These two sentences are all warnings. Because there is nothing pleasing to the eyes of the poet, he has to pour his deep feelings into nature, not only finding Castle Peak "charming", but also feeling that Castle Peak seems to regard the poet as "charming". Using personification, we first wedge the feelings of the aesthetic subject into the object, and then dye the image of the object with the feelings of the subject, thus revealing the inner feelings of the aesthetic subject. In this way, the subjective consciousness in the works is greatly strengthened, which is easy to infect readers. Here, the author compares his feelings with those of Castle Peak, and euphemistically expresses his great ambition that he would rather be lonely than go along with the traitors.