Lipper
People who abandon me can't stay yesterday,
People who disturb my heart are more worried today.
Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine.
The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie.
We both want to see the sun and the moon in the sky with distant thoughts.
But since the water is still flowing, although we cut it with our swords and raise our glasses to drown our sorrows.
Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow.
Precautions:
(1) The poem "Wen Yuan Huaying" is entitled "Song of Climbing the Building with Yu Shuhua", and the other is Liu Yun and Li Hua. Shu Yun, another five-character poem written by Li Bai, was written in a spring and has nothing to do with this poem. Xuanzhou: Today, Xuancheng, Anhui Province. Xie Tiao Building: Also known as North Building and Xiegong Building, Xie Tiao was built on Lingyang Mountain when he was the magistrate of Xuancheng, and later renamed Zhang Die Building. Farewell: See you off with wine and food. Jiaào Yao Shu: the official name, namely the secretary of the provincial school book lang, is responsible for book sorting in the court. Shu Yun: Li Bai's uncle Li Yun.
(2) Changfeng: far wind, strong wind.
(3) this refers to the scenery of Changfeng autumn geese in the previous sentence. High-rise (hān): Drinking in high-rise buildings.
⑷ Penglai: This refers to the view of oriental book collection in the Eastern Han Dynasty. The Twenty-third Biography of the Book of the Later Han Dynasty is accompanied by Biography of Zhang Dou: "At that time, scholars called Dongguan the Lao's Tibetan Room, while Taoists called it Penglai Mountain." Li Xian's Note: "Yandongguan has many classics. Penglai, the sacred mountain in the sea, the fairy house, and the secrets of the secret scriptures are all there. " Penglai article: Borrow Liu Yun's article. Jian 'an Bone: Poems written by writers such as "Three Cao" and "Seven Zi" in Jian 'an at the end of Han Dynasty (the year of Emperor Xian of Han Dynasty, 196-220) were of high style and were later called "Jian 'an Bone".
5. Xiao Xie: Xie Tiao, named Xuanhui, was a poet in the Southern Dynasties. Later generations regarded him and Xie Lingyun at the same time, and called him Daxie and Xiao Xie. It is used as a metaphor here. Clear hair (fā): refers to the poetic style of fresh hair. Hair: hair, poetic and elegant.
[6] All pregnant: all pregnant. Xing: the elegant and chic interest refers to the pleasure of traveling in the mountains and playing in the water, which is far away from the horizon. Wang Bo's Preface to Wang Tengting: "If it is far away, it will be smooth, and if it is easy, it will fly." Li Bai's "seeing the guests off to Vietnam": "The mirror lake is clear, and the fanatics return to the boat." Strong thinking: Lu Sidao's Historical Records of Lu Ji: "Li Ci is full of spring and strong thinking." Strong thinking: ambitious and heroic.
(7) Browse: by "fetching" and fetching. Looking at the Moon: A Dictionary of Appreciation of Tang Poetry (Shanghai Dictionary Publishing House, 1983 edition) is entitled Looking at the Moon.
Being called (chèn) means being satisfied.
(9) Ming Dynasty (zhāo): Tomorrow. Law: If you don't wear a crown, you will not be an official. What is described here is wild and uninhibited. The ancients wore a crown in their hair, which meant leisure. Piān boat: Take a boat and hide in the rivers and lakes. Boat: A boat, a boat. At the end of the Spring and Autumn Period, Fan Li bid farewell to Gou Jian, the King of Yue, and "a boat floated in the Jianghu" (Biography of Historical Records and Huo Zhi).
1,: Yu.
2. Penglai: This refers to the secretary province where Liu Yun works.
Sentence solution:
Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow.
These two sentences reflect the poet's lack of talent, unable to stretch his ambition, unsatisfactory official career and depressed mood. He wants to get away from this sad environment, get rid of his troubles and go to a happy new world-life is so unsatisfactory, it is better to spread his hair and sail to sea tomorrow! The poet felt that his ambition could not be realized, so he had to take the road of long hair, travel around the world without cooperation with powerful people and be free. This attitude of "sending a boat" is not a passive retreat, but a resistance with positive resistance factors. Bold and broad-minded, bold and natural language.
