Making friends at the banquet is a great pleasure in life, and it coincides with the "talent shortage", so it is full of poetry for wine. The poet's emotion and literary thought are unstoppable at this moment; Like a river flowing into the sea. Time goes by, like a river entering the sea, which is gone forever; Life is too short to see the blue silk and snow in the morning and evening; The smallness of life seems to be an irreparable tragedy, and the only thing that can solve the worries is golden wine. This is Li Bai's sadness: sad but strong, sad but not hurt, extremely indignant and extremely bold. It means that life is easy to get old and talent is not met. The disillusionment of the ideal is caused by the dark society, and the poet is powerless to change it, so he turns the rising anger into a bold act of enjoyment, vents his dissatisfaction, dispels his worries and resists reality. The whole article is full of ups and downs, poetic, from sadness to joy, from madness to anger, and then to madness. Finally, it comes down to "Song of Eternal Sorrow", which echoes the beginning of the article, such as the river running, criss-crossing, and can carry a tripod. The whole poem is full of five tones, with uneven sentence patterns and extraordinary weather. This article is as ingenious as a ghost axe, enough to shake the earth and make the gods cry. It is the pinnacle of the poet Li Bai. Li Bai's wine poems can express his personality very well. After this kind of poetry was published in Chang 'an, it was certainly more profound in ideological content and more mature in artistic expression. "Jiang" is the representative work of the author "Fill it in to express his feelings" (a small supplementary note on the classification of Li Taibai's poems)
two
"Jiang" was originally the tune of the piccolo cymbal song of Han Yuefu, and the song was called "Song of Drinking", so the old saying "Jiang, take the white" goes. The author's famous poem "Lyrics and Feelings" (a small supplement to the classification of poems) was written in the eleventh year of Tianbao (752). At that time, he and another friend of Songshan, Cen Can, lived in Yangying Mountain, and the three of them had a banquet to "admire Cen Can, explore what Yuan Danqiu was about, and treat wine with poetry": "Don't be thousands of miles away, you must make an order. In the middle of Yuan Dynasty, Dan Qiu and Deng Ling gave a banquet in Bixiao. When I suddenly thought of me while drinking, I screamed and screamed. " )。 The best thing in life is to make friends at cocktail parties, and the author is in the moment of "accepting talents from all over the world without meeting each other" (small), so he is full of inappropriate wine and poems and has incisive expressions. At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Angelababy is not far from the Yellow River, so it's interesting to climb the mountain. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent wave scene can be seen extremely badly without the naked eye. The author wants to fall from the sky and "get the word and get it", which is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is short, instead of hurting the boss bluntly, say "how cute the lock on the shelf is", a gesture of scratching your head to see the shadow and calling for help, just like painting. Describing the whole process of life from youth to aging as an "early" and "late" event is a kind of reverse exaggeration to say that the original is shorter and stronger than the previous two sentences. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is often used by the author. He was like, "If you abandon me, you can't stay tomorrow; Today it hurts my heart even more "("A farewell letter to Xie Tiao Tower in Xuancheng "), Shen Deqian said:" This body is too white and self-centered ",which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing. "The husband of heaven and earth, the inverse process of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, it was not until the cup never stops that poetry gradually became wild. "By destiny, don't worry when you are free, you can climb the stairs with wine (Song of Liangyuan), and you can't eat, drink and be merry without wine. This is the topic. But what is in the cup is not written directly in the sentence, but expressed in the image language of "golden urn" and "moon", which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused. "Oh, let a man with spirit take risks where he likes", which seems to advocate the idea of eating, drinking and enjoying, but it is only a phenomenon. Has the poet ever been "proud"? "At the beginning of the phoenix purple mud, the emperor called it a royal banquet" ("Yu Hu Yin")-seems to be proud; However, this is just an illusion, "I want to go home, there is no fish to eat, and I don't think about courtesy for weeks"-this seems to be not pride, but disappointment and indignation. But are you depressed? No. Therefore, the poet affirmed his life and himself in an optimistic and competitive tone: "God-given talent, let it go and hire!" ",this is a word that makes people clap their hands." Useful "and" necessary ",how confident! Like a declaration of human values, this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden and eager positive essential content. "I will ride the wind and waves one day", why not drink and sing for such a future! Spending money is nothing-"spin a thousand pieces of silver and come back all!" ! "This is another amazing statement of high self-confidence. It can drive money instead of being made by money, which really surprises all ordinary people. Poetry is like a man, thinking that the poet "traveled in less than a year and scattered more than 300,000 yuan" ("Pei Chang Shang An Shi") is how heroic. