1. Appreciation of poems about wind
Appreciation of poems about wind 1. Appreciation of poems about wind with explanation
The north wind blows the white grass on the ground, It snows in Hutian in August. Suddenly a spring breeze comes overnight, and thousands of pear trees bloom.
Translation:
The north wind swept across the land, breaking the white grass, and heavy snow fell from the sky in the northern part of the country in August. Suddenly, as if a spring breeze blew overnight, thousands of white pear trees were in full bloom.
Appreciation:
This poem has a sad and beautiful scenery. The first four sentences of the poem are especially "Suddenly a spring breeze comes overnight, and thousands of pear blossoms bloom on the trees." It brings people into a situation filled with wind and snow, and the scenery is novel. In winter, all flowers disappear, all insects disappear, and there is a desolate scenery everywhere: decaying withered grass, biting north wind, gloomy clouds in the sky, and ice and snow on the earth. Facing this scene, people's mood should be melancholy and miserable, but the poet can be creative and turn the desolate snowflakes into spring pear blossoms with a twist of the pen, adding a bit of bright color to the whole poem.
The spring breeze is green again on the south bank of the river. When will the bright moon shine on me again?
Translation:
The spring breeze blows by, blowing every corner of the south bank of the river green. When will the bright moon shine on me back to my hometown?
Appreciation:
The previous sentence is a famous sentence through the ages, pointing out that the season is spring, and describing the scenery on the south bank of the Yangtze River. The word "green" means "blowing green", which is a verb used in a wonderful way. It is said that Wang Anshi changed the word more than ten times to make good use of it, and finally selected the word "green" from more than ten verbs. Because other words only express the arrival of the spring breeze, but do not express the change of the new green scenery on the Qianli River Bank after the arrival of spring. In the concluding sentence, "When will the bright moon shine on me, will it come back?", the poet has been looking at it for a long time, and he didn't realize that the bright moon was rising. He used a question sentence to express a picture of "when the bright moon shines on me, will it come back", further expressing his feeling of missing his homeland.
I don’t know who cut out the thin leaves. The spring breeze in February is like scissors.
Translation:
I don’t know who cut these thin willow leaves. The February spring breeze, which is suddenly warm but then cold, is like scissors.
Appreciation:
"I don’t know who carried the thin leaves, the spring breeze in February is like scissors." is a very famous poem. Before He Zhizhang, who compared the spring breeze to scissors? This sentence turns the spring breeze in February, which is suddenly warm but turns cold, from invisible to tangible, showing the magical dexterity of the spring breeze, making "Wing of Willows" a model work of poetry about objects.
2. Appreciation of the wind in ancient poems
Appreciation of the ancient poem "Wind"
"Three autumn leaves fall, and February flowers bloom. A thousand feet across the river "The waves are flowing into the bamboo poles." This poem was written by Li Qiao in the Tang Dynasty. Li Qiao has a series of three poems with the theme of "wind", and this is one of them.
Wind is a phenomenon in nature. It is invisible and intangible. It can only be felt through the heart of an individual or known through changes in external objects. Therefore, the word "wind" does not appear in the whole poem, nor does it directly describe the external shape and characteristics of the wind. Instead, it expresses the tenderness and strength of the wind through the changes in the original nature or state of external objects under the influence of the wind. It can be seen that the poet is familiar with and understands the common sense of physical state. With the support of this common sense of life, the poet skillfully reveals the characteristics of the wind through the deformation of external objects, and uses indirect description to express the various moods of the wind, allowing people to truly feel the gentleness and charm of the wind.
"Xing, Bi and Fu" are the basic techniques for expressing classical poetry. The so-called "Xing" means "prosperity" or "feeling", which refers to the inner "emotional change" caused by the action of external objects. "Leaves falling in three autumns can bloom in February." "Leaves falling" and "flowers blooming" are qualitative changes that occur naturally when things develop to their extreme state. The role of external forces can only accelerate or slow down the speed of change. Here, the poet attributes the falling leaves and blooming flowers to the action of the wind, showing the subtlety of the author's observation and inner delicacy. He closely links the changes in all things in nature with the action of the wind, the external force, and implicitly expresses it. The vitality of the wind and its tender care for external objects.