The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie.
Penglai: the name of the fairy mountain in the sea. It is said that there are many precious books and records of immortal families hidden there. In the Eastern Han Dynasty, the school library of the imperial court was called "Penglai Mountain of Taoism" because of its large collection of books. In the Tang Dynasty, Pengshan and Peng Ge were mostly called secretary provinces, because the secretary province of lee woon-jae imperial court was responsible for proofreading books, and Penglai was called Liu Yun. ② Jian 'an Bone: Jian 'an is the title of Emperor Xian in the Eastern Han Dynasty. At that time, the articles of Cao Cao, Cao Pi, Cao Zhi and Jian 'an were vigorous and fresh, and later generations called Jian 'an Bone. (3) Xiao Xie: refers to Xie Shu, a poet of the Southern Dynasties. Later generations compared him with Xie Lingyun, a poet in the Southern Dynasties and the Song Dynasty. In the era of Xie Lingyun, Xie Shu was first called Dayu, and later called Xiao Xie. Xie Shu's poems are good at writing landscapes, and Li Bai respects him very much. Clear hair: fresh and radiant.
These two sentences are Li Bai's comments on Liu Yun and his own works-Liu Yun is in Penglai Palace, and his articles have the style of Jian 'an, but they are humble and humble; If I (Li Bai) were Xiao Xie (Xie Mao), my poems would be fresh and my hair would be different, but my years would be wasted and I would not be able to serve my country. Li Bai admires Xie Shu very much, and compares himself with Xiao Xie here, which shows his confidence in his talents and also reflects his pain of lack of talents. Deep feelings and bold language.
Rhyme translation:
It is inevitable to abandon the lost yesterday, and today's confused mood is even more worrying.
When Wan Li Changfeng blows autumn geese to the south, you can enjoy drinking tall buildings in this scene.
Your school book, Penglai Palace, has the style of Jian 'an, and I am as beautiful as Xie Tiao's poems.
We have both ambitions and ambitions. We are going to climb high for nine days, holding the bright moon in our hands.
Draw a sword and blow off the river, and the river is more turbulent. I want to raise my glass to eliminate my worries, but I am only adding to my troubles.
If you live, you cannot live contentedly. It is better to spread out in the Ming dynasty and sail in the rivers and lakes.
translate
Leaving my yesterday is inevitable.
Today, this disturbed my mood and made me very worried.
In the face of this scene, Wan blew the swan geese returning to the south, and they could climb the tall buildings and have a good drink.
Your article is as vigorous and fresh as the literary works of the Han Dynasty. My poetic style is as fresh and beautiful as Xie Tiao's.
We are all full of lofty sentiments and exultation, and our jumping thoughts are like flying high in the blue sky to pick the bright moon.
It's like drawing a treasure knife to cut running water. The water was not cut off, but flowed faster. I raised my glass and drank heavily. I wanted to drown my sorrows in wine, but it turned out to be even more worrying.
Ah! Life is so unhappy in this world, it is better to let me wander freely in the rivers and lakes in a boat tomorrow (retire from the rivers and lakes).
Background:
This poem was written shortly before the An Shi Rebellion. In 742 (the first year of Tianbao), Li Bai came to Chang 'an with lofty political ideals and worked in imperial academy. Two years later, he left the court because of being slandered, and began to wander again with indignation. In the autumn of 753 AD (Tianbao 12th year), Li Bai came to Xuanzhou and soon lived in Xuanzhou. An old friend of his, Li Yunxing, came here and left soon. Li Bai accompanied him to Xie Tiao Building and gave a banquet to see him off. Xie Tiao Building in Xuanzhou was built by Xie Tiao, a poet of Southern Qi Dynasty, when he was the magistrate of Xuancheng. Li Bai has visited this place many times, and wrote a poem "Autumn Ascending the North Building of Xie Tiao in Xuancheng".
