The author is Li Qingzhao, whose epigraph "You, it was stormy last night" appreciates you, and it was stormy last night. Deep sleep won't leave a hangover. I asked the shutter man, but he said, "Haitang is still there." You know what? You know what? It should be green, fat and thin! Appreciating this poem, there are characters, scenes and dialogues, which fully shows the language expressive force of Song Ci and the poet's talent. "It rained last night and suddenly it blew" means it rained last night and blew badly. Sparse means sparse writing, not the usual sparse meaning. It's spring, and the famous flowers are just right, but the wind and rain are coming, so I'm in a bad mood and can't sleep, so I can only drown my sorrows by drinking. I drank too much and slept like a log. As a result, I woke up and it was already dawn. But last night's mood was already across my chest, so we have to ask what is hanging in the air together. So, she asked the maid who cleaned the house and opened the blinds: What happened to Begonia? The maid took a look and smiled and replied, "Yes, Haitang hasn't changed at all after a night of wind and rain!" The hostess listened and sighed; "Silly girl, do you know that Haitang is less red and more green? ? "This dialogue shows what poetry and painting can't, and shows the complex expression and tone of the boudoir that hurts spring and is easy to spring. It can be described as a vivid pen. Taking "deep sleep" and "residual wine" as a bridge, the author wrote the time change and psychological evolution from white night to dawn. Then a "roller blind" skillfully and appropriately broke the dawn of the day. However, the person who asked the shutter didn't mention anything, only revealed the answer. It's really wonderful, without trace. Poets are happy for flowers, sad for flowers, drunk for flowers, and angry for flowers. In fact, they are hurting and cherishing spring, using flowers as a metaphor to lament that their youth is fleeting. Appreciation II Although Li Qingzhao is not a prolific writer, there are only forty or fifty ci poems that have been handed down so far, but they are all "useless" and "there are many ci writers". This song "Like a Dream" is an immortal masterpiece that is "called by the world". After waking up from the dark, Xiaoyu asked about the description of flowers, which euphemistically expressed the poet's feelings of loving flowers and hurting spring. The language is fresh and meaningful, which makes people think deeply. How to understand the first two sentences is controversial. Gaitui used logical reasoning: since it is "a deep sleep does not consume residual wine", how do you know that "the rain cleared last night and the wind blew suddenly"? Isn't this a contradiction? In fact, these two words cannot be understood by simple things in life, because the poet's original intention is not here, but through these two words to express his infinite love for flowers. Poems that cherish flowers talk more about wind and rain. Bai Juyi's poem "Two Precious Peony Poems" reads: "Those who are bright should spend all their flowers, while those who are at night should cherish the red and watch the fire." Feng Yansi's "Sauvignon Blanc" words: "Red branches are full of branches, green branches are full of branches, and you get up late when you are tired." Zhou Bangyan's "Youth Tour" words: "One night east wind, Haitang bloom, look at the blinds upstairs." The meaning of flowers scattered in the wind and rain is easy to understand. However, it is not easy to understand that "a deep sleep does not consume residual wine" is also about cherishing flowers. However, as long as you read more poems about flowers written by predecessors, it is not difficult to understand. Du fu's poem "three quatrains": "I would rather be drunk and the wind blows away, but I can endure the rain when I wake up." Wei Zhuang's You recorded Bao's poem Xi Hua Yin: "Flowers on branches, flowers on people, and poor colors are all youth. Yesterday, I saw flowers burning, but today I saw flowers falling. Drinking this flower is better than waiting for the spring breeze to blow. " These verses can be used as footnotes for "A sound sleep does not consume wine". Yi An said in the poem "Jade House Spring" praising Hongmei: "Red Crisp is willing to let Qiongbao break and explore the southern branches all over the place. ..... If you want a drink, you can't rest. " It is also a self-annotation of the sentence "sleeping". Although the wording of this word only means that I drank too much last night and haven't stopped since the next morning, there is another meaning behind this wording, that is, I was drunk last night because I cherish flowers. The poetess couldn't bear to see the flowering of Haitang in the Ming Dynasty. She drank too much wine under Haitang last night and is still drunk. There are many words about drinking in Shuyu Ci, which shows that Yi 'an lay man likes drinking. Drinking well will still lead to deep sleep. After deep sleep, the alcohol power has not completely disappeared, which is not a general overdose. As long as you think about why the poet wrote the word "deep sleep without residual wine", the answer can only be "cherish flowers" As far as the meaning of this word is concerned, it is the same as the poems quoted by Du Fu and Bao Wenji. However, the height of Yi 'an is to find a new way. Once you understand the meaning of "cherish flowers" hidden behind "deep sleep without consuming residual wine", then the understanding of the following sentence will be "logical". The next three or four sentences are an inevitable reflection of the psychology of loving flowers. Although he was drunk all night, the first thing Xiao Qing cared about after waking up was the begonia in the garden. Knowing that Haitang couldn't stand the abrasion caused by sudden wind and rain overnight, the window must be a red mess, full of fallen flowers, but I couldn't bear to see it myself, so I tried to ask the maid who was rolling the curtains. The word "try" expresses the poet's ambivalence that he cares about flowers but is afraid to hear the news of flowers falling, and he can't bear to see them with his own eyes but wants to know what is going on. On the other hand, Zhou Bangyan's "Youth Tour": "One night the east wind, Haitang bloom, look at the shutters upstairs." It's vulgar and tasteless. What is the result of "asking"? -"But Haitang is still there." The maid's answer surprised the poet. Originally, I thought that after a night of wind and rain, the begonia flower must have withered and deformed, but the maid rolled up the curtain and looked out, but casually replied: the begonia flower is still the same. The word "que" not only indicates that the maid is unaware of the hostess's doubts, but also indicates that the poet is puzzled after hearing the answer. Yes, after the "sudden storm", how can "Haitang" remain the same? This naturally leads to the last two sentences. "You know what? Do you know that?