes a poem from Liu's Spring Complaint: "It's too late to be alone, and the pear blossoms are full. "Every sentence of this sentence is in the spring, and it touches on the former poems, which can attack the ancient times and make the image of pear flower more vivid. Finally, I ended the last movie with emotion. " The curtain is half wet, with one hand in it, inviting tears at dusk. The word "Asia" is interpreted as "pressure". The verb omits the subject pear flower and "curtain rafter", which refers to the curtains and windows of the living room. "The curtain is half wet" should be interpreted as a half wet pear branch pressed against the window. Mei Cheng often uses this kind of "embarrassing sentence" as an emotional pen and becomes a "warning strategy" in an article. Bai Letian's poem: "When you break two branches, you can hold them in your hand". Hua Jian Ji Xue's parting difficulty: "I can seduce tears." The poet humanized the meaning of a poem and refined it into "holding a branch in hand makes you cry at dusk". Add "dusk" before "tears" to indicate the time. These tears are tears that hurt spring, but also tears that are pregnant. Some of them are ready to come out.
The film is unexpected, and the word "unique" is used to change the realm. It was written with a bold pen, which created a new realm for Tang to choose the former site of the pear garden of Emperor Wu of Han Dynasty to teach music. "Before the wind and under the moon" is only four words, which highly summarizes the affair of Ming Chengzu Pear Garden. "Cloth is full of flowers, and the garden is full of songs." I want to see the pears in the pear garden. How happy they are! Followed by three words: "Zhu lead is exhausted, drunk, Zhao Jun rises at the beginning", and then the whiteness and character of pear flower are rendered. The first sentence refers to its purity. In the second sentence, I introduce the time when I fainted in Qinan. History calls the color of the princess "beauty". But if you don't drink wine, it won't make you blush, so you can keep it white to set off the white of pear flowers. In the third sentence, the beautiful image of the historical figure Zhaojun is used to compare the sentence "Pear blossoms and scattered leaves" in Zhaojun's song. This rhyme, like the first rhyme in the last movie, is anthropomorphic. At this point, the vivid portrayal of pear flower itself is needless to say. Therefore, the rhyme suddenly turns from the opposite side to the ink, which shows respect in comparison. The first comparison is Li Hua. Plum blossoms are white, too. Han: "The wind rubs the rain to practice the revenge and shame ratio, and the waves turn over the air." ("Li Hua gives Zhang Shiyi") Wang Anshi's poem: "Li Xi stays up all night and worships peaches and dazzles the day." (To Chua's woman) The author draws two sentences from this, that is, "Snow waves are flying all over the sky, and the pink moon is at night", saying that this plum blossom is "not in spring", which is not enough to compare with pear flower. Take a word "hate" and quote three or four sentences: "I haven't seen Yu Rong, Joan is good, who can compare!" Bai Letian's "Song of Eternal Sorrow" describes Princess Taizhen with "tears falling from her sad white face, like spring rain falling on pear flowers", "From the soil of Mawei slope, there is that memory and that pain buried under it. Where is her jade-white face? " To describe her death, which implies that Princess Zhenzhen will never see her again. "Qiong Ying Shan" and "Man" are interpreted as "disciple" or "emptiness", and Qiong Ying is called snow. Snow is also called "Jade Princess", which is a pun between snow and people. No one likes to sigh at the end of a sentence.
This word is famous for its beauty, but in fact it is extremely depressing. The first one is tied with sentimental words, and the next one is old and old, which shapes the unparalleled spiritual charm of pear flower.