Huanxisha is also known as "Little Garden Flower". It was the name of the Jiaofang song during the reign of Emperor Xuanzong of the Tang Dynasty, and was later used as the tune. Reduced the word Huanxi Shaci brand name. Minzi, a term used in Tang and Song dynasty music lyrics. Generally, the lyrics should be filled in according to the score, but the lyricist has the freedom to expand and contract the number of words in the vocal tune in order to create new sounds for the old music. There are actually no missing characters in this poem. The last character "some" is a modal particle and is taken from the Chu dialect.
Bodhisattva Man was originally a song by Tang Jiaofang. Su E's "Du Yang Zabian" of the Tang Dynasty records: "At the beginning of the Tang Dynasty, the female barbarians paid tribute, wearing a golden crown in a dangerous bun and a tassel on the quilt, and they were called the Bodhisattva Barbarians. At that time, they advocated excellence and created the "Bodhisattva Barbarian Songs", and scribes often praised her. Lyrics."
Shui Diao Ge Tou is also known as "Yuanhui Song", "Taiwan Song" and "Taicheng Tour". It is said that when Emperor Yang of the Sui Dynasty opened the Bianhe River, he composed "Shui Diao Song" and it was performed as a opera by the Tang Dynasty people. The Daqu is divided into three parts: preface, middle preface and beginning. "Gothead" is the first chapter of the preface.
Yulin Ling's "Rain Ling" is the title of Tang Jiaofang's song. Later used for word cards. It is said that Emperor Xuanzong of the Tang Dynasty fled to Shu due to the Anshi Rebellion. When he entered the Xie Valley, it rained continuously for more than ten days. He heard the ringing of bells on the plank road. He missed Yang Guifei, so he composed a song called "Yulin Ring".
There is no such word card in Partridge Tian Tang and Five Dynasties Ci. It was originally written by Song Qi of the Northern Song Dynasty. Yan Shu, a great poet in the Northern Song Dynasty, wrote the most lyrics for "Partridge Sky". In the Northern Song Dynasty, "Partridge Sky" has the most aliases, including "Thousand-leaf Lotus", "Sijiake", "Siyue People", "The First Fragrance", "Drunken Plum Blossom", "Partridge Yin", " "Li Ge Yidian" and so on.
"Butterflies in Love with Flowers" Tang Jiaofang's song, whose original name is "Magpie Stepping on the Branch", Song Yanshu's poem changed the name to the current name, which is taken from the poem "Butterflies in Love with Flowers Over the Steps Gorge" by Emperor Wen of the Liang Dynasty, also known as " Magpies stepping on branches" and "Feng Qiwu". "Collection of Movements" annotated: Xiao Shi Diao; Zhao Lingjue's Ci annotated: Shang Diao; "Taiping Yuefu" annotated: Shuang Diao. In Feng Yansi's poems, there is a sentence "The willows are light in the wind, showing all the golden strands", which is called "Golden Rays"; in Zhao Lingji's poems, there is a sentence "If the bead curtain is not rolled up, people are in the deep courtyard", it is called "Rolling the Bead Curtain"; in Sima Chang's poems , there is the sentence "The bright moon is born in Nanpu on a cool night", which is called "The bright moon is born in Nanpu"; Han Xin's poem is called "The drizzle blows on the pond", which is called "The drizzle blows on the pond"; He Zhu's poem is called "Feng Qiwu"; Li Shi's poem is named "A Basket of Gold"; Zhongyuan Ji's poem is named "Fish and Water Joy"; Shen Huizong's poem is named "Tuiao Diao Butterfly Loves Flowers".
The "Xijiang Moon" is taken from Li Bai's "Su Tai Lian Gu" "Now there is only the Xijiang Moon, which once illuminated the people in the Wu Palace." Xijiang is another name for the Yangtze River, the story of King Wu Xishi. Tang Jiaofang Qu, used as lyrics and tune. It is also known as "White Ping Xiang", "Buxu Ci", "Wan Xiang Shi", "Yulu Sanjian Snow", and "Jiang Yue Ling".