It was the famous ancient prose writer who was about to see Bai off. He is the secretary of the provincial school and is responsible for proofreading books. Li Bai called him an uncle, but he had no clan relationship. Li Yun, also known as Li Hua, was a famous essayist at that time. He used to be the secretary of provincial studies, and in 752 (the eleventh year of Tianbao) he served as the censor. Dugu and the Preface to the Collection of Zhao Jun and Gong Li, the official ministers of the school, recorded: "(Tianbao) worshiped the imperial history for eleven years. The powerful minister stole the handle, greedy and cunning, entered the company's prescription book, pressed 2,000 stones, held an axe, and listed the county as a grave. " It can be seen that Liu Yun is upright, upright and not afraid of powerful people. This poem was written by Li Bai, as Li Yun went to Xuancheng to pay a visit to Li Bai, and went to Xie Tiao Building together for a farewell dinner. [
Comments:
The purpose of the poem is to compare Penglai with other articles and thank Chen for his arrogance. Open the first two sentences, don't write farewell, don't write buildings, but express your own anguish and worries. Three or four sentences suddenly make a turning point, from depression to hearty grandeur, and a picture of sending geese in autumn unfolds. A "farewell" and a "sound" point out the theme of "farewell". "Penglai" four sentences, mutual praise articles, such as Penglai Palace, quiet and vigorous, with the wind of Jian 'an. With the help of Xie Jia, he showed his talent and expressed his pursuit of lofty ideals. At the same time, it also shows the poet's view of literature and art. The last four sentences express the irreconcilable feelings between ideal and reality, which inevitably leads to anxiety and depression, so he has to seek sustenance in "boating". Thoughts and feelings change rapidly, and the artistic structure is ups and downs. The ups and downs, for no reason, are intermittent, which profoundly shows the poet's contradictory mood. Language is bold and natural, and melody is harmonious and unified. "But since the water is still flowing, even though we cut it with a sword, sadness is still flowing, even though we drown it with wine" is a famous saying that describes depression for thousands of years.
This is the work of Li Bai, secretary of Imperial College, and lee woon-jae at the end of Tianbao in Xuancheng. Xie Tiao Building, also known as the North Building and Xiegong Building, was built by Xie Tiao, a famous poet in Southern Qi Dynasty, when he was the magistrate of Xuancheng. The title of this poem is "Song of Accompanying Yu Shuhua to Climb the Building".
The sponsor didn't write architecture, let alone goodbye, but rose steeply to express stagnation. "Yesterday's Day" and "Today's Day" refer to many "Yesterday" that left me and the "Today" that followed. In other words, every day I feel that the sun and the moon are dim, time is hard to stay, I am upset and depressed. It not only contains the spiritual depression of "difficult official career", but also melts the poet's feeling of dirty political reality. His "troubles" didn't start today, and his "troubles" didn't stop there. Perhaps it can be said that this is an artistic summary of his long-term political experience and feelings. The depth, breadth and intensity of anxiety and anger reflect the increasingly corrupt political affairs since Tianbao and Li Bai's increasingly embarrassing personal experience. The intense mental pain caused by the sharp contradiction between ideal and reality has found a suitable expression here. The origin of surprise, overlapping language (all say "dislike me" and "can't stay"); The words "disturbing my heart", also known as "melancholy", and the eleven-word sentence pattern vividly show the poet's deep depression, strong anxiety and anger, chaotic mood, and explosive and uncontrollable emotional state.
Three or four sentences make a sudden turning point: facing the vast clear autumn sky and looking at the magnificent scenery of the red rock, I can't help but arouse the pride of drinking poison to quench my thirst. These two sentences show a magnificent and clear picture of Wan Li's autumn sky in front of readers, and also show the poet's heroic and broad mind. Suddenly, from extreme depression to magnificent realm, it seems that the changes are endless and incredible. But this is why Li Bai is Li Bai. It is precisely because of his lofty ideals and long-term depression by the dark and dirty environment that he has been longing for a vast space where he can gallop freely. Seeing the place where "autumn geese are escorted by Changfeng", I feel refreshed and my worries are swept away. Feel the comfortable fit between the heart and the environment, and the pride of "drinking tall buildings" arises spontaneously.
