What you should ask is the practice of metrical poetry. . "Metric" refers to the format and rhythm of poetry, or the external form of poetry. Metric poetry requires: "The article has a definite sentence, a definite word on the tenth day, and a definite tone and a continuous tone in the word." Five words and one sentence, each with eight sentences, are called "five methods"; Seven words and one sentence, eight sentences each, are called "seven laws". In five words, each lent is called "five musts"; Seven words and one sentence, four sentences each, are called "seven unique skills". Besides defining sentences and characters, the "metrical" of metrical poetry is more important to have the "three elements" of metrical poetry, namely, rhyme, parallelism and duality, which is called "Samadhi in poetry". This means that you can't master these "three elements" in writing poetry, even if you write a poem with seven or five words and eight sentences, it is not a metrical poem. Of course, although we have mastered the "three elements", if the poems written are vulgar in conception, dull in emotion, lacking in imagination or low in artistic conception, they cannot be regarded as decent metrical poems. Rhyme is a complex genre, and it is an octogenarian (line) poem with five or seven words and strict meter. The basic requirement of metrical poetry is to conform to the law of "parallel prose" in phonology and the law of "duality" in the structure of parallel prose. Let's talk about "leveling" first. The "flat tone" of poetic rhyme is also called "four tones and eight diseases", that is, the eight commandments are mainly stipulated through four tones. If you violate these eight commandments when writing rhythmic poems, you will get sick. The central requirement of these eight commandments is to avoid monotony and repetition, and then summarize them into a flat rule. If you follow this rule, the tone of your poem will feel more harmonious and smooth, and it will rise and fall harmoniously like a calm sea wave. Flat sounds include the first and second sounds in today's Chinese pinyin, such as "Spring" and "Pure", while voiced sounds are equivalent to the third and fourth sounds, such as "Xia" and "Shu". These parallel lines and parallel lines are arranged in the corresponding position of each sentence in the rhyme according to certain rules. The words in the flat tone position have a higher tone and can lengthen the tone, so they are brighter and brighter; The position of the sound is low and cannot be stretched, so it is relatively low and depressed. This is why metrical poems generally use flat rhyme. The uniform ups and downs of flat bricks can form the following four rhythmic sentence patterns:
Five-character poem: Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping.
Seven-character poem: Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping Pingping.
With this rule, the poems written are different! Not exactly. This is just a general rule, which can be used flexibly when writing poems. Therefore, on the basis of these standard lines, there is another flexible rule, that is, "135 regardless, 246 is clear." In other words, the leveling of the second sentence, the fourth sentence and the sixth sentence of a poem must abide by the normative law, while the first sentence, the third sentence and the fifth sentence can be used flexibly, which naturally forms a more simplified law, thus merging the four poems into two poems. To express, there are two sentence patterns:
Five-character poem: oh, oh, oh, oh, oh, oh, oh.
Seven-character verse: o, o, o, o, o.
It should also be noted that the last word of a rhyme poem is usually preceded by a flat word, while the last word of a rhyme poem is usually an ambiguous word. This simplified rule can more clearly show the basic rule of leveling in turn. It seems that one thing is fixed at several points with several pins, so other things are not far apart even if they are different. Of course, this is not absolute. When writing poetry, there is indeed a little rule on the 246 th, so there is no need to delve into it, but that is only an exception. It is better to pay attention to the instrument as much as possible. Metric poems are mostly flat and even rhymes, with the rhyme ending at the end, but the adjacent rhymes are generally incoherent. The position of rhyme is in the second, fourth, sixth and eighth sentences. The first ten days may or may not rhyme. Generally speaking, the first ten days of the five absolutely five laws are mostly rhyming, and the first sentence of the seven absolutely seven laws is rhyming. For example, seeing Du off to Shu is a five-character poem: across the wall of Sanqin,, but across this side, across a layer of fog and across a river. Flat and faint; Heaven is still our neighbor. Flat and faint; We say goodbye sadly, Pingping Pingping, why are you wandering at the fork in the road, Pingping Pingping, we two officials go the opposite way; Flat and light. The child is holding a towel. Flat and light.
The above answers are for your reference and hope to help you!
hangzhou library
References:
Qi Qian Cong. Appreciation of traditional literature and art. China Electric Power Press, 20 10.07.