2, the iron urn between the clouds is close to the sky and flies a hundred feet. -Miffy's "Wanghailou"
3, the platform is ethereal and pressing the city, leaning on the stick to see the mighty spring. -Lu You's Landing on the Cape
4. The lonely pavilion suddenly plunged into the rapids, and the air pressure in Long Yuan was as high as 100 feet. -Yuan Haowen's "Cross Wave Pavilion"
5. I don't need to go back to the column in front of Yueyang Tower. -Chen, "Climbing Yueyang Tower Again"
6. The pavilion is suitable for guests, and Jiangshan becomes a good poem. -Bai Juyi's "Early Spring in the Jianglou"
7. In the middle of brothel avenue, there are embroidered doors and carved windows. -Wang Bo's Lin Gaotai
8. The Zige Danlou shines and the rooms are exquisite. -Wang Bo's Lin Gaotai
9. Draw a building to fly to Nanpu Cloud, and the bead curtain rolls up the rain in the western hills. -Wang Bo's Preface to Wang Tengting
10, a long time ago, the place where the yellow crane carried saints to heaven, now only the Yellow Crane Tower is left. -Yellow Crane Tower in Cui Hao
1 1 I have heard of Dongting Lake for a long time, and now I have finally climbed to this tower. -Du Fu's "Climbing Yueyang Tower"
12, Linjiang Zhu, Ming Luan went dancing. -Wang Bo's Preface to Wang Tengting
13, there are two platforms, namely Yulong and Jinfeng. -Cao values "Peacock Taiwan Fu"
14, there are mountains here, and Maolin is pruning bamboo. -Wang Xizhi's Preface to Lanting Collection
15, but if you walk up a flight of stairs, you can broaden your horizons by 300 miles. -Wang Zhihuan is at the Heron Hotel.
2. Write ancient poems about pavilions Teng Wang Ge [Tang] Wang Bo
Wang Teng Linjiang Zhu and Ming Luan went dancing.
The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk.
The shadow of a floating cloud pool is long, how many years do you change stars?
Where is the emperor in the cabinet today? Outside the threshold, the Yangtze River flows by itself.
Wanghailou [Song] Mifei
The iron urn between the clouds is close to the sky and flies a hundred feet.
The sound of the Three Gorges River flows at the bottom of the pen, before the sails of the Six Dynasties fall into the bottle.
I drew a corner several times to remind Red Sun that nothing happened in Cangzhou.
Where is the sudden happiness? Spring breeze and autumn moon are empty.
A land trip is planned in Xi 'an, Taiwan Province [Song Dynasty].
The platform is ethereal and pressing the city, leaning on the stick to see the mighty spring.
Put a bottle in a thousand miles, and wash it for ten years.
Walking back to the water, holding peace, the plain mountain is like a person.
I'm even more glad that the machine is not here, and the gull heron on the sand side is also dating.
3. Who can tell me the title of the poem describing "pavilions": Going to Yueyang Tower again?
Year: Song Dynasty
Author: Chen
Content:-
I don't need to list the Fei in front of Yueyang Tower.
The mirror of Dongting is thousands of miles flat, but it should play the role of junshan.
Title: Early Autumn in Jianglou
Year: Tang Dynasty
Author: Bai Juyi
Genre: Five Elements
Content:-
Although it's hot in the south, it's not too late in Qiu Lai.
When the back lake faces Ji, the bamboo is cool at dusk.
A castle should be a good guest and a mountain should be a good poem.
Breeze, apple leaves, Millennium and magnolia branches.
If you want to plan Yunquan, you must raise money.
Step by step, what do you mean?
4. What are the ancient poems about pavilions? 1. Zuiweng Pavilion
Song Dynasty: Ouyang Xiu
The Chu River is surrounded by mountains. The mountains in the southwest, the forests and valleys in You Mei are beautiful. After six or seven miles on the mountain, I gradually heard the sound of water gurgling between the two peaks and became a spring. When the peak turns, there are pavilion wings on the spring, and the pavilion is also drunk. Who is the pavilion? Monks in the mountains are also wise and immortal. Who's the name? The satrap calls himself. The satrap and his guests come here to drink, and when they drink less and get drunk, they call themselves drunkards at the highest age. The meaning of drunkenness is not wine, but also between mountains and rivers. The joy of mountains and rivers, the place where the heart belongs, the place where the wine belongs.