There are many different theories about the origin of "Linjiang Immortal". According to Ren Erbei's Dunhuang poem, there is a sentence that goes "the bank is broad and the bottom of the river is sandy", which means that the meaning of the poem involves Linjiang; "Tang Ci Ji" compiled by Dong Fengyuan of the Ming Dynasty said that this tune is "mostly attributed to Shuiyuan Jiangfei", hence the name; Huang Sheng's "Hua" Volume 1 of "An's Selected Poems" says, "Tang poetry has many related topics, and the poem "Linjiang Immortal" is about immortal things..." Tang Jiaofang song is used as the tone of the lyrics. Also known as "Xie Xin'en", "The Return of the Wild Goose", "Painting Spring", "Deep Courtyard", "Back to Picking Lotus", "Thinking of Pingting", "Ruihe Xianling", "Mandarin Duck's Dream", "Jade Link" 》. There are two Dunhuang songs, which were named "Linjiang Immortal" by Ren Erbei in "Dunhuang Opera Collection" and "Linjiang Immortal" by Wang Chongmin in "Dunhuang Operas and Lyrics".
"Picking Mulberries" The original Tang Jiaofang Daqu included "Picking Mulberries". Later, a "pass" single line was intercepted and used as lyrics. It is also known as "Chou Nuer Ling", "Luo Fumei", etc., with forty-four characters. In the Song Dynasty, there were also slow poems created, such as "Picking Mulberry Man", etc., with nine crosses. There was no such word card in the Tang Dynasty, and it started with Yan Shu.
"Eight Sounds of Ganzhou", including "Ganzhou" in Tang Jiaofang's major songs and "Ganzhou Zi" in miscellaneous songs, are Tang frontier fortress songs and are named after the frontier fortress of Ganzhou. "Eight Tones of Ganzhou" is adapted from a section of the big song "Ganzhou". Because the whole word has eight rhymes in the front and back parts, it is called Ba Tone, a slow word. It is different from the music of "Ganzhou Bi" and the lyrics of "Ganzhou Zi". "Ci" uses Liu Yong's Ci as the formal style. Ninety-seven characters, the first part is 46 characters, the second part is 51 characters, each has nine lines and four flat rhymes. There are also those that add a rhyme to the beginning of the sentence. The first sentence and the third sentence of the first part, and the second and fourth sentence of the second part are often used to lead the sentence. There are also ninety-five characters, ninety-six characters, and ninety-eight characters, which are changed patterns. Also known as: "Ganzhou", "Xiaoxiaoyu", "Yaochi Banquet".
"Divination operator", "Ci Pu" believes that this word derives its meaning from "a person who sells divination and fortune telling". "Ci Pu" takes Su Shi's Ci as the formal style. Double tone, oblique rhyme, forty-four characters, four sentences each in the upper and lower parts. Use oblique rhyme in even-numbered sentences, and use flat tone at the end of odd-numbered sentences. Some of the two concluding sentences have added lining characters to form six-character sentences. There is also "Bu Suan Zi Man", with eighty-nine characters, which is a special pattern and has nothing to do with the original tune.
It is also known as "Bai Chi Tower", "Beautiful Peaks", "Sparse Tung Trees Hanging on the Missing Moon", "The Immortal in the Yellow Crane Cave", and "Chu Tianyao".
"Sauvignon Blanc" was originally composed by Tang Jiaofang. The name of the tune comes from the ancient Yuefu line "Auspicious times are longing for lovesickness, and lower words are long-lasting farewell". "Double red beans", "Acacia Ling", "Mountains are getting green", "Mountains are getting green", "Long Acacia Ling", "Long Sick Fairy", "Green Mountain Farewell", "Yi Duo Jiao", etc., the former People often use it to write about the love between men and women. I first saw Bai Juyi's poems. Double tone, flat rhyme, thirty-six characters. The first part has four sentences each, and each sentence uses rhyme. There are also sentences in the second part that do not use rhyme.
"Resentment at Cuilou", this tune is composed by Jiang Kui. During the Chunxi reign of Emperor Xiaozong of the Song Dynasty, the Anyuan Building in Wuchang was built. Jiang Kui climbed up to the building with his friends and wrote this poem. There is a sentence in the poem "The floors are high, the music on the threshold is red, and the teeth are flying green", so it is called "Resentment on the Green Tower". This tune has one hundred and one words.
