1, Nostalgia Modern-Yu Guangzhong
When I was a child, homesickness was a small stamp.
I'm here and my mother is there.
When I grow up, homesickness is a narrow ticket.
I'm here and the bride is there.
Later, homesickness became a temporary grave.
I'm outside and my mother is inside.
Now, homesickness is a shallow strait.
I am here and the mainland is there.
2. Modern-Yu Guangzhong When I Die
When I die, bury me, between the Yangtze River and the Yellow River.
Pillow my head, white hair covered with black soil.
In China, the most beautiful and motherly country.
I slept peacefully and slept all over the continent.
Listen to the opinions of both sides. Requiem starts from the Yangtze River and the Yellow River.
Two eternal music, surging and facing the east.
This is the most indulgent and spacious bed.
Let a heart sleep contentedly and think contentedly.
Once upon a time, there was a young man in China.
Look west in frozen Michigan.
I want to see the dawn of China through the night.
With China's eyes that I haven't felt in seventeen years.
Gluttony map, from West Lake to Taihu Lake.
Go to Chongqing, where there are many partridges, instead of going home.
Yu Guangzhong's creative style;
Yu Guangzhong mainly writes poems and is famous for his essays and comments. His poems often express the poet's sympathy, concern for the land, mention of environmental protection, and perspective analysis and capture of all modern things. The author starts from tradition to modernity, and then goes deep into tradition.
From the perspective of poetic art, Yu Guangzhong is known as "an artistic miscellaneous poet". His works are extremely inconsistent in style. Generally speaking, his poetic style varies from subject to subject. Poems expressing will and ideals are generally magnificent and powerful, while works describing homesickness and love are generally delicate and soft.
His literary career is long, broad and profound, with the spirit of China classical literature and foreign modern literature. His creative technique is novel and flexible, and his metaphor is strange. His description is exquisitely carved, lyrical and touching, singing three sighs, implicative and meaningful, with beautiful rhythm and strong sense of rhythm.