If the husband is in the forest at sunrise, the clouds will return to the cave, and the changes will be bright, and sooner or later in the mountains. The wild fragrance is rich, the wood is beautiful and the shade is beautiful, the wind and frost are noble and clean, and the water is clear, and it is also in the mountains at four o'clock. Returning home in the morning and evening, the scenery at four o'clock is different and the joy is endless.
As for the loser who sings on the way, the walker rests in the tree, the former calls and the latter should help, and those who keep going back and forth swim. Fishing by the stream is rich in fish. Brewing spring wine, spring fragrance and wine bottles; The pheasant is just a predecessor and a satrap feast. The joy of a feast is not silk or bamboo. Among the shooters, the player wins, and everyone who sits up is happy. Those pale, white-haired and self-effacing people are too defensive and drunk.
Sunset in the mountains, people scattered, the satrap returned, and the guests followed. The Woods are overcast, singing and singing, tourists go and birds are happy. However, birds know the joy of mountains, but they don't know the joy of people; People know that swimming from Taishou is fun, but they don't know that Taishou is fun. Being drunk can be fun, and people who wake up and can tell stories in words are too defensive. Who is the satrap? Lu Xiu also.
2. The story of Yueyang Tower
Song Dynasty: Fan Zhongyan
In the spring of the fourth year, Li Qing stayed in Baling County. In the second year, the government was harmonious and everything went smoothly. Is to rebuild Yueyang Tower, add its old system, and engrave Tang Xian's poems on it. It belongs to the composition to remember. (Passage: Furniture)
Guanfu Baling wins in Dongting Lake. Take a distant mountain, swallow the Yangtze River, and make a vast soup, boundless; It's sunny in the morning and cloudy at night. This is the grand view of Yueyang Tower, which was prepared by predecessors. But the northern martial arts, the Antarctic Xiaoxiang, and the poets who moved abroad will all be here, and they will look at things well.
If it rains heavily, the moon will not open, the evil wind will howl, and the turbid waves will be empty; The sun, moon and stars are hidden, and the mountains are hidden; Business travel is bad and ruined; Twilight is boundless, tigers roar and apes crow. When you go to the temple building, you are homesick, sad, sad and sad. (hidden work: hidden glory; Yu Yutong: Aftersound)
If it is spring, it is calm and the sky is high and the clouds are light; Sha Ou Ji Xiang, swimming in the brocade scale; The coast is blue and green. Or the long smoke is exhausted, the bright moon is thousands of miles away, the light is shining, the static shadow is sinking, and the fishing songs are answered. How happy I am! When you arrive at Dunsi Building, you will feel relaxed and happy, forget the humiliation, and leave the wine in the wind, which will make you feel happy.
Hey, honey! Is it to taste the heart of the ancient benevolent, or to do something different? Don't be happy with things, don't be sad with yourself; If you live high in a temple, you will worry about your people; If you stay away from the Jianghu, you will worry about your husband. It's worrying about going in and going out. But when will you be happy? It must be said, "worry about the world first, and then enjoy the world." Hey! Wes, who are we going home with?
September 15th, six years.
3. Youzhou Tower
Tang Dynasty: Chen Ziang
No one can see the ancient wisdom of the ancient king, only those wise men who can't see the afterlife can see it.
Only the boundless universe, boundless, can't stop the tears full of sadness.
4. "The Story of Yueyang Tower"
Tang Dynasty: Bai Juyi
The river under Yueyang is vast and boundless; Standing alone on the tall building, leaning against the railing.
In spring, the green color echoes the vegetation in Dongting Lake in the distance, and the rosy clouds echo the red waves in the lake in the evening. The red waves are close at hand and seem to be the capital Chang 'an.
The old ape on the shore stood on the tree and cried miserably, and the geese in the sky had a hard time flying over the boundless lake.
This place is magnificent and beautiful. It can only be painted as a barrier and hung in the lobby of your rich people for their appreciation.
