1, knowing that time can't stay, there is no need to hurt spring and grieve autumn.
With the passage of time, there are only incomplete memories left in the pen tip. What did you use to pay homage to your lost youth when you were young? We are still us, but we can't go back to that simple era.
If the afterglow of the sunset shines on your hands and you find that they didn't do anything valuable that day, then you should regard this day as lost.
4. Climb to the top of the mast and return to the sail in half a round of red sun. If a mother is restless, there will be joy, and a thousand boats will break the waves.
The appreciation of each sentence is as follows:
1, in the sharp wind from the vast sky, apes are sobbing, and birds fly home on the clear lake and white beach.
The sky is high and the wind is urgent, the autumn wind is cold, and the ape is crying and tragic; Qingjiangzhou, the sandy shore is white, and the gulls return to Xiang at low altitude. In the first two sentences, the antithesis is still rhyming, and the target sentence has no name. This is what the poet saw when climbing the mountain, which constitutes the tragic image of autumn scenery and sets the tone for the whole poem.
Looking up at the top of the mountain, Jiang Tian was originally open, but in the poet's pen, he strongly felt the sadness of the wind, the whining of apes and the dancing of birds, all of which were controlled by the invisible autumn air, as if everything was in a daze about the arrival of autumn air.
Leaves fall like the spray of a waterfall, while I watch the long river roll forward.
Leaves floating, endless, swirling, rustling down; The surging Yangtze River is magnificent and leaps forward. Zhuan Xu is a famous sentence throughout the ages, which describes the solemn and bleak autumn and the vast and boundless scenery. One sentence is looking up, and the other sentence is looking up, which is generous.
"Boundless" expanded the scene of fallen leaves, and "rustling" accelerated the speed of falling. Coupled with the scenery, it deeply expresses personal feelings and conveys the feeling that time flies and ambition is hard to pay. Its situation is magnificent, and it affects everyone without limit. Remind people of the disappearance and limitation of life and the infinity and eternity of the world.
Through the gloomy and tragic dialogue, the poet's perfect brushwork is revealed, and there is a surging momentum of "building a palace and taking a stool" and "paying attention to the East", which was called "the best step in ancient and modern times" by predecessors.
I came from three thousand miles away. With the sadness of autumn, with my sorrow of a hundred years, I climbed this height alone.
I wander in Wan Li and live in a foreign land all the year round, which makes autumn scenery feel even more desolate. I have been ill since I was born, and today I am alone on the high platform.
Neck couplet is a high summary of the poet's wandering days in his life, and it has the god of suppression. The poet writes from two aspects: space and time, and integrates the feeling that a long-time guest is most likely to be alone on the stage with autumn fever into a couplet in Gao Hui's dialogue, which makes people feel deeply salty about his lofty sentiments. The words used are extremely concise, which is a famous sentence through the ages.
Bad luck has a bitter frost on my temples, and heartache and fatigue are a thick layer of dust in my wine.
Times are tough, times are tough. I often hate white food. Turbid wine sells sorrow, how can it be lost, so that demand stops. At the end of the couplet, people lament the little things around them, which forms a tragic contrast with the magnificent land of Liuhe, like the opening "Songs of the South".
"Bitter hate", its hate, means deep sorrow and hate. "Lost" means embarrassment and frustration, embarrassment and loss. New turbid wine glass: usually interpreted as abstinence from alcohol, improper.