Cry through the spring flowers, Yingying. A flower flies, and it is dusk. If you want to pray for a sunny spring, it will rain harder at dusk.
In spring, you should know where Lang is going. Good spring, * * * to lang. After all, people live alone in spring, and it's a long way to go in Xiu Yuan.
-Wang Shizhen.
When Wang Shizhen prefaced the lyrics, he recalled an experience of writing lyrics that year: "At the age of ten, you should learn to write long and short sentences, or you should give up if you can't. It is more effective to live in the building this summer than to relax in the summer. Tung flowers and moss shadows, green flower towels and Moqing wool save entertainment. Occasionally watching Xiao Yu Pu, I wrote the lyrics with a pen, and the second place came out with thirty songs. Yi 'an's Shuyu is a scroll of Tibetan, which is treasured because of its original rhyme, and it is almost what Fu Weng (Huang Tingjian) called Qi Er. "This song" Butterfly Lovers Travel Less "is also the time to copy the entertainment works of famous artists in the Song Dynasty.
Travel less, that is, Qin Guan, a school of graceful and restrained words in the Northern Song Dynasty, whose words euphemistically expressed the charm of Wen Ya. Wang Shizhen admired him very much, and even followed him attentively. In his Dead Hua Lian, he used the words "Yuan Yun" and "Wang Xiao Shuang Yan Language". Qin Guan said, "A glimpse of Shuang Yan dialect at dawn. I like beautiful women and cherish spring. There are not many sunny days, but there are always restless storms. There is no place to ask when the water falls. Only Feiyun and Ran Ran will come and go. Holding wine to persuade Yun Yun to stay, and returning home when spring comes. " Described the feeling of sighing at dusk in spring and missing beautiful women: late spring, dawn, porch. Peeping at Shuang Yan, who is whispering, reminds me of the past. He seems to have returned to that year, talking side by side with beautiful women and lamenting the passage of spring. Looking back on the day when we were together, it was really sunny and sunny, and there was not even a moment of wind and rain. However, the geometry of this beautiful time? Now the fallen flowers have gone with the running water, without a trace, and there is nowhere to ask, only the clouds flying in the air come and go. On a whim, he raised his glass, invited Yun Yun to drink and asked him to stay, hoping to use it to block the way home in spring. This poem is wonderful, poignant and moving. No wonder it caused Wang Shizhen's poetic harmony.
He Ci changed the original song's nostalgia for beauty, wrote it from the other side, imitated a woman's tone, and painstakingly expressed his affection for beauty.
"Cried the broken spring warbler mask language. A flower came, and it was dusk. "Together, these three sentences describe the scene of broken flowers in spring, blaming Yu Yingying's singing for the withering of spring flowers. It seems unreasonable, but it conforms to emotional logic. Jin Changxu, a poet in the Tang Dynasty, wrote in his poem "Spring Complaint": "It's fun to drive the orioles away from the trees. When she dreamed that she went to meet him in Liaoxi camp, they woke her up. " In the boudoir of the Tang Dynasty, * * * once passed on her resentment to the crowing warbler in the branch. Now, the woman who lives alone in the boudoir has suffered the pain of parting, so it is not difficult to understand that she blames Yu Yingying for the broken spring flowers. Moreover, it's not just flowers that are broken by Yingying. Doesn't it include boudoir pains? Quite crucial, doesn't a flying flower mean the passing of spring? Besides, the twilight will come again! Didn't Li Qingzhao, a poetess in the Southern Song Dynasty, sigh "How can you look at the window alone?" (Slow voice)? The word "you" contains many days of waiting, showing the depth of in my heart forever. "If you want to clear up in spring, it will rain harder at dusk." Then two words, set off the sadness in my heart with the light rain at dusk. "Cheap fiber" is tiny and slight. The boudoir wanted the weather to clear up, but it was not allowed in spring, and it rained in Mao Mao at dusk. This scene reminds people of the artistic conception of "the phoenix tree is drizzling and the dusk is about to drip" (ditto), and almost leads to the sigh of "what a sad word I got this time" (ditto). Begging for the sunshine in spring is for fear that the wind and rain will mercilessly attack the flowers in spring again. A feeling of cherishing flowers and feeling sorry for yourself is as obvious as seeing them. The word "spring does not allow" hopes for the permission of spring, revealing the innocence and infatuation of the boudoir; Once it is not allowed, it will pour a cavity of grievances into the spring, which will lead to the grievances and helplessness of the boudoir. Here, spring is personified, elegant and affectionate, and has a unique charm to read.
After filming, I was always awakened in my heart: "In spring, you should know where Lang is going. Spring is here, * * * go to Langbian. " Belong to, entrust, entrust. The boudoir is afraid of listening to warblers, watching falling flowers fly, and fearing dusk, just for one thing: Spring leaves, she needs to know where Lang Jun is, and she can also entrust Chunguang to fly to Lang Jun with her! The whimsical hope obviously didn't come true. But this infatuation, this true feelings, who can not be moved! However, fantasy is fantasy, and reality is cruel after all. "After all, spring belongs to people who live alone, and there are thousands of roads." This spring is not only the spring of nature, but also the spring of life symbolizing a good time. However, all this has passed, and the vacant room is guarded by one person. Who will this be said to? The faint mist in front of me is full of grass, and the world is far away. When can I see Mr. Lang again? From fantasy to reality, the soul of the boudoir has suffered more trauma.
The first word is about scenery, full of affection, warblers crying, spring flowers flying, yellow rain flying, all of which set off the sadness of boudoir women; The next film is lyrical, emotional because of the scene, faint haze, sad grass and heavy road, which all aggravate the miss of the boudoir. As a harmony work, Sifu is a boudoir, thinking about the beauty of the original song, "extremely sad and affectionate, poor and eager to have fun" (Tang's "Preface to the Smoke Wave"), which can be described as two baht. The original singer expresses today's homesickness by recalling the past youth years, and pinned his wishes on the whimsy of stopping clouds and staying in spring; He made a plain description of his inner pain with the sadness of reality, and pinned his hopes on the fantasy of finding Lang with Chun. The same whimsy, the same beautiful words, the same thoughts and feelings, singing together to achieve this beautiful situation, can be called combination.