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author uses this style to describe a grand banquet, which is by no means "do you want one dish or two dishes?" "Do you want a pot of wine, two pots?" But "cooking sheep and slaughtering cattle" from beginning to end, and never stop until you drink "300 cups". What a feast, what a magnificent poem! At this time, wild feelings tend to climax and the melody of poetry accelerates. The poet's drunkenness, dazzled and fanatical, jumped to the page and suddenly made people feel as if they heard him loudly exhort wine: "Master Cen, Dan Qiusheng, drink, don't stop drinking!" The sudden addition of several short sentences not only changed the rhythm of poetry, but also forced Xiao to speak loudly. He is not only a bosom friend, but also a drinking opponent. Not only "get carried away", the poet even forgot that he was writing a poem, and the poem he wrote seemed to restore life. He also thought, "Let me sing you a song! Please listen to me. " The following eight sentences are songs in the poem. The idea is so strange that it is a stroke of genius. "Zhong Gu Yu" means a rich life (when the rich people eat, the bells ring and the food is as beautiful as jade), but the poet thinks it is not expensive enough and declares that "I hope I will never wake up after being drunk". At this point, poetry has obviously changed from wild to angry. There are not only drunken ravings, but also drunken confessions. Taking "I" as a naturally useful talent should have been in the position of prime minister, but "the road is as wide as the sky, and there is no way out" ("Difficult to Walk"). To say that wealth is "not expensive enough" is out of indignation. The following words "It has existed since ancient times, and sages get carried away" are also angry words. The poet once lamented that "Ge alone can't control it", so the ancients were "lonely" and showed their own "loneliness". So I want to stay drunk. Here, the poet poured his own wine from an ancient wine glass. When it comes to "only drinkers leave their names", he is represented by "Wang Chen" Cao Zhi. And with his "famous name", he said, "Go back to the banquet to have fun, and the wine fights ten thousand people." Since ancient times, drunkards have been vividly remembered. Why do they prefer "Wang Chen"? This is inseparable from Li Bai's conceit. In his mind, Xie An and other high-level figures set an example, and among these figures, "Wang Chen" is more associated with wine. This style of writing is consistent with the extremely confident tone mentioned above. Furthermore, Cao Zhi, the "Wang Chen", was highly suspected at the time of Pirui, and his ambition was difficult to show, which also aroused the sympathy of the poet. Mention "ancient sages" and "Wang Chen" Cao Zhi, full of grievances. At first, this poem seems to involve only the feelings of life, but has no political color. In fact, the whole article is full of a deep and profound anxiety and self-belief. Poetry is so sad but not hurt, so sad and strong, which is rooted in this. Just showing a little affection, I went back to talking about wine and looked in a higher mood. The following poems are wild again, becoming more and more crazy. "Master, why do you say your money is missing?" Taking care of the phrase "1000 yuan has been spent", and pretending to be ups and downs, it leads to the last brave words: even if you spend 1000 yuan, you should not hesitate to take out precious treasures-"five-flowered horse" (a good horse with five patterns on its fur) and "golden autumn" for wine, so as to get drunk. The beauty of this ending lies not only in "Tiger" and "Jade", but also in a big tune; Moreover, it has an arbitrary mood that the author may not be aware of at the moment. You know, poets are just guests invited to drink by friends. At the moment, he is sitting in a high seat, bossing around, suggesting that he should be a horse, which makes people wonder who is the "master". Romantic color is extremely strong. Speak quickly, unless you are bold and considerate, you can't do this. Poetry is so wild at this point that it makes people cry. When you sing, you should "dance". Love is not over, poetry is over. Suddenly, another sentence "I will always sell my sadness" is related to the beginning "sadness", and the meaning of "forever sadness" is more profound. At the end of this "white clouds floating from the air and disappearing with the wind", it is obvious that the poet is surging and ups and downs. Throughout the whole article, it is really ups and downs, and it must be like a giant pen. "Into the Wine" is not long, but it is full of five tones and extraordinary weather. Full of pen and ink, full