The natural scenery written by Zhuan Xu is also the result of the poet's meditation: "An egret flies over the quiet wetland, and mango birds sing in the trees in midsummer." On the vast and empty plain covered with stagnant water, egrets take off, and their posture is so quiet and chic; Listen, far and near, in the beautiful forest, orioles are singing to each other, and their voices are so sweet and happy. In the summer of Wangchuan, birds are flying, and the poet only chooses orioles and egrets with different shapes and habits to describe them in connection with their respective backgrounds: snow-white egrets and golden orioles have different colors in vision; Egrets fly, orioles sing, one takes dynamics, the other takes sound; Desert, describing the wide distribution of paddy fields and broad vision; The sky is cloudy, the summer trees are dense and the realm is deep. These two scenes set off each other and cooperate with each other, making the rainy weather in Wangchuan, Shan Ye picturesque. The so-called "painting in poetry" is a good example.
If the carefree working life of farmers written in the first couplet aroused the poet's strong interest and admiration, then the poet would be more intoxicated with the free flight of orioles and egrets. Moreover, in these two couplets, the activities of characters and natural scenery are not simple imitations of objective things, but have been induced and filtered by the poet's mind, with distinct subjective colors and reflecting the poet's personality. For Wang Wei, "Time goes by, but it gives me peace and relief from all kinds of affairs", being in this idyllic Wangchuan Villa is really a happy place, which can't help but make him feel endless fun.