"Jie Luo" and "Jie" are used well. As the saying goes, "The autumn wind sweeps away the fallen leaves," and the brutality of the autumn wind can be seen clearly. There is no need to "sweep" or "blow", nor to "scrape" or "peel", just use "solution". "Resolve" means carefulness, attentiveness, and attentiveness to resolve, without being hasty or slow, neither arrogant nor impetuous, allowing Ye'er to leave the mother's body happily and find a good home. The tenderness of the wind is touching. "Can bloom", "open" means awakening, giving birth, and calling. Under the gentle caress of the wind, the flowers sleeping in the cold winter will open their sleepy eyes, stretch their bodies, and will welcome another beautiful day. , beautiful, wonderful spring. The warmth of the wind makes people feel comfortable. "Jie Luo" and "Neng Kai" vividly express the gentleness and tenderness of the wind, deeply touching the reader's mood that may have been a little indifferent, and reawakening people's gratitude for the beautiful life.
"Fu" means "direct Fu" and "Fu Chen", which means that things are the heart, facing the statement directly and expressing directly.
"Thousand-foot waves cross the river, and thousands of bamboo poles lean into them." The wind, "crossing the river," rolls up "thousand-foot waves." The wind is strong and the waves are high, and they go straight into the clouds and nights. How powerful is the wind? Majestic; wind, "entering the bamboo" causes "thousands of poles to tilt", the wind is fierce and the bamboo is falling, and there is no choice. The force outside the wind is so free and unrestrained.
Here, the force of the wind, the strength of the wind, and the strength of the wind form a strong contrast with the warmth, tenderness, and infatuation of the wind before. Any kind of life has its expression of "emotions, anger, sorrows and joys", and "wind" is no exception. The unpredictable nature of the wind is a good example of this.
Pay attention to antithesis or duality, and the same is true for the poem "Wind". For example, "Jie Luo" versus "Neng Kai", "Three Autumn Leaves" versus "February Flowers" are neat and orderly. "Three autumn leaves fall, and February flowers bloom." If the first two lines of the poem are more outstanding in terms of "prosperity", then the last two lines are more distinctive in "opposition", "Across the river a thousand feet" "The wave enters the bamboo poles and tilts", "one passes", "one enters", "one high", "one low", "always" and "one slant", vividly describing the changes that the wind has on natural objects under the action of the wind. Express it vividly and vividly.
Throughout this poem, the poet indirectly expresses the various forms of "wind" by grasping the changes of four natural objects such as "leaves", "flowers", "waves" and "bamboo" under the action of wind. , people can truly feel the charm and power of wind. The above "appreciation" inevitably has the suspicion of "discussing poetry based on poetry". If it can be combined with Li Qiao's other two poems about "wind", and then combined with the poet's life experience, life background and creative situation, it may be possible. A more wonderful and profound interpretation.
3. Appreciation of the poem "Wind" by Li Qiao, a poet of the Tang Dynasty
The wind (Li Qiao of Tang Dynasty) sheds three autumn leaves and blooms February flowers.
Thousands of feet of waves cross the river, and thousands of bamboo poles slant into it. Translation: It can blow off the golden leaves in autumn and open the beautiful flowers in spring.
Blowing across the river can set off huge waves thousands of feet, and blowing into the bamboo forest can make thousands of poles tilt. Appreciation: This is a short poem describing the wind. It is a dynamic interpretation and understanding of the wind.
This poem allows people to see the power of wind. If the title of the poem is covered, the poem becomes a riddle. This is one of the great features of this poem.