The first part has fifty characters, eleven lines in six oblique rhymes; the second part has fifty-one characters, and twelve lines in seven oblique rhymes. The seventh sentence of the upper and lower parts and the second sentence of the lower part are all one-character bean syntax.
"Pao Lian Zi", "Mei Yuan" compiled by Huang Dayu of the Song Dynasty, contains eight poems by Anonymous. One of them starts with the sentence "Pao Lian Zi", which is the name of the poem. It may be said: "Empress Li's main poem is chanting, pounding and practicing, which is the essence of Tang poetry." (See "Sheng'an Ci Pin") The predecessors mostly used it as a work for women to commemorate their husbands. Monotonous, twenty-seven characters, five sentences and three flat rhymes. There is also a double-tone thirty-eight font, which is called Biege, and is called "Tao Lian Zi Ling".
"Dian Red Lips" is named after the line "White snow condenses the beautiful face, and the pearls touch the lips" in Liang Jiangyan's poem "Ode to Beauty's Spring Outing". "Ci Pu" takes Feng Yansi's Ci as the formal style. Forty-one words. The four sentences in the first part use three oblique rhymes starting from the second sentence; the five sentences in the second part also use four-stop rhyme starting from the second sentence. "Ci Lv" believes that the first character of the second sentence of the first part should be used in the negative tone, "if it is flat, there will be no tone." According to the predecessors, the flat tone was used when using this word, such as Wang Yu's poem "Jiangnan is still called a beauty", Su Shi's poem "This year's good health will give you a feast", "The romantic young man will finally have a banquet", etc., Jiang, Jin and Feng are all in flat tone. The word, used here, has a harmonious rhythm, so why can't it start from the tune? This is unacceptable.
Also known as "Pointed Cherry", "Eighteen Fragrances", "Nanpu Moon", "Shatou Rain", "Xunyao Grass", "Ten Thousand Years of Spring", etc.
"Tiaoxiao Ling", this tune had many names such as "Ancient Diaoxiao", "Pavilion Diaoxiao", "Tiaoxiao Ci", "Zhuanying Qu", etc. in the Tang Dynasty. Feng Yan in the Southern Tang Dynasty had renamed it " "Santai Order". According to the annotation in the poem written by Bai Juyi to Yuan Wei, "There is a "Tiaoxiao Ling" in the Tou Da song, it can be seen that it was a song sung during the Tou Da game in the palace or in the banquet hall at that time. Wei Yingwu Ci was first seen. Monotonous, thirty-two characters, eight sentences, four oblique rhymes, two flat rhymes, and two overlapping rhymes. The flat and oblique rhymes are repeated three times. The fourth and fifth sentences change from oblique rhyme to flat rhyme, and from the sixth sentence onwards, they change from flat rhyme to oblique rhyme. The sixth and seventh two-character refrains must be used in reverse using the last two characters of the fifth sentence. This is the origin of the name "Zhuanyingqu" of this tune. After the Northern Song Dynasty, this tune only used oblique rhymes and no longer changed rhymes. The number of words and sentence patterns also changed, which is a variation of this tune.
"Ding Feng Bo" is the name of Tang Jiaofang's song. It first appeared in Ouyang Jiong's Ci of Later Shu. Change the rhyme between flat and oblique, sixty-two characters. The first part has five sentences, thirty-two characters, three flat rhymes and two oblique rhymes; the second part has six sentences, thirty-two characters, four oblique rhymes and two flat rhymes. Due to the uneven sentence patterns and the staggered oblique and oblique patterns, the pronunciation is unique. There is also a oblique rhyme style, created by Liu Yong, with one hundred words, eleven sentences in the upper and lower parts, and six oblique rhymes.
Also known as "Rolling in the Spring Sky", "Ding Feng Liu", "Ding Feng Bo Ling", and "Drunk Qiong Branch".
