Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently.
The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy.
Delighting in Rain on a Spring Night expresses the poet's love and praise for the selfless dedication to the drizzle on a spring night.
One or two words of "good" are affectionate and praise the spring rain. "Knowing the season" endows Spring Rain with human life and emotion. In my opinion, the spring rain is considerate and knows the season, and it floats around when people are in urgent need, prompting the opportunity. What a good spring rain! The first couplet not only expresses the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood of eagerly looking forward to the arrival of the spring rain. Couplets are obviously the poet's auditory feelings. Spring rain has come, coming with the wind in the boundless night, quietly moistening everything, without any intention of seeking "goodness", just seeking dedication. You see, the author observes the rain scene so carefully that even the spring rain and silence are heard by the poet. Visible, Yu Chunyu unconsciously surprised, the poet stayed up all night. Tie couplets around the neck, the poet only looks forward to the spring rain for one night, but he is afraid of an abrupt end. He is happy and worried. He pushed the door out and stood there overlooking, only to see that the usually distinct field paths were also dissolved into the night, and it was dark, showing how dark the night was and how dense the rain was. The river boat fishing fire is even more dazzling, reflecting the vastness and darkness of spring night, and also highlighting the richness of spring rain from the side. In the words of imagination, the poet witnessed the continuous spring rain, and was gratified to think that at dawn the next day, Jinguan City would be a colorful spring scenery. Flowers are red and full of vitality, which are formed by subtle, moist and condensed silent drizzle.
2. Appreciation of Landscape Poetry and Julie Pavilion
Wang Wei
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness. Things and I are one.
I forgot that Zen and poetry are in perfect harmony.
Chai Lu
Wang Wei
There seems to be no one on the empty mountain, but I think I heard a voice.
The sun shines on me from the green moss.
Wang Wei is also good at capturing the touching moments of sound, color, picture and emotion, and unifying them to convey them best.
In the mood and artistic conception, express it in appropriate language.
Niaomingjian
Wang Wei
People are idle and sweet-scented osmanthus falls, and the night is quiet and empty.
When the moon rises and the mountain birds are startled, when the spring flows.
In the mountains.
Wang Wei
White stone comes out of Jingxi, and red leaves are sparse in cold days.
There is no rain on the mountain road and the air is green and wet.
An autumn night in the mountains
Wang Wei
The empty mountain after the rain stands in the autumn evening.
Moonlight in the pine forest, crystal stone in the stream.
Bamboo whispers that the laundry girl returns, and the lotus leaves bend in front of the fishing boat.
My friend's prince, what does it matter if spring is over and you are still here? .
Spend the night on Jiande River.
meng haoran
When my boat was sailing in the fog, the sun faded and old memories began.
How vast the world is, how close the trees are to heaven, and how close the moon is to the water! .
Tianjin Sha Qiu Si
Ma Zhiyuan
Dead vines, old trees, faint crows,
Small bridges and flowing water.
The ancient road comes from the west and the horse is thin.
The sun went down,
Heartbroken people are at the end of the world.
Night berth near Fengqiao
Tang zhangji
Frosty night, Jiang Feng, fishing fire, worrying about sleep.
Hanshan Temple outside Gusu City, the bell rang to the passenger ship at midnight.
Hangzhou wangchun
Bai Juyi
Looking at the sea tower in the distance, the morning is bright and the river bank is white.
Sheng Tao enlisted in the army that night, and Liu Sechun hid in Xiao Su's home.
Tea weaves silk to praise persimmons, and green flags sell wine and pear blossoms.
Who opens the southwest road of Lake Temple? The grass-green skirt is inclined at the waist.
Nanhu early spring
Bai Juyi
The wind returns to the clouds, breaking the rain, and the lake is warm.
Break the apricot hair of Hongshan randomly, and spread the new green water apples equally.
The low-winged white goose is still heavy and has a astringent tongue.
Not to mention that Jiang Nanchun is not good, he is getting worse every year when he is ill.
Spend the night on Jiande River.
meng haoran
When my boat was moored in the fog,
As the sun fades, old memories begin.
How wide the world is, how close the trees are to heaven,
The river is so clear that the moon is close to people.
Stay in the mountains
Xu Zhang
Light material state makes spring glow, not for lightness.
Even if there was no rain in Mystery, the clothes were dyed deep in the clouds.
3. Appreciation of Poems Describing Mountains and Waters and Ancient Poems Describing Mountains and Waters (sorting out) There are so many beautiful scenery in Qian Shan, and the literati left us with endless quatrains. Here are some poems for everyone, and interested students can also search for more by themselves.