5. Yellow Crane Tower/Climbing Yellow Crane Tower
Tang Dynasty: Cui Hao
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years.
Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.
5. What are the poems about pavilions? 1, Linjiang Zhu, Ming Luan, singing and dancing.
-Wang Bo's "Teng Wang Ge" 2. The iron urn between the clouds is close to the sky and flies hundreds of feet. -Miffy's "Wanghailou" 3. The platform is ethereal and pressing the city, leaning on the stick to see the mighty spring.
-Lu You's "Climbing to the Cape" 4. The lonely pavilion suddenly plunged into the stream, and the air pressure in Long Yuan was 100 feet high. -Yuan Haowen's "Henglang Pavilion" 5. Fei in front of Yueyang building, I don't need to go back to the column.
-Chen, "Climbing Yueyang Tower Again" 6. A castle should be a good guest and a mountain should be a good poem. -Bai Juyi's "Jiang Lou Chu Chun" 7. In the center of Louqing Street, embroidered doors and windows are carved.
-Wang Bo's "Lin" Volume 8. The Zige Danlou is brightly lit and the rooms are exquisite. -Wang Bo "Lin" 9. Draw a building flying to Nanpu Cloud, and the bead curtain is rolling in the rain of Xishan Mountain.
-Wang Bo's Preface to Wang Tengting 10 A long time ago, a yellow crane carried a saint to heaven, and now there is nothing left but the Yellow Crane Tower. -Cui Hao Yellow Crane Tower 1 1 I have heard of Dongting Lake for a long time, and now I have finally climbed to this tower.
-Du Fu's "Climbing Yueyang Tower" 12, Tengting Linjiang Bamboo, and Pei's singing and dancing. -Wang Bo's Preface to Wang Teng Pavilion (13) has two platforms, namely Yulong and Jinfeng.
-Cao value "Peacock Taiwan Fu" 14, where there are mountains, forests and bamboos. -Wang Xizhi's Preface to Lanting Collection 15 But when you go up a flight of stairs, your vision will be broadened by three hundred miles.
-Wang Zhihuan is at the Heron Villa.
6. Ask for four pavilions, four pavilions, four Teng [Tang], Wang Boteng, Wang, Linjiangzhu and Pei Song and Dance.
The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk. The shadow of a floating cloud pool is long, how many years do you change stars? Where is the emperor in the cabinet today? Outside the threshold, the Yangtze River flows by itself.
In 676, in the third year of Tang Gaozong's reign, the poet went all the way to visit his father, passed through Hongzhou (now Nanchang, Jiangxi), attended the banquet of the governor of Yan, and improvised Preface to Wang Tengting. At the end of the preface, he attached this concise and implicit poem, summarizing the contents of the preface. The first sentence comes straight to the point, pointing out the situation of Wang Teng Pavilion with simple and old brushwork.
Wang Tengting was built by Wang Teng Li Yuanying, the son of Gao Zu Li Yuan, when he was governor of Hongzhou. Therefore, it is located at the gate of the newly-built Xizhanghe River in Jiangxi, facing the Ganjiang River. You can look at it from a distance. The following "Nanpu", "Xishan", "idle clouds", "Tanying" and "Yangtse River beyond the threshold" all come from the first sentence "Zhu".
The Wang Teng Pavilion is in good condition, but who will visit it now? Wang Teng, who built this pavilion, has passed away. He came to the pavilion, held a banquet and sat in a carriage full of beautiful Yu Pei with phoenix bells. The scene of luxury is gone forever. The first sentence is about space, the second sentence is about time, the first sentence is full of enthusiasm, and the second sentence is depressed.
The poet adopts the technique of "standing and sweeping", which naturally makes readers feel ups and downs. A few sentences have covered the theme of the whole poem. Three or four sentences follow the second sentence and play more.
Since no one comes to visit the pavilion, it is of course pitiful to draw a bead curtain in the pavilion. Only the rain from Yunxi Mountain in Nanpu is accompanied by it. These two sentences not only describe Wang Teng-ting's loneliness, but also describe Wang Teng-ting's height, the rain rolling bead curtain in the western hills, Wang Teng-ting's distance and the blending of scenes.
