What are the poems praising Beijing Opera?

Poems praising "Beijing Opera" are as follows:

1, no one sent half an arm, Peking Opera is admirable.

So there was the Shu Ren wind, and my shoulders were like vinegar. -"Shoulder Pain" Contemporary Qian Zhongshu

Vernacular interpretation: Nobody gave me half an arm, so I envy the people in Beijing Opera.

So I was blown by the wind, and now my shoulders are as sour as vinegar.

2. Xijiangyue Peking Opera Old Students

Elegant and elegant, flowing. Put down the heavy pointed ball, and the charm and sound cavity will be displayed.

Tan and Dale are opera lovers and amateurs. Dressed in plain clothes, dressed as a pear garden, singing heartily.

Interpretation of vernacular Chinese: The people who sing operas are magnificent, elegant in clothes, moving like flowing clouds, with their voices closed and their breath exhaled, showing the charm and tone of Peking Opera incisively and vividly.

The various schools of Tan, Yang and Li are simply fans of drama. In the pear garden, everyone is wearing costumes and makeup and singing heartily.

3. Seven Fazan Peking Opera

Playing the piano and drumming yellow, clear pronunciation and mellow voice.

Pitch cadence, euphemistic and impassioned singing.

The bearded face is thicker than boots, and Lao Dan has long blue sleeves.

Beijing opera is wonderful in the world, and the quintessence of the Ming Dynasty is even more brilliant.

Interpretation of vernacular Chinese: Playing the piano and drums while singing operas, the operas are well-organized and full of charm.

The tone of the player's voice is cadence, emphasizing euphemism and beauty, and also showing passionate emotions.

Xiao Sheng Laosheng and Huahua are wearing thick-soled boots, while Lao Dan Tsing Yi is swinging long sleeves.

Today's Peking Opera is unique in the world, and the quintessence of the Ming Dynasty is even more brilliant.

4, Langtaosha Peking Opera bronze hammer painting face

Drums and gongs rise from the clouds, tigers roar and dragons sing, and Huang Zhong and Lu Da work as Kun. The French volume is thunderous and magnificent.

Singing thousands of miles, high-pitched and low-chun, shows Kunlun in the world. The sound is smooth and beautiful, if it is sweet.

Interpretation of vernacular Chinese: when singing opera, gongs and drums are ringing, which seems to be changing. Tigers roar and dragons sing, bells and drums are deafening, deafening and rhythmic.

Singing, reading and doing reveal a sense of quantity, ups and downs, showing the historical story of heaven and earth. Beijing opera has a beautiful voice and charm, which sounds like enjoying a good glass of wine.

Once you understand Beijing opera, everything is easy. -"Luoyang main book uncle and Yi Chengen to choose poems" Liu Tang Changqing

Interpretation of vernacular Chinese: Compared with singing Beijing Opera, everything else is easy and simple.

Extended data:

The classification of Peking Opera is mainly based on the characters' personality characteristics besides their natural attributes (gender, age) and social attributes (identity, occupation).

The old saying of "Seven Lines and Seven Subjects" in Beijing Opera Club: Seven lines are healthy line, Dan line (also known as professional line), clean line, ugly line, miscellaneous line, martial line and popular.

Everything on the stage of Beijing opera does not appear according to the true colors of life. The roles on the stage of Peking Opera do not appear according to the true colors of people in life, but are artistically exaggerated in makeup and costumes according to the gender, personality, age, occupation and social status of the roles played, thus dividing the roles on the stage into four types: life, Dan, purity and ugliness.

These four special terms in Peking Opera are called "Shang".

Baidu Encyclopedia-Peking Opera