Please choose your favorite poem, read it several times, feel the poet's feelings and see who remembers it the most. Wang Wei in Zhuliguan leans alone in the dense bamboo, and I am playing the pipa and humming a song.
It's too light for anyone to hear, except my partner, Mingyue. The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him.
Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness. Things and I are one, things and I forget each other. Zen and poetry are in harmony.
There seems to be no one on Wangweikong Mountain in Chai Lu, but I think I hear a voice. The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Wang Wei is also good at capturing the touching moments of sound, color, painting and emotion, unifying them in the artistic conception that can best convey emotions and expressing them in appropriate language. Bird Talk Creek Wang Weiren idle osmanthus, the night is quiet and the mountains are empty.
When the moon comes out, the birds are startled, and the sound enters the spring stream. In the mountains, Wang Weixing's white stone appeared in the west, and the weather was cold and the red leaves were sparse.
There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by. On an autumn night in the deep mountains, Wang Wei stood empty after the rain.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time. Sleeping at Jiande River Meng Haoran When my boat was sailing in the fog, the days were getting shorter and the memories of the old days began.
The vastness of the wilderness is deeper than trees, and the moon is very close to the moon. Patio sand, Ma Zhiyuan, Qiu Si, withered vines, old trees, faint crows, small bridges and flowing water.
The ancient road and the west wind are thin. When the sun sets, heartbroken people are at the end of the world.
One night in the frost near Fengqiao Bridge, Jiangfeng fished and slept. In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.
Wangchun Baijuyi Wanghai Building in Hangzhou shines in the twilight, protecting the riverbank and stepping on the fine sand. That night, he should be recruited into the temple and hide with Liu Sechun.
Tea brocade praises persimmons, and green flag sells wine and pears. Who opens the southwest road of Lake Temple? The grass-green skirt is inclined at the waist.
In the early spring of Nanhu Lake, Bai Juyi returned to the clouds to break the Chu rain, and the lake was warm and the light was seen again. Wild apricots everywhere, broken red spots; The floating water on the lake looks like a neat lawn at first sight.
The rain on Bai Yan dried up, his wings became heavy and he had to fly low; The oriole's tongue is quite stiff. It's not that the spring in Jiangnan is not good, but that I'm one year old, and my mood has also decreased.
Sleeping at Jiande River Meng Haoran When my boat was sailing in the fog, the days were getting shorter and the memories of the old days began. How wide the sky is, how close the trees are, Jiang Qingyue stays in the mountains close to people, and Zhang Xuguang has made spring scenery, so he intends to return for lightness.
Even if there was no rain in Mystery, the clothes were dyed deep in the clouds.
4. Ancient poems and famous sentences describe landscapes and appreciate Tao Yuanming's drinking.
Building a house is human, and there are no horses and chariots.
Ask what you can do, your heart is far from self-prejudice.
Picking chrysanthemums under the east fence, you can see Nanshan leisurely.
The mountains are getting better and better, and the birds are back.
That makes sense. I forgot what I wanted to say.
Knock on the door in the morning and open the door yourself.
Ask the son for whom, Fu Tian is kind-hearted.
The pot will be far-sighted, and I doubt that I will keep pace with the times.
Under the grass eaves, it is not enough for high habitat.
I will be in Shang Tong all my life. May you drown it.
I was impressed by my father's words, and I was very angry.
You can learn honestly, but you are not fascinated!
And * * * Huan this drink, I dare not drive back.
My old friend rewarded me with interest, and the pot was harmonious.
Ban Jing sat in Panasonic and got drunk after counting.
My father and his elders talked nonsense, and when he thought about it, he lost his line.
I didn't know I was there, so I knew things were precious.
Because of its lingering charm, this wine has a deep taste.
5. Appreciation of ancient landscape poems. Who has Du Fu?
Wang Yue
What a magnificent scenery Mount Tai is!
Out of Qilu, green peaks can still be seen.
The creator endowed all the mysterious nature here with elegance,
And then what? The day immediately enters dawn and dusk. ..
Caiyun lave? My mind is free and easy,
Birds fly back and forth in front of my nervous eyes ..
Once you climb to the top of the mountain, you will see,
All the other mountains are dwarfed under the sky. ..
There is not a word "Wang" in the whole poem, and every sentence is about seeing Yue. Distance is from far to near, time is from morning to dusk, from looking forward to sunset, from looking forward to the future.