Wind is invisible, but wind is real. We cannot see the wind, but we can feel the wind. The autumn wind can sweep away the fallen leaves, the spring breeze can encourage flowers to bloom, the wind can stir up thousands of waves, and the wind can blow thousands of bamboos to their sides.
The "wind" that cannot be seen, touched or smelled becomes vivid in the author's writing. After reading, it seems that the paper is filled with the rustling wind, as if it can be held with hands, smelled with nose and ears. listen.
4. Poems describing "wind", appreciation and introduction to the author
Poems about wind
1. The sound of wind and rain at night, how many flowers have fallen. (Meng Haoran: "Spring Dawn")
2. The wind is strong and the horns are blowing, and the general is hunting Weicheng. (Wang Wei: "Watching the Hunt")
3. The grass in the dark forest is frightened by the wind, and the general draws his bow at night. (Lu Lun: "Song of the Past")
4. The wild fire will not burn out, but the spring breeze will blow it again. (Bai Juyi: "Farewell to Fu De Gu Yuancao")
5. Chaimen hears dogs barking and returns home on a snowy night. (Liu Changqing: "The Master Stays at Furong Mountain in the Snow")
6. Sneak into the night with the wind, moisturizing things silently. (Du Fu: "Spring Night Happy Rain")
7. The city gate assists the Three Qin Dynasties, and the wind and smoke look out to the Five Jin Dynasties. (Wang Bo: "Sending Du Shaofu to Shuzhou")
8. I want to ride the wind back home, but I am afraid of the beautiful buildings and beautiful houses. (Su Shi: "Water Melody Songtou? When will the bright moon come?")
9. It is difficult to say goodbye when we meet, because the east wind is powerless and the flowers are withered. (Li Shangyin: "Untitled")
10. The sky is clear, the fields are vast, the wind blows and the grass is low, and cattle and sheep can be seen. ("Song of Chile")
Haha, that's all, let's take a look first!
5. Appreciation of ancient Feng poetry, its characteristics and why you like it
The ancient poem "Wind" was written by Li Qiao in the Tang Dynasty.
It sheds three autumn leaves and can bloom February flowers.
Thousands of feet of waves cross the river, and thousands of bamboo poles slant into it.
This is a short poem describing the wind. The characteristic of writing is that it is a dynamic interpretation and understanding of the wind.
The wind is intangible, but it is also tangible. A breeze blows by, and the grass nods and smiles at people.
The wind also has its own feelings. When it is happy, it is often accompanied by drizzle. When spring comes, the wind passes through Qianxiu. The spring breeze in February is like scissors, and the spring breeze brings flying swallows. The spring breeze has greened thousands of ravines, awakened the grass, and sowed a sense of spring in people's hearts. But when it gets angry, the sky is filled with violent waves across the river.
I like this poem. It writes that the wind is magical, the wind is ever-changing, the wind is weak, and the wind is strong.
6. Appreciation of the poem "Wind" by Li Qiao, a poet of the Tang Dynasty
Wind (Li Qiao of the Tang Dynasty)
The three fallen autumn leaves can bloom in February flower.
Thousands of feet of waves cross the river, and thousands of bamboo poles slant into it.
Translation:
It can blow off the golden leaves in autumn and open the beautiful flowers in spring.
Blowing across the river can set off huge waves thousands of feet, and blowing into the bamboo forest can make thousands of poles tilt.
Appreciation:
This is a short poem describing the wind. It is a dynamic interpretation and understanding of the wind.
This poem allows people to see the power of wind. If the title of the poem is covered, the poem becomes a riddle. This is one of the great features of this poem.
Wind is invisible, but wind is real. We can't see the wind, but we can feel it. The autumn wind can sweep away the fallen leaves, the spring breeze can encourage flowers to bloom, the wind can stir up thousands of waves, and the wind can blow thousands of bamboos to their sides. The "wind" that cannot be seen, touched or smelled becomes vivid in the author's writing. After reading, the paper seems to be filled with the sound of rustling wind, as if it can be held with hands, smelled with nose and heard with ears.