"The fragrance of cinnamon twigs" can be found in Zhang Jici of "Yuefu Yaci". Pei Siqian, the first scholar in the Tang Dynasty and later in the imperial examination, wrote a poem with the line "The new night comes and the fragrance of cinnamon branches arouses", which should be the source of the name of this tune. "Ci Pu" takes Wang Anshi's Ci as the formal style. One hundred and one words. The upper and lower pieces each have ten lines and five oblique rhymes. The second sentence of the upper and lower parts is a one-word bean sentence pattern. Two sentences of upper and lower parts four and five can be made into upper six and lower four, or upper four and lower six.
Also known as "Sparse Curtain and Light Moon".
"He Manzi", Tang Jiaofang song. According to Bai Juyi's 80th quote from "Collection of Yuefu Poems", He Manzi was a singer in Cangzhou during the Kaiyuan period of Emperor Xuanzong of the Tang Dynasty. He performed this song before his execution to atone for his death, and was unavoidable. This is the name of the word. Monotonous, thirty-six characters, six sentences and three flat rhymes. There are also thirty-seven fonts and double-tone seventy-three and seventy-four fonts. Mao Pang in the Northern Song Dynasty changed the double tone to oblique rhyme.
Also known as "He Manzi".
"Huanxi Sha" is the name of the Tang Dynasty Jiaofang song. Because Xishi Huansha was in Ruoye River, it was also called "Huanxi Sha" or "Huansha River". There are three seven-character sentences in the upper and lower pieces. Forty-two words. Divided into two equal parts. The plain rhyme style has been passed down to this day. The earliest one is the Tang Dynasty Han Ci, which is the orthodox style. All three sentences in the first part are in rhyme, and the last two sentences in the second part are in rhyme. Most of the two sentences in the film use dual sentences. Oblique rhyme style began with Li Yu in the Southern Tang Dynasty. There is also "Breaking Through the Huanxi Sands", also known as "Shanhuazi", with three characters added to the upper and lower parts respectively, but the rhyme remains unchanged.
This tune has bright syllables, neat sentence structure, and is easy to pronounce. It is commonly used by both graceful and bold poets.
There are more than 20 synonyms such as "Xiaotinghua" and "Huanxisha".
"Congratulations to the Bridegroom" first appeared in Su Shi's poems. It was originally called "Congratulations to Xinliang" because there is a sentence in the poem: "The swallows are flying in the beautiful house, no one is there, the shade of Tong is turning to noon, and the coolness of the evening is a new bath." Hence the name. Later, the word "liang" was mistaken for the word "lang". "Ci Pu" is composed of Ye Mengde's lyrics. One hundred and sixteen words. The first part has fifty-seven characters and the second part has fifty-nine characters, each with ten sentences and six rhymes. This tune has a gloomy and desolate tone, suitable for expressing exciting emotions, and has always been used by lyricists.
"Added the word Mulan Hua", "Mu Lan Hua Ling" began in Wei Zhuang and is a fifty-five-character rhyme style. Feng Yansi of the Southern Tang Dynasty composed "Magnolia in Tou Sheng", with fifty characters and eight sentences. The first sentence of the two parts is still in seven-character oblique rhyme, and the ending is in Tou Ping tones of four characters and one sentence, and seven characters and one sentence. From then on, there are two oblique and two equal parts. Four changes of rhyme style. "Reduced Words for Magnolia" is formed by reducing the first and second sentences of "Stealing Sounds of Magnolia" by three characters each. Double tone, forty-four characters, four lines each in the upper and lower parts, two oblique rhymes converted into two flat rhymes.
"Jiangchengzi" is a monotonous poem in the Tang Dynasty. It was first seen in Wei Zhuang's poem "Huajian Collection", with thirty-five monotonous words, seven sentences and five flat rhymes. It may be said that Tiao was named because of the sentence "like (the lining word) Xizi mirror shining on the river city" in Ouyang Jiong's poem. The people of the Song Dynasty changed it to double tone, with seven crosses, and the upper and lower parts have seven lines and five flat rhymes. Ouyang Jiong's monotonous poem adds a lining word to the last two three-character sentences to form a seven-character sentence, which is the beginning of Song Dynasty's lining word method. Later Shu Yin E's monotonous poem changed the first seven-character sentence into two sentences with three characters, and started the Song Dynasty's method of reducing characters and breaking them up.