The first sentence is "the grandeur of Mount Tai! ? When I first saw Mount Tai, I was so happy that I didn't know how to describe it. Very vivid. Dai is another name for Mount Tai. Being the first of the five mountains, he was honored as Daizong. "How is the husband", that is, what is it? In ancient Chinese, the word "fu" was usually used as a function word at the beginning of a sentence. It is a novelty to integrate it into poetry here. Although the word "husband" has no substantive meaning, it is indispensable. The so-called "vivid portrayal is being blocked."
"Endless green spans Qilu and Qilu" is the answer after some pondering, which is really amazing. It is neither abstractly saying that Mount Tai is high, nor using the general language of "stabbing the sky" like Xie Lingyun's "Ode to Mount Tai", but it has written its own experience in an ingenious way-beyond the border between the two countries in ancient Qilu, Mount Tai can still be seen from a distance, and the height of Mount Tai is set off by distance. Mount Tai is the land in the south and the Qi in the north, so this sentence describes the geographical characteristics and cannot be misappropriated when writing about other mountains. In the Ming Dynasty, Mo Ruzhong's poem "Wang Yuelou in Dengdong County" said: "Qilu is not yet a teenager. Who will inherit Ling Du in the poem? " He put forward this poem in particular, and it makes sense that no one can succeed.
The phrase "the creator has given all mysterious natural grace here, and? The day immediately enters dawn and dusk. " It describes the magical beauty and lofty image of Mount Tai seen from a close look, which is the footnote of the last sentence "unfinished youth". The word "zhong" is naturally affectionate. Xiangyang in front of the mountain is "Yang" and Xiangyang behind the mountain is "Yin". Because the mountain is high, it is judged to cut on the yin and yang sides of the mountain at twilight, so it is called "cutting twilight". "Qie" is a very common word, but it is really a "strange adventure" to use it here. It can be seen that the poet Du Fu's writing style of "language is not surprising and never stops" was developed in his youth. "Ceng Yun, birds are flying back and forth in front of my nervous eyes." Two sentences were written. Seeing the endless clouds in the mountains, my heart is also rippling; Because after watching it for a long time, I feel like my eyes are going to break. A homing bird refers to a bird that has returned to its nest in the forest. It is already dusk, and the poet is still in sight. It goes without saying that it contains the poet's interest in the rivers of the motherland.
Love for mountains.
"Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky." These last two sentences are about the desire to climb Yue arising from looking at Yue. "Hui" is a spoken language in the Tang Dynasty, which means "must". For example, Wang Bo's "Ode to Spring": "I am a scavenger in one fell swoop, covering Zhu Xuan for a spring." Sometimes the word "Hui" is used alone, such as Sun Guangxian's "North Dream": "I will kill this vertical shaft one day!" In other words, there are often single users in Du Fu's poems, such as "Old Shu in this life, Qin after death!" It is inaccurate and arrogant to interpret "will" as "should". From these two inspiring and symbolic poems, we can see the ambition and spirit of the poet Du Fu who is not afraid of difficulties, dares to climb to the top and overlooks everything. This is the key for Du Fu to become a great poet, and it is also indispensable for all those who make a difference. This is why these two poems have been told by people for thousands of years and can still arouse our strong * * *. In Qing Dynasty, Pu Yin Long thought that Du Fu's poems "put righteousness first" and said that "Du Fu's soul is beautiful and impressive. Take it as a volume and make it a town. " (Reading Jie) also emphasized the symbolic significance of these two poems. This is exactly the same as Du Fu's "comparing himself with Qi State" in politics and "short-sighted resentment against Cao Liu Wall" in creation. This poem was praised as a "swan song" by later generations, carved stone as a monument and stood at the foot of the mountain. Undoubtedly, it will be immortal with Mount Tai.
Climbing Yueyang Tower
I've always heard that Dongting Lake,
Now I finally climbed the tower.
My east is Wu, and my south is Chu.
I can see the endless floating of heaven and earth.
But my relatives and friends didn't give me news,
I am old and sick, and I am alone with my boat.
There are wars and mountains to the north of this wall.
How can I not cry by the railing? .
