The answer to the following question in Zhang Jiulin's ancient poem "Looking at the moon and thinking far away" is urgent!

(1) Poems with the word "sheng" are extremely vivid. The sea and the bright moon are two natural phenomena in nature, but the author gives them vitality. The bright moon does not rise from the sea, but is born from the sea. This anthropomorphic description echoes the next sentence "Tianya * * * at this time". Obviously, the author is writing about scenery, but in fact, he is lyrical, bringing the distant lovesickness to the extreme.

(2) This is similar to the word "Sheng" in Zhang's poem "A bright moon on the sea is born with the tide", which is different from the same work. The sea, the bright moon and the horizon constitute a magnificent and broad artistic conception. Looking at the moon is a real scene, and looking at it from a distance is an artistic conception. The poet skillfully combines scenery writing with lyricism. While writing * * * to each other on the bright moon, it also contains homesickness, leaving room for association and imagination. The first couplet caught this problem, and the following sentences came into being.