Spring mountain smoke is about to be collected, and the sky is light and the stars are small. The waning moon has Zhang Mingliang's face, so don't cry at dawn.
Talk a lot, still have feelings. In retrospect, I still emphasize: remember the blue silk skirt and pity the grass everywhere.
The smoke on the spring mountain is about to disperse, and the stars in the pale sky are sparse and small. Shine the falling moon on our faces and shed tears of parting. It is near dawn. Said a lot, but there is no end to feelings. Looking back, he still said: remember the green silk skirt, and pity the grass wherever you go.
The theme of this word is "Spring grass is blue, spring water is flowing, it hurts to send you to Nanpu" (Jiang Yan's Biefu), which means that lovers are sad. However, the place to break up is not by the river, but on the ancient road with lush grass. The first part writes a different scene, and the next part writes a different feeling. It is especially good to finish the sentence.
The prelude to the separation was unveiled in the dawn scenery: on the undulating spring mountain in the distance, the white fog began to recede, and a picturesque black silhouette appeared faintly; The dawn gradually emerged in the east, revealing the white belly of fish, and the few morning stars gradually faded. It will be dawn soon, and a beautiful spring day is about to begin, but the merciless parting moment is coming. With dynamic words such as "eager to receive", "light" and "sparse", the text describes the process of the sky gradually becoming clear from obscurity, suggesting that lovers are looking up at the sky and their mood is gradually tense. Spring Mountain highlights the season, time, environment and the scene of lovers getting up early, which lays a rich connotation and broad imagination space for farewell. Next, the words fell from the sky and fell on the characters: in the clear morning light, a string of tears kept flowing on the heroine's face, and the waning moon in the west lit up her face, reflecting a string of crystal tears, which was particularly touching. A close-up of a face sets off a woman's goose-moon-shaped face with the curved waning moon in the sky, bringing the characters into the picture of spring dawn. It is really better to write about scenery. The word "don't cry" reminds the theme, and combined with other contents in the last movie, it implies that they cry goodbye indoors at night until dawn. Therefore, Mr. Yu Biyun thinks: "The first film clearly says goodbye, and the second one is written, which is similar to the word' tears are frozen in the neck and cotton is cold' in Pian Yu's ci." (Selected Interpretation of Song Ci in Tang and Five Dynasties)
The next film is from scene to emotion. Hold hands and tell me carefully. Don't dry your tears, don't chatter, it means a lot to have a lover say goodbye. "There are too many words and feelings are gone." Even if you say a thousand words, it's hard to express how much you like. The happy days before the flowers and under the moon have become a thing of the past, followed by the lonely lights in the boudoir, the drizzle in the phoenix tree and the homesickness in the dream. "Even if there are thousands of customs in Qian Qian, who can I tell?" "Unfinished feelings", feelings are difficult. The movie "Tell everyone's feelings, in order to be good at expressing feelings". (Xu Zhuang Ji Man) Essays are like spoken English, but they are highly generalized and concise. How time flies! It's finally time to break up. The horse was long and hissing, and he hurried on, his eyes hazy and he insisted. The woman turned to say goodbye with malicious heart and suddenly said, "Looking back, it is important to remember the blue silk skirt and pity the grass everywhere." Here, the poet vividly shows the complex psychology and attachment of women when they leave with the help of the association of the same color of grass and skirt. When a woman saw the grass covering the ancient road and stretching out into the distance, she thought that pedestrians would leave themselves and travel all over the world. She thought that she would miss him hard, and then she turned to him and suddenly worried that he would forget himself. The grass is the same color as the green skirt on her body, and the woman was born from this association: the world is full of grass, and she hopes that pedestrians will remember the green skirt when they see the grass, and they will travel all over the world, and their love will never change. "Cherish grass" means to love women. "Fu", the wife of Jiang in the Southern Dynasties, said, "Grass in the sand, even the clouds lock the south. Try in front of the door. It's the color of my skirt. " Sing skirts and grass in the same color. In Du Fu's poem, he said, "A famous flower leaves a treasure, but a creeping weed sees a skirt." He said that when he saw the scenery, he would think of people. These two sentences are combined with the poems of predecessors, and many layers of artistic conception and implication are mixed in it, which is more prominent. From the sentence that the woman turned to make up for it, the reader can get a glimpse of the secret in the woman's heart. What women pray for is a long-term relationship, and a man who travels far will never change his mind. I don't know what to say, but I have to say it again, so I pointed to the grass skirt implicitly and tactfully to solemnly remind such a stupid sentence. It goes without saying that a woman's love for ocean deep is as tough as cattail. At the end of the sentence, the natural scenery is skillfully combined with the feelings in the heart through association, and the image is vivid. This kind of association is very common in ancient poetry, for example, when you see peach blossoms, you think of people's faces, when you see spring mountains, you think of eyebrows and beautiful women, and when you see colorful clouds, you think of beautiful women. Its advantage is that it can skillfully and vividly depict the rich and delicate inner world of the characters.
Among these five pronouns, Niu Xiji is famous for his wit and cleverness (Annals of the Ten Kingdoms in the Spring and Autumn Period), his elegant brushwork and his skill in sketching (Xu Zhuang's language). This word is profound and chewy.