At this point, the poet's intention has been completely covered, but the expression technique is still relatively hidden and incomplete. Therefore, after the first four sentences used three relatively calm rhymes of "Zhu", "Dance" and "Rain", they immediately became three long and soft rhymes of "You", "Autumn" and "Liu". Together with the coordination of composition and meaning, they put special emphasis on time and exert their strength, which is in the same strain as the first half sentence. The word "idle cloud" is intentionally or unintentionally associated with the above-mentioned "Nanpu cloud", and the word "pool shadow" deliberately avoids the word "river" and deepens the "river" into a "pool".
There are clouds in the sky, pools in the ground, and I leaned down and wrote about the space, but then I used the word "day long", and I immediately turned the space into time, pointing out that time is long, not a day or two, but over the years, naturally giving birth to the feeling of changing the scene and changing the constellation orientation, and naturally thinking of the people who are building pavilions now. Here, a "minority" and a "why" ask questions continuously, expressing compact emotions.
Finally, it turns from time to space, pointing out that things will change, stars will move, Di Zi will die, and the Yangtze River outside the threshold will flow eastward endlessly. The words "threshold" and "river" responded to the first sentence, and the spirit was exhausted.
Wanghailou [Song Dynasty] The iron urn between clouds in Mi Fei is close to the sky, and the ethereal flying building is 100 feet long. The sound of the Three Gorges River flows at the bottom of the pen, before the sails of the Six Dynasties fall into the bottle.
I drew a corner several times to remind Red Sun that nothing happened in Cangzhou. Where is the sudden happiness? Spring breeze and autumn moon are empty.
The first couplet is the main picture-Wanghailou. In order to set off the height of Wanghai Building, Zhenjiang City is written first. The "clouds" and "near the sky" are extremely high, laying a solid foundation for overlooking the dangerous building with a hundred feet of sea.
The reason why you can fly upstairs is because the eaves are tilted, such as dancing in five colors, and "ethereal" means fairyland. The close-up of the Yangtze River written by Zhuan Xu is the most wonderful one in this poem.
The poet seems to be drinking, painting and reciting poems. The Yangtze River flows through the bottom of the pen with the sound of the Three Gorges, and the sails of the Six Dynasties in the cup are drunk with wine. He couldn't help but make a masterpiece of poetry and painting, painting pieces of white sails and memorizing this poem. Neck couplets write a vision-red sun and white smoke.
The setting sun gradually sinks under the urging of gurgling corners, and the quiet riverside in the distance is filled with white smoke. Among them, there is no lack of artistic conception of "the long river sets the yen" and "there is a layer of sad fog on the river waves"
Boarding the Xian [Song] platform, Lu Youtai is ethereal and pressing the city, and watching the mighty spring scenery with a stick. Put a bottle in a thousand miles, and wash it for ten years.
Walking back to the water, holding peace, the plain mountain is like a person. I'm even more glad that the machine is not here, and the gull heron on the sand side is also dating.
The first link points out the terrain and boarding time of the quasi-viewing platform. "Vague" refers to the height of the platform, and "mighty" refers to the width of the spring in the Ming Dynasty. Both adjectives are used properly.
But in contrast, what is more fascinating is to push the word "pressure". City, city, city, city, city, city, city, city, city, city, city, city.
The poet accurately expresses this feeling with the word "pressure", which not only shows the sublimity of the platform, but also makes the platform and the city change from static to dynamic, from mutual isolation to seamless integration, making the whole sentence feel flowing. A Qing poet Chen Xu said in his Selected Poems of Jian Nan: "When you read Weng Fang's lyrics, you must think deeply about the wonderful effect of refining words and sentences to get its true color."
The words used in the first couplet are simple and easy, but the following word "pressure" will arouse the spirit of the whole couplet, such as trying to use words such as "Chu", "Jump", "Li" and "Lian", all of which complement each other, but the realm is not as good as after all. This can be seen in releasing the beauty of Weng and refining the beauty of characters.
