Tibetan poetry has three forms:
One is that the six sentences of the first couplet and the second couplet all contain scenery and do not reveal the meaning of the topic, and it is not until the couplet that the theme is pointed out;
The second is to hide the first sentence of the poem in the last word;
The third is to hide what is said at the beginning of the poem.
The third kind is common. The first word of each sentence can be read continuously, which can convey the author's unique ideas.
I promise that the world will be young, happy and sad, but I don't know how to be happy and laugh at that beautiful woman alone. You're back, but you're empty. It's hard to get through these years. My world is bustling and celebrating, inviting the moon to have fun with the filmmakers. Who ever woke up to find your poems charming and beautiful?
Blue Bridge Chun Xue/Qinling Feng Qiu with a faint sunset/half a dike fragrant blue sea without waves/Yaotai has a road, Hu Aishan has been raining/Jiang Shuiqiu becomes Lan Yan Shuiyue/Fog Clouds and Rain Mountain, and in the middle view, Lotus/Panasonic folds sunflower, and the boat rocks on the river/curtain beckons upstairs.