This poem is the masterpiece of the five laws in Du Fu's poems, and it was called the first of the five laws in the prosperous Tang Dynasty. On the whole, the grandeur of mountains and rivers and the breadth of the poet's mind are both inside and outside the poem. Although sad, but not depressed; Although depressed, but not depressed. In the Song Dynasty, Hu Zai's Tiaoxi Fishing in Conghua quoted Cai Taiwa's Xiqing Poetry as saying: "Dongting is a grand view, and there are many people who wrote it in the past dynasties ... However, if Meng Haoran's" a cloud rises from a dream valley and has been besieging Yueyang City "is not true, the Dongting is vast and the weather is magnificent, just like in front of him. It is impossible to read Du Zimei's poems. There is Wu in the east and Chu in the south, and you can see the endless drifting of heaven and earth.' Shaoling has swallowed many clouds and dreams in his chest. "
The whole poem is pure fu, and it is a narrative style from beginning to end. In the past, some scholars thought that poetry used fu method, which had no image and poetic flavor. In fact, Fu method is an important way to visualize poetry, which is characterized by not paying attention to the language of poetry and the visualization of local things, but paying attention to creating the overall artistic conception of poetry. "The Story of Climbing Yueyang Tower" is a model of creating artistic images by using fu method. The artistic realm it has reached has made people feel that there is no artistic method or even language, but the poet's thoughts and feelings directly hit the soul.
6. Appreciation of ancient landscape poems 1. Tour Shanxi Village Song: Lu You doesn't laugh at farm wine, and there are enough chickens and dolphins in a good year.
There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay. The day of playing flute and drums is approaching, and the villagers are still dressed simply.
In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane. The appreciation is as follows: Shanxi Cunshan is surrounded by water on all sides, with birds and flowers singing and boundless spring scenery. On the other hand, it is full of philosophy, showing some regularity of life change and development, which is memorable.
It shows the poet's unique thinking and spirit-it often contains infinite hope in adversity. The poet described the feeling of being lost in the lingering scenery and the joy of seeing a new scene again. People can learn the philosophy of life from it-no matter how difficult the road ahead is, as long as they have firm beliefs and are brave in pioneering, life can "save the day" (a new realm full of light and hope appears).
2. Jiang Xue Tang Dynasty: Liu Zongyuan, there were no birds in the hundred mountains and no footprints in the thousand paths. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Appreciation is as follows: Liu Zongyuan's landscape poems have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river.
What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world.
What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent.
The wider the background, the more prominent the main description object. First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone".
Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image.
But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because it is placed in this absolutely quiet background, it is exquisite, lively and lively.
It can also be said that the first two sentences were originally a foil. According to the general understanding, you only need to outline it, and you don't need to make great efforts to carve it. However, poets just don't handle it this way.
It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are.
The last two sentences, originally the object of the poet's intentional description, turned into a long-distance lens, which was reduced many times, giving readers an ethereal feeling, visible and intangible. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers.
As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang". In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making birds fly away and people disappear.
Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow".
On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water.
However, the author only used the word "cold river snow" to connect the two farthest images, giving people a vague, distant and narrow feeling and forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent.
Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly.
Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings.
It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman. Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.
3. Wanglushan Waterfall in the Tang Dynasty: Li Bai's Rizhao incense burner gave birth to purple smoke, and the waterfall hung over thousands of rivers. On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.
Appreciation is as follows: This is a landscape poem written by the poet Li Bai when he was about 50 years old and lived in seclusion in Lushan Mountain. This poem vividly depicts.
7. Seek the appreciation of water in poetry 1. The so-called Iraqis are on the water side. (The Book of Songs? Jia Jian ")
Where there is water, there are mountains and islands. (Cao Cao: Looking at the sea)
3. White hair floating green water, red palm clear waves. (Luo: Singing Goose)
4. Tianmen cut off the Chu River and Higashi Shimizu River. (Li Bai: "Looking at Tianmen Mountain")
5. There is no road in the mountains and rivers, and there is another village. (Lu You: "Tour Shanxi Village")
6. Peach Blossom Pond is deeper in thousands of feet than in Wang Lun. (Li Bai: "To Wang Lun")
7. The willows in Jiang Shuiping are green, and I can hear the songs on the Langjiang River. (Liu Yuxi: "Zhi Zhu Ci")
At sunrise, the flowers in the river are better than the fire. In spring, the river is as green as blue. (Bai Juyi: "Recalling Jiangnan")
9. Spring eyes are silent and cherish the trickle, and the shade of trees shines on the water and loves softness. (Yang Wanli: "Xiaochi")
10. There are three or two peach blossoms outside the bamboo, and there are duck prophets in the spring water heating. (Su Shi: "Hui Chong Chunjiang Night Scene")