The third sentence takes care of the first sentence. The platform is high and steep, allowing you to look as far as possible and travel thousands of miles. The fourth sentence gave birth to the second sentence, because of the mighty spring, I was relaxed and happy, and I was worried for ten years.
Couplets are both a link and a link. At the moment when you are satisfied with your eyes, the scenery in front of you changes unconsciously, that is, the neckline "lingers around the water to embrace harmony, and the plains and mountains are like people."
In the eyes of the "clothes" that washed away the dust, the winding river flows away, but it is full of harmony without surging; The gentle mountain peaks move slowly, but they are not steep and steep, but like deep philosophers. Write the scenery on the neck.
However, it is not purely a landscape painting, but a poet's subjective thoughts and feelings. Wang Guowei's "Words on Earth" said, "There is a place for me, but there is no place for me.
If you have my own environment, you can see things with me. Everything is my color. I wrote these two poems "Let the Weng Live".
In spring, my heart is quiet, so I see that the mountains and rivers are so diluted and so leisurely. The same is planning the scenery of Taiwan Province. In another song, "Autumn night boasts of planning concept, view and hope for good luck".
7. Poems about pavilions Four Poems about pavilions Teng [Tang] Wang Boteng Wang Linjiang Zhu, Pei Luan went to dance.
The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk. The shadow of a floating cloud pool is long, how many years do you change stars? Where is the emperor in the cabinet today? Outside the threshold, the Yangtze River flows by itself.
In 676, in the third year of Tang Gaozong's reign, the poet went all the way to visit his father, passed through Hongzhou (now Nanchang, Jiangxi), attended the banquet of the governor of Yan, and improvised Preface to Wang Tengting. At the end of the preface, he attached this concise and implicit poem, summarizing the contents of the preface. The first sentence comes straight to the point, pointing out the situation of Wang Teng Pavilion with simple and old brushwork.
Wang Tengting was built by Wang Teng Li Yuanying, the son of Gao Zu Li Yuan, when he was governor of Hongzhou. Therefore, it is located at the gate of the newly-built Xizhanghe River in Jiangxi, facing the Ganjiang River. You can look at it from a distance. The following "Nanpu", "Xishan", "idle clouds", "Tanying" and "Yangtse River beyond the threshold" all come from the first sentence "Zhu".
The Wang Teng Pavilion is in good condition, but who will visit it now? Wang Teng, who built this pavilion, has passed away. He came to the pavilion, held a banquet and sat in a carriage full of beautiful Yu Pei with phoenix bells. The scene of luxury is gone forever. The first sentence is about space, the second sentence is about time, the first sentence is full of enthusiasm, and the second sentence is depressed.
The poet adopts the technique of "standing and sweeping", which naturally makes readers feel ups and downs. A few sentences have covered the theme of the whole poem. Three or four sentences follow the second sentence and play more.
Since no one comes to visit the pavilion, it is of course pitiful to draw a bead curtain in the pavilion. Only the rain from Yunxi Mountain in Nanpu is accompanied by it. These two sentences not only describe Wang Teng-ting's loneliness, but also describe Wang Teng-ting's height, the rain rolling bead curtain in the western hills, Wang Teng-ting's distance and the blending of scenes.
At this point, the poet's intention has been completely covered, but the expression technique is still relatively hidden and incomplete. Therefore, after the first four sentences used three relatively calm rhymes of "Zhu", "Dance" and "Rain", they immediately became three long and soft rhymes of "You", "Autumn" and "Liu". Together with the coordination of composition and meaning, they put special emphasis on time and exert their strength, which is in the same strain as the first half sentence. The word "idle cloud" is intentionally or unintentionally associated with the above-mentioned "Nanpu cloud", and the word "pool shadow" deliberately avoids the word "river" and deepens the "river" into a "pool".
There are clouds in the sky, pools in the ground, and I leaned down and wrote about the space, but then I used the word "day long", and I immediately turned the space into time, pointing out that time is long, not a day or two, but over the years, naturally giving birth to the feeling of changing the scene and changing the constellation orientation, and naturally thinking of the people who are building pavilions now. Here, a "minority" and a "why" ask questions continuously, expressing compact emotions.
