This poem expresses the love psychology in a feminine style. It contains burning desire and persistence in sorrow, and its emotional realm is profound and rich. ?
The first two sentences are about the unfortunate experience of love and the mood of the lyric hero: because of some power, it is difficult for a pair of lovers to meet each other, and the pain of separation is unbearable for her. The "don't" in the first sentence does not mean that we say goodbye now, but refers to the established forced separation. The word "difficult", the first refers to the difficulty of meeting, and the second is pain and embarrassment.
This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different.
They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart. ?
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Li shangyin
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming. ?
Silkworms in spring will weave until they die, and candles will drain the wick every night. ?
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song. ?
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
The chance to meet each other is really hard to get, and parting is inseparable. Besides, the weather in late spring, the east wind is about to harvest, which is even more sad. Spring silkworms don't spin silk when they die, candles burn to ashes, and tear-like wax oil can drip dry. Women who dress up in front of the mirror in the morning are only worried that the plump bangs will change color and the youthful appearance will disappear.
Men can't sleep at night, so they must feel Leng Yue's aggression. The other person's residence is not far from Penglai Mountain, but there is no road to cross, just out of my reach. I hope there will be a messenger like a bluebird to visit my lover and diligently deliver the message for me.
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Writing background
The writing age of this poem is unknown, and it is said that it was written three years before Wang Chengqin (838). As far as the content is concerned, Wu, Feng, Zhang and Wang all think that it implies Ling Huchong's works. Or "Jinshi Fang" and "Hou", when Commander Hongnong was transferred, it implied the merits of the king. However, it is all speculation and there is no evidence. From the obvious description, it seems to be a love poem.
Brief introduction of the author
Li Shangyin (about 813-about 858) was a poet in the Tang Dynasty. The word Yishan was born in Yuxi. A native of Hanoi, Huaizhou (now Qinyang, Henan). Kaicheng Jinshi (Tang Wenzong year, 836-840). He used to be county commandant, secretary of Lang, and judge of Dongchuan Festival. Influenced by the struggle between Niu and Li, he was marginalized and impoverished all his life. His poems about history are full of satire on current politics, and untitled poems are very famous.
He is good at discipline, rich in literary talent, rigorous in conception, graceful in emotion and unique in style. But there are too many useful classics and their meanings are obscure. They are called "arts and sciences" with Wen and "Little Du Li" with Du Mu. There are poems by Li Yishan.
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