Chao Buzhi changed its name to "Jiang Shenzi", and Han □ tune has the sentence "The village in front of the spring of Lahou means far away", so it is also called "The Village means far away".
"Langtaosha" is the name of Tang Jiaofang's song. It was originally a seven-character quatrain. Bai Juyi's poem included the sentence "But when I came to the imperial capital to gain wealth and honor, please don't forget to wander on the sand." Liu Yuxi's "Lang Taosha" belongs to this style. The later two-tone Xiaoling "Langtaosha" was created by Li Yu of the Southern Tang Dynasty. In the Northern Song Dynasty, Zhang Shunmin used this tune to rename it "The Sound of Selling Flowers". "Ci Pu" uses Li Yu's Ci as the main body, with fifty-four characters and ten sentences in plain rhyme, and four sentences in the front and back parts each in rhyme. This tune was performed by Liu Yong and Zhou Bangyan as the long tune "Ju Tao Sha Man", which is a special style.
"Linjiang Immortal" is the name of Tang Jiaofang's song. It was originally a poem about Narcissus, which was adapted from "Huajian Ji" and later used as a general poem. Double tone, fifty-four characters, five lines each in the upper and lower parts, three flat rhymes. There are three common ones: one is six-character, like Su Shi's poem; one is fifty-eight characters, and the fourth sentence of the upper and lower pieces is one less character than Su Shi's poem, like Li Yu's poem; and the other is also fifty-eight words, with the upper and lower pieces starting the sentence. It is one less word than Su Shi's poem, just like Man Jidao's poem. Some predecessors also changed the rhyme in the second piece. There are also "Linjiang Xianyin" and "Linjiang Xianman", with ninety-three characters, which are special patterns.
Also known as "Xie Xin'en", "The Return of the Wild Geese", "Painting Spring", and "Deep Courtyard".
"Liuzhou Songtou", according to Cheng Dachang's "Yan Fanlu", this tune is originally a drum music, and modern poets created ancient poems based on its tune. The tone is solemn and solemn, and it also combines the rise and fall of ancient times. As a lyric, listening to the music will make you feel generous, which is definitely different from ordinary erotic lyrics. In the Song Dynasty, this tune was used to hold great sacrifices and great shirt ceremonies. There are three forms of rhyme used in this tune. One is the plain rhyme style, such as Liu Guo's "Zhenzhang Huai" poem; the second is the flat and oblique rhyme alternating patterns, such as He Zhu's "Young Chivalrous" poem; the third is the flat rhyme and oblique rhyme conversion patterns, such as Han Yuanji's poem "spring breeze brings meaning". The sentence patterns of the latter two styles are slightly different from the plain rhyme style. Among the Wang styles, the plain rhyme style is the main type. Take Liu Guo's poem "Mayor Huai Tui" as an example. It has one hundred and forty-three characters, the first part is seventy-one characters, the second part is seventy-two characters, and each has nineteen lines and eight rhymes.
"Man Jiang Hong", this tune was called "Shangjiang Hong" in the Tang Dynasty, and later changed to its current name. "Cipu" takes Liu Yong's "Muyuyuchuqiu" poem as the formal style. Ninety-three words. The first part has forty-seven characters, eight sentences, and four oblique rhymes; the second part has forty-six characters, ten sentences, and five oblique rhymes. Most people use rhyme. The style is melancholy and exciting, and predecessors used it to express their feelings, and there are many excellent works. There are ninety-three characters in double tone. The first part has eight lines with four flat rhymes, and the second part has ten lines with five flat rhymes.
This tune also has other famous works such as "Nian Liangyou" and "Shangchunqu".
"Niannujiao", Niannu was a famous singing girl during the Tianbao period of the Tang Dynasty, hence the name. This tune has both sides. "Ci Pu" uses Su Shi's "Jumping far out of thin air" poem as the regular form of the oblique style. One hundred words. The first part has forty-nine characters; the second part has fifty-one characters, each with ten ten days and four oblique rhymes. This order is suitable for expressing heroic feelings. The sentence reading of Dongpo Chibi's Ci is slightly different from that of other poets. There is also a plain rhyme style, which uses Chen Yunping's Ci as the main style and is rarely used.
