What do you mean sang yufei is like the evening wind?

"Mulberry is not too late, and the bright moon is like the wind" means that people's old age is not too late, but their youth is as fast as the wind and as fleeting. It expresses that although the ancient literati were poor, they were still motivated by poverty.

"Sang Yu" refers to people's old age, and "Lemon Moon" refers to youth. "Wind" means fleeting. The whole sentence means to remind people to cherish time, because beautiful youth is fleeting.

From Wang Bo's Preface to Wang Tengting in the Tang Dynasty: Beihai can be accepted on credit; The cold corner has gone, and the mulberry is not late. Meng has noble taste and is free to serve the country; Ruan Ji is crazy, how can he cry to the end of the road!

Although the North Sea is far away, the cyclone can still reach it. Although the past time has passed, it is not too late to cherish the future. Meng taste is noble, but he has the heart to serve the country; Ruan Ji is wild and unruly. How can he learn from him and come back crying when he is cornered?

Note: Although Beihai is on credit, the whirlwind can reach it, though it is far away. It is not too late to cherish the future years, although the early years have passed. The eastern corner refers to the place where the sun rises, which means early. Sang Yu, where the sun sets, means it's late.

Meng has noble taste and is free to serve the country: Meng has noble taste, but he is full of blood to serve the country. This is the comparison between the author and Meng, with resentment. Meng Chang, a native of the Eastern Han Dynasty, was honest and incorruptible. He didn't pay much attention to being an official, and then returned to the field.

Ruan Ji is rampant, and crying at the end of the road has no effect: how can you follow Ruan Ji's informality and cry when there is no way out? This means that although you have no talent, you don't let yourself go. Ruan Ji, a poet of Wei in the Three Kingdoms. He sometimes travels by car alone and comes back in tears before reaching his destination to vent his depressed mood of dissatisfaction with reality. Wild, wild, informal

Preface to Wang Tengting is a parallel essay by Wang Bo, a writer in the Tang Dynasty. From the terrain, talents and banquets of Hongdu, the article describes the grandeur, broad vision, tight autumn and bright scenery of Wang Teng Pavilion. Then, from banquet entertainment to life experience, express the feelings of life experience; Then the writer's experience and confession should be encouraged by himself, and finally end with poetry and self-deprecating words. The full text reveals the author's ambition and resentment. Except for a few function words, the whole article is double.