Finally, from time to space, it is pointed out that things will change, stars will move, Di Zi will die, and the Yangtze River outside the threshold is endless. The words "threshold" and "river" responded to the first sentence, and the spirit was exhausted.
Wanghailou [Song Dynasty] The iron urn between clouds in Mi Fei is close to the sky, and the ethereal flying building is 100 feet long. The sound of the Three Gorges River flows at the bottom of the pen, before the sails of the Six Dynasties fall into the bottle.
I drew a corner several times to remind Red Sun that nothing happened in Cangzhou. Where is the sudden happiness? Spring breeze and autumn moon are empty.
The first couplet is the main picture-Wanghailou. In order to set off the height of Wanghai Building, Zhenjiang City is written first. The "clouds" and "near the sky" are extremely high, laying a solid foundation for overlooking the dangerous building with a hundred feet of sea.
The reason why you can fly upstairs is because the eaves are tilted, such as dancing in five colors, and "ethereal" means fairyland. The close-up of the Yangtze River written by Zhuan Xu is the most wonderful one in this poem.
The poet seems to be drinking, painting and reciting poems. The Yangtze River flows through the bottom of the pen with the sound of the Three Gorges, and the sails of the Six Dynasties in the cup are drunk with wine. He couldn't help but make a masterpiece of poetry and painting, painting pieces of white sails and memorizing this poem. Neck couplets write a vision-red sun and white smoke.
The setting sun gradually sinks under the urging of gurgling corners, and the quiet riverside in the distance is filled with white smoke. Among them, there is no lack of artistic conception of "the long river sets the yen" and "there is a layer of sad fog on the river waves"
Boarding the Xian [Song] platform, the land platform is misty and the city is pressed, and the mighty spring scenery is watched with a stick. Put a bottle in a thousand miles, and wash it for ten years.
Walking back to the water, holding peace, the plain mountain is like a person. I'm even more glad that the machine is not here, and the gull heron on the sand side is also dating.
The first link points out the terrain and boarding time of the quasi-viewing platform. "Vague" refers to the height of the platform, and "mighty" refers to the width of the spring in the Ming Dynasty. Both adjectives are used properly.
But in contrast, what is more fascinating is to push the word "pressure". City, city, city, city, city, city, city, city, city, city, city, city.
The poet accurately expresses this feeling with the word "pressure", which not only shows the sublimity of the platform, but also makes the platform and the city change from static to dynamic, from mutual isolation to seamless integration, making the whole sentence feel flowing. A Qing poet Chen Xu said in his Selected Poems of Jian Nan: "When you read Weng Fang's lyrics, you must think deeply about the wonderful effect of refining words and sentences to get its true color."
The words used in the first couplet are simple and easy, but the following word "pressure" will arouse the spirit of the whole couplet, such as trying to use words such as "Chu", "Jump", "Li" and "Lian", all of which complement each other, but the realm is not as good as after all. This can be seen in releasing the beauty of Weng and refining the beauty of characters.
The third sentence takes care of the first sentence. The platform is high and steep, allowing you to look as far as possible and travel thousands of miles. The fourth sentence gave birth to the second sentence, because of the mighty spring, I was relaxed and happy, and I was worried for ten years.
Couplets are both a link and a link. At the moment when you are satisfied with your eyes, the scenery in front of you changes unconsciously, that is, the neckline "lingers around the water to embrace harmony, and the plains and mountains are like people."
In the eyes of the "clothes" that washed away the dust, the winding river flows away, but it is full of harmony without surging; The gentle mountain peaks move slowly, but they are not steep and steep, but like deep philosophers. Write the scenery on the neck.
However, it is not purely a landscape painting, but a poet's subjective thoughts and feelings. Wang Guowei's "Words on Earth" said, "There is a place for me, but there is no place for me.
If you have my own environment, you can see things with me. Everything is my color. I wrote these two poems "Let the Weng Live".
In spring, my heart is quiet, so I see that the mountains and rivers are so diluted and so leisurely. Similarly, the scenery of Taiwan Province was put forward, but now it is in another song, the scenery planning of autumn night, watching and watching auspicious symbols.