Also known as "The Great River Goes East", "Thousand Years Old", "Moon Over the River", "Xinghua Tian", "Red Cliff Ballad", "Heaven in the Pot", "The Great Song of Jiangxi", "Hundred Character Order" and more than ten names.
"Broken Array", the name of Tang Jiaofang's song. A "Ten Beats". When Li Shimin, Emperor Taizong of the Tang Dynasty, was the King of Qin, he made a large-scale dance music called "Broken Formation Music". This seven-character quatrain was later replaced by a new sound due to the old title. The existing double-tone Xiaoling is the first to be seen in Yan Shu's poems. Sixty-two characters, five sentences each in the upper and lower parts, with three flat rhymes.
"Bodhisattva Man" is the name of Tang Jiaofang's song. The name of the dance team of Bodhisattva Manben’s female disciples. According to "Ci Pu" quoted from Tang Su E's "Du Yang Zabian": "At the beginning of Dazhong (the reign of Emperor Xuanzong of the Tang Dynasty, around 850), the Numan Kingdom paid tribute, wearing dangerous buns and golden crowns and necklaces, and was named 'Bodhisattva Barbarian Team'. At that time He advocated excellence and composed the song "Bodhisattva Man"; scribes often praised his lyrics." According to the book "Jiaofang Ji" written a hundred years ago during the Kaiyuan period of Dazhong, this song title already exists, but Su Shuo also has reference value for the origin of the name. Forty-four characters, four sentences each in the upper and lower parts, both with two oblique rhymes and two flat rhymes. "Ci Pu" defines Li Bai's Ci as the orthodox style.
Also known as "Midnight Rest", "A Cloud in Wushan", "Intentions Between Flowers", "Huaxi Bi", "City Bell", "Overlapping Gold", "Plum Blossom Sentence", "Evening Cloud" "Bake the Sun" and so on, the palindrome style is also known as "Lianhuan Jie".
The words "Qinyuan Spring" and "Qinyuan" come from the garden of Princess Qinshui in the Han Dynasty. There are various styles from 112 to 116 characters, with 114 characters as the regular form. The upper part has four flat rhymes and the lower part has five flat rhymes. The predecessors believed that the second word of the sentence at the beginning of the sentence was used in a dark rhyme, which was actually a coincidence. The first word of the fourth sentence in the first part and the first word of the third sentence in the second part must be paired with the word bean to lead the following four sentences, and the four sentence examples must be paired with fan.
This tune first appeared in Zhang Xianci in the Northern Song Dynasty. Originally belonging to the graceful school of poetry, because of its broad style and sparse rhyme, it sounds more melancholy when read. Therefore, the bold and unrestrained style of poetry and later generations often use this tone to express exciting emotions.
Also known as "Shou Xingming", "Dongxian", "Dongting Spring", "Nianliqun", etc.
"The Sapphire Case" comes from Zhang Heng's "Poetry of Four Sorrows" of the Han Dynasty, "The beauty gave me a beautiful piece, how can I repay the Sapphire Case". "case" is the same as "bowl", and the sapphire case is the sapphire bowl. See "Dongpo Ci" by Su Shi of the Song Dynasty. Sixty-seven words, the first part is thirty-three words, the second part is thirty-four words, six sentences each. The difference between the upper and lower parts is that the two three-character sentences after the opening sentence of the first part are changed to a seven-character sentence in the second part. The upper and lower pieces each have five oblique rhymes. There are also cases where the first sentence of the upper and lower parts of the sentence does not use rhyme.
Also known as "West Lake Road", "Guests on Qinglianchi", and "Hengtang Road".
"Qing Ping Le" is the name of Tang Jiaofang's song. It is a piece of music that prays for peace in the sea, not a clear and even tune. "Zunqian Collection" contains four poems by Li Bai. Unless they were forged by later generations, this is the first time they have been written in this style. Flat to oblique conversion grid. Double tone, forty-six characters. The first part has four sentences with twenty-two characters, using oblique rhyme, and each sentence uses rhyme; the second part has four sentences with twenty-four characters, using plain rhyme, and three sentences use rhyme.
Also known as "Qing Ping Le Ling", "Drunken Dongfeng", and "Recalling Luo Yue".