/You know what? It should be green, fat and thin. " This is not only a rebuttal to the maid, but also a soliloquy: this careless girl, do you know that the begonia in the garden should be lush with green leaves and few red flowers! "Should" indicates that the poet's speculation and judgment on the scenery outside the window is extremely appropriate. Because she has not witnessed it with her own eyes, she should leave room for her speech. At the same time, the word also implies the meaning of "must" and "have to". Although Haitang is heartless, it can't bloom forever. In short, there is endless helpless love for flowers, but the predicate is shallow and profound. And this layer's affection for flowers is naturally invisible to the "roller blinds" and does not need more attention. After all, she can't be as delicate as the hostess and have a deeper understanding of nature and life. This may be the reason why she gave the above answer. The last sentence "green and fat and red and thin" is the perfect pen of the whole word, which has been praised by the world. "Green" instead of leaves and "red" instead of flowers are the contrast of the two colors; "Fat" describes that the leaves after rain are lush and fat because of sufficient water, and "thin" describes that the flowers after rain are withered and scarce because of unbearable rain. This is the contrast between the two States. Four common words are so vivid and vivid through the collocation and combination of poets, which is really a creation in the use of language. Associated with these four words, doesn't "red thinness" indicate the gradual disappearance of spring, while "green manure" symbolizes the coming of summer with green leaves? This very common language is really amazing. Hu Zai's "Tiaoxi Fishing Hidden from Conghua" said: "This language is very new." Comment on A Bie Lu of Caotang Poetry: "The end of the sentence is especially delicate." Looks like it's not a hollow reputation. This little word is only six sentences and thirty-three words, but it is written in a tortuous and euphemistic way, which is very hierarchical. The poet drinks heavily because he loves flowers, but he "questions" because he knows the gratitude of flowers, and asks questions because he doesn't believe the answer of "confinement". So he turned around step by step and expressed his love for flowers in a swaying way. "Selected Poems of Starting a prairie fire" says: "Short poems have numerous twists and turns, and nature is more sacred than words." It can be described as rave reviews. Appreciation of Li Qingzhao's Dream, Always Remember the Sunset in Xiting; Dream, Always Remember the Sunset in Xiting, Li Qingzhao Always Remember the Sunset in Xiting, Drunk and I don't know the way back. Always had a good time, but lost to the swimming pool deep in Zhu Feng. How to row a boat out, accidentally, but scared a group of Oulu. Appreciating an existing poem "A Dream Preface" by Li Qingzhao, there are two poems, both of which are about reminiscence, drunkenness, beauty, freshness and uniqueness. This song "Like a Dream" expresses the interest and artistic conception of Li Qingzhao's early life in a unique way. The realm is beautiful and pleasant, giving people enough beautiful enjoyment with a short scale. The phrase "Chang Ji" is plain, natural and harmonious, which naturally leads readers to the realm of words she created. "Long Ji" clearly stated that the location was "Xiting" and the time was "Sunset". After the party, the author was too drunk to recognize the way back. The word "intoxicated" expresses the author's inner joy, and "I don't know the way home" also conveys the author's lingering feelings with twists and turns. It seems that this is a very pleasant trip and left a deep impression on the author. Sure enough, the next sentence "Xing Jin" took this interest to a higher level. Only after Xing Jin returned to the ship, what about Xing Jin? It just means that you are interested and don't want to go back to the boat. The sentence of "going astray" is fluent and natural, and there is no trace of axe chisel. It echoes the previous sentence of "I don't know the way back" and shows the hero's forgetfulness. There is a boat swaying among the blooming lotus flowers, and there are young talented women on board. Such beautiful scenery suddenly rises and falls, and it is ready to come out. Two "struggles" in a row express the anxiety of the protagonist who is eager to find a way out from the lost road. It is precisely because of the "struggle for crossing" that "a beach of gulls and herons was awakened", scaring off all the waterfowl parked on the island. At this point, the words came to an abrupt end, and the words were not exhausted, which was intriguing. The words in this poem are concise, only a few fragments are selected, and the touching scenery and the author's happy mood are combined to write the author's good mood when he was young, which makes people want to go boating with her and indulge in it. As the saying goes, "the feelings of teenagers are born", this poem is not carved, but full of natural beauty. Appreciation II was named "nine planets" in Huang Sheng's Selected Poems of Hua 'an in the Southern Song Dynasty. Playing with the meaning of words is like recalling a pleasant outing. It is said that people prepare boats and swim in Qingxi, but they don't know the evening because of a deep sleep. In the heavy dusk, I returned to the boat and mistakenly entered Qugang Hengtang, deep in the lotus root. This is a fragrant, colorful, quiet and mysterious world. It brought great surprise and deep intoxication to the poet. The fragrance of flowers and wine made the poet get rid of the heavy shackles of aristocratic families in feudal society temporarily, showing her cheerful, lively, curious and competitive girlish nature. So there was a move to cross. Walking through the lotus flowers in a canoe, watching the gull heron flying in Huating Yupu, she felt a strong vitality. This vitality overflows from the short rhythm and large rhyme of words. Yang Caotang's poems were mistaken for Su Shi's ci, Wan Xuan's as anonymous ci, and Kuching and The Collection of Tang Ci were mistaken for ci. It can also be seen from the number of "mistakes" that this word has gone beyond the category of "boudoir words", so some people put it under the name of a male author. However, Huang Sheng's Selected Poems of Hua 'an and Yao Zeng's Yuefu Ya Ji both regard it as Li Qingzhao's ci, which should be credible.
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