The next two sentences are addressed to the host and guest respectively. In the Eastern Han Dynasty, scholars called Dongguan (the government library) the Penglai Mountain of Taoism, and in the Tang Dynasty, Penglai Mountain was mostly used. Peng Ge refers to the secretary province, and Liu Yun is the proofreader of the secretary province, so the Penglai article here refers to Liu Yun's article. Jian 'an bone refers to the vigorous "Jian 'an character". The first sentence praises Liu Yun's vigorous style, and the second sentence refers to "Xiao Xie" (that is, Xie Tiao), saying that his poems, like Xie Tiao, have the style of fresh hair. Li Bai admires Xie Tiao very much. Compared with Xiao Xie here, he is full of confidence in his talents. These two sentences naturally fit the title of Xie Tiao Building and School Book.
Seven or eight sentences further exaggerate the interest of both sides in "high buildings", saying that both sides have lofty sentiments and ambitions, and they are even more on cloud nine. It says sunny days in front and clear skies in autumn, but it says "bright moon" here, which shows that the latter is not true. Yunyun's "lust for sex" also shows that this is the poet's rhetoric when he is drunk and prosperous. Boldness and naivety have been harmoniously unified here. This is Li Bai's character. It is true that the bright moon is embraced by the sky, which is a temporary word and may not be entrusted, but this flying and vigorous image makes us clearly feel the poet's yearning for the lofty ideal realm. These two sentences are eloquent and incisive, pushing the high-spirited mood aroused by the realm of "autumn geese and Changfeng escort" to a climax, as if all the darkness and filth in reality were swept away, and all the troubles in my heart were thrown outside the cloud nine.
However, although the poet's spirit can roam in fantasy, the poet's body is always bound to the dirty reality. In reality, there is no such thing as "autumn geese escort with long winds" that can fly freely. What he saw was the abominable situation of "barbarians are full of nakano and trees are full of halls" (Antique 5 1). Therefore, when he returned to reality from fantasy, he felt more strongly that the contradiction between ideal and reality was irreconcilable, which aggravated his inner anxiety and depression. "But since the water is still flowing, although we cut it with a sword, sadness is still flowing, although we drown it with wine", in this case, another major turning point of this recession is inevitable. The metaphor of "But since the water is still flowing, although we use the sword to cut it" is strange and novel, and at the same time it is natural, appropriate and full of life. In front of Xie Tiao Building, there is a stream that flows all the year round. It is easy to associate endless running water with endless troubles, so naturally there is the idea of "drawing a sword and cutting off water", which is triggered by a strong desire to get rid of troubles. Because of the close relationship between metaphor and eye view, it has more or less the meaning of "xing", which makes it feel natural and natural to read. Although the inner anguish can't be dispelled, the detail of "drawing a sword and cutting off water" vividly shows the poet's appeal to get rid of mental anguish, which is obviously different from those who are addicted to depression and can't extricate themselves.
"Since the world can't satisfy our desire, I will let go of my hair tomorrow and take a fishing boat." The contradiction between Li Bai's progressive ideal and the dark reality could not be solved under the historical conditions at that time. Therefore, he is always trapped in the depression of "unable to say what he means" and can only find a way out in the depression of "sending a boat". This conclusion is of course somewhat negative and even contains elements of escapism. However, history and the social class he represents stipulate that he can't find a better way out.
The value of Li Bai lies in that although he is mentally under the pressure of depression, he has not given up his pursuit of progressive ideals. This poem is still full of heroic and generous feelings. The words "Changfeng" and "all in my heart" are more like playing a high-pitched and optimistic tone in sad music and revealing brilliant brilliance in the dark clouds. The sentence "draw out a sword" expresses strong depression, but also shows a stubborn character. Therefore, the feeling of the whole poem is not gloomy and desperate, but heroic and heroic in anxiety and depression. This shows that the poet has neither succumbed to the oppression of the environment nor to the inner pressure.
The ever-changing thoughts and feelings, the ups and downs of the artistic structure and the leap-forward development have been perfectly unified in this poem. At the beginning of the poem, the waves on the ground are rough, showing a long-standing strong mental depression; Then I completely put aside my "worries" and looked at the autumn sky in Wan Li. From the excitement of "high-rise buildings" to the feat of "embracing the bright moon", I soared, and then quickly fell from the sky into the abyss of depression. Straight up and down, open and close freely, without any trace of transition. This ups and downs structure is most suitable for expressing the poet's ever-changing feelings caused by the sharp contradiction between ideal and reality.
