2, live in spring, see that there is no turning back at the end of the world. Complaining about the silence of spring is only diligence, words flying around all day like spiders.
I feel heartbroken and tears streaming down my face.
4, wine into sorrow into lovesick tears, in the morning, he looks for green vanity, in the next, yellow.
5, tearful eyes ask flowers silently, red flies over the swing.
6, there is no fairy couple in the world, why come to Qixi Bridge; Everyone weaves the dream of cowherd and weaver girl, only admiring a pair of mandarin ducks.
7. Come alone, walk alone, and keep wandering on the road.
8. No matter how beautiful the melody is, there will be feelings; Look forward to, there will be disappointment; No matter how low-key the story is, it will be stubborn.
9. Last night, the west wind withered the green trees, and I went up to the tall building alone and looked at the horizon.
10, Liu Xiahui, Qi Mei, how many infatuated men and women chase; Romance and romance in ancient and modern times have become storytelling opportunities. -"infatuation"
1 1, it can even disappear, and after several storms, it will spring back in a hurry. Cherish spring for fear of early blooming, not to mention countless red flowers.
12, Chen Jiang was lucky to go to Chen Shan. Who did he go to Xiaoxiang for?
13, time is a magical thing. Equally surprising, www.pig66.com recorded all this time. It is wonderful to understand what happened at a certain point in time across centuries and eras.
14, a moment that should last forever, came and went unconsciously.
15, cut constantly, reason is still chaotic, it is parting. Don't be a taste in your heart.
16, no matter how beautiful people are, there will be desolation; No matter how persistent the future is, there will be a past; No matter how chic seagulls are, they will be confused.
17, how much sadness can there be, just like a river flowing eastward.
First, holding hands and looking at tears, I was speechless.
From the Song Dynasty poet Liu Yong's Yulin Ling, [translation] held hands and looked at each other, full of tears, until the end, there was nothing to say, and a thousand words could not be said in the throat.
Second, the world is infinite, and it is impossible to draw a sad picture.
From "Looking at Jinling Evening" by Gaochan in Tang Dynasty, these two sentences are deeply emotional. Gao Chan had a premonition that the Tang Dynasty was in danger and was irretrievably heading for the end of collapse. He was distressed by this, but there was nothing he could do.
Third, on a frosty night, Jiang Feng sleeps in the fire.
From "Night Sleeping by the Maple Bridge" written by Zhang Ji in the Tang Dynasty, [translation] The moon sets, birds make a few crows, and first frost is full of people; Maple trees by the river and the lights of fishing boats accompany a traveler's sleep.
Fourth, I know very well that this kind of love will not have any result, but it can comfort my soul! .
From Li Shangyin's Untitled Deep in Mochou Hall in the Tang Dynasty, the main idea of the poem is: Although you know that being addicted to acacia is bad for your health; I'm obsessed with it to the end, and I'm crazy all my life.
Fifth, emotions are always ruthless. Before the next step, drop by drop until dawn.
Listening to the Rain by Jie Jiang in Yuan Dynasty. The general idea is that the experience of life's joys and sorrows is ruthless. Let the light rain fall on the steps until dawn.
Sixth, when night comes, the dream suddenly comes home. The window of Xiao Xuan. Dress up. Care for each other without words, only a thousand lines of tears
From Su Shi's "Jiang Chengzi Mao Yi's Twenty Dreams in the First Month" in the Song Dynasty, it means: I suddenly returned to my hometown in a vague dream at night and saw my wife dressing at the small window. The two men looked at each other, and they didn't know where to start with a thousand words, only tears fell thousands of lines in relative silence.