The language style of harmonious combination of nature and boldness is also quite prominent in this poem. You must have Li Bai's broad-minded ambition, bold and frank personality, and a high degree of ability to control language, in order to achieve the realm of harmony and unity between bold and natural. The first two sentences of this poem are almost like the language of prose, but there is a bold and vigorous momentum in it. The sentence "Changfeng" is magnificent, uninhibited, and the language is bright and clear, as if it were blurted out. This natural and bold language style is also a reason why this poem is not gloomy although it is extremely worried and depressed.
Appreciation 2:
This poem first describes the pain of wasting time serving the country, then praises the talents and ambitions of both the host and the guest, and finally ends with the bitterness of birth. The whole poem is full of strong emotional color, full of emotions like wild waves, and the brushwork is as unconstrained as the sky.
The poems express the anguish and unrequited ambition of wasted years, praise the articles in the late Han Dynasty, praise the heroic spirit of Jian 'an and Xie Tiao's poems, and finally reveal the negative feelings of life.
The beginning of the poem is abrupt, because Li Bai was depressed at that time, so when he saw his uncle Li Yun (played by Li Hua) who could talk to him, he vented his grievances. Li Bai sacrificed to the Hanlin in Tianbao, but he was not taken seriously politically and was vilified by powerful people. Before long, he abandoned his official position and lived a vagrant life. The bitterness of the past ten years, the depression and sadness of traveling abroad are all accumulated in my heart, and today I can finally get it off my chest.
The words "Changfeng" are lyrical by borrowing scenery. On a crisp autumn day, when I saw the wild geese in autumn, I was refreshed and my troubles were swept away. I feel comfortable in my heart and environment, and I feel proud of drinking tall buildings.
Penglai is a farewell dinner for high-rise buildings, written separately by the host and the guest. Praise Li Yun's writing style with Jian 'an Bone. "China is the guiding direction" refers to Xie Tiao, because he is Xiao Xie after Xie Lingyun. Here, Li Bai compares himself with Xiao Xie, showing his confidence in his talents. The phrase "aim high and look at the sky and the bright moon" expresses the author's great ambition. And the word "LAN" is very expressive. Exaggerated. Expressed the author's lofty aspirations.
It is strange and creative to use the word "drawing a sword" to describe the inner anguish that cannot be solved. The phrase "raising a glass" expresses the frustration he can't get rid of, and he can only worry about it. It also expresses the sadness of leaving.
The last two sentences are the poet's angry words about the reality. Li Bai, who has been in the depression of dissatisfaction for a long time, has to seek another kind of detachment, that is, "sending a boat." Although he didn't mean to escape from reality, the historical conditions at that time and his lofty and indulgent personality prevented him from finding a better way out. This poem uses the ups and downs of brushwork to directly express the sadness in the chest at the beginning and express strong dissatisfaction with reality. Then he went to the next day thousands of miles away, refreshed, talked about the past and the present, compared himself with Xiao Xie, and showed his great ambition of "holding the bright moon in heaven". So the poet returned to the repressed reality from the beautiful ideal and had to choose to escape from reality. The whole poem is full of ups and downs, twists and turns, and there is a heroic passion running through the grief and indignation, which shows the poet's heroic spirit.
1 The Farewell Secretary of Xie Tiao Village in Xuanzhou shows that Yun and himself have lofty aspirations:
We are all lofty distant thoughts, longing for the sky and the bright moon.
2. In the poem, Li Bai wrote many sad poems of Bi Xing:
But since the water is still flowing, although we cut it with our swords and raise our glasses to drown our sorrows.
3. What is the psychological change process of the poet in the poem?
Sadness and worry-excitement-are even sadder.
Some people think that the last two sentences of this poem show the negative attitude of the poet. How did you know?
The contradiction between Li Bai's ideal and reality could not be solved under the conditions at that time. So he is always trapped in "meaningless" depression. Moreover, only "sending a boat" can find a way out for depression. This is inevitably a bit negative, but he is also expressing his unyielding attitude towards evil forces and his deep hatred for the real society.