of grief and indignation, bold and calm language. Poetry has the momentum and strength to shock the ancient and modern times, which is of course related to exaggeration. For example, the poems repeatedly use huge numbers ("Thousands of Women", "300 Cups", "Fighting for Millions of Drinks", "Jubilee for Thousands of Years" and "Sorrow through the Ages") to express heroic poetic feelings, without giving people an empty and grandiose feeling. Its root lies in its rich and profound inner feelings and the bottom wine words. In addition, the whole article is full of ups and downs, and poetry suddenly unfolds, from sadness to joy, to madness, to anger, to madness, and finally to the song of everlasting regret, echoing the beginning of the article, such as the river running, magnificent, full of twists and turns, which can carry the tripod. Some of his songs are pregnant, some are ingenious and some are wonderful, right? You can study at the moment, but you can't reach it at that speed. The whole article is mainly composed of seven words, but it is "broken" by thirty or fifty words, which is extremely unbalanced and complicated; Poetry is mainly prose, but it is also interspersed with short sentences (such as "Cenfuzi, Dan Qiusheng", "Five Flowers Horse, Golden Ball Ball"), with changeable rhythm, unrestrained and difficult to flow. "Tang Poetry" says that "those who read Li's poems are far away from the gods in large and medium-sized schools, and they are immortal." This article is enough. "Going into wine" is an old topic in Yuefu's Han Raoge. Thank you for your feelings when drinking and singing! This poem laments that "sober people and saints in the old days have been forgotten" and shows a proud spirit of contempt for the world and wealth. However, due to the author's lack of positive social ideals and unresolved inner contradictions, he always reveals the negative emotions of short life and timely eating, drinking and having fun!
Peach blossom temple song
"Taohuawu Taohuaan, Taohuaan Taohuaxian. The peach fairy breeds peach trees and picks them for drinking. " The first four lines, like a long "push" lens, suddenly present the fairy in a painting to the readers from far and near. In just four lines, six "peach blossoms" are used repeatedly, stacked repeatedly, linked back and forth, and colorful, and soon a world of flowers is piled up, which makes people fall into their own situation. The unhurried tone and speed of speech increase the reader's intimacy and curiosity: what kind of fairy life does this peach blossom fairy lead? In the next four lines, a beautiful picture of "drunken lying in the greenhouse" is unfolded: "When you wake up, you just sit in front of the flowers, and when you are drunk, you will come to sleep under the flowers. Half awake and half drunk day after day, bloom year after year. " You see how carefree and happy the Peach Blossom Fairy is. She enjoys flowers in drunkenness every year. Here, flowers and wine are not completely foreign things that poets are worried about, but just a part of their lives, or they have become independent individuals, and flowers, wine and people are integrated into a harmonious whole. The above words can be described as the author's own situation, vivid, vivid and meaningful. Tang Yin, a student who once fantasized that "Tian Shelang is the royal palace at dusk", disappeared, and so did the romantic wit who let life slip past him in the fireworks Liuxiang. After several years of debauchery, Tang Yin finally chose to escape from downtown, chose this paradise for himself, married Shen Shi, and began a relatively peaceful seclusion. Although there is no way to enter the official career, after all, I have something to support and live up to my prime of life. The beautiful scenery is easy to imagine, and I can sing a poem. "I hope I die of old age. I don't want to bow in front of the car." This sentence, which connects the preceding with the following, expresses the poet's interest: it is better to be happy and carefree in the wine room than to work hard for prosperity. "Cars, dust, Ma Gui, wine and flowers are poor." If you compare wealth with the poor, one is in peace and the other is in heaven. ""Car dust trail "is only the taste of the rich, while flowers and wine are destined to become attached to the poor. If measured by money and material things, the lives of these two kinds of people are very different, but from another angle, those rich people have to be nervous all the time and walk on thin ice carefully, while the so-called poor people can have more leisure and fun, but live more naturally, truly, easily and happily. The above six lines are all comparative descriptions, and the feelings are unfolding in a fierce collision. In each sentence, because of rhyme, the former is tight and the latter is loose, which fully shows the poet's arrogant personality and his detachment and liberation from being born in the world. However, the real meaning is not understood by everyone. Don't you see "people laugh at me for being crazy"? "I", however, disagreed: "I laugh at others and can't see it. "Don't you see those kings and princes who were once all-powerful and extremely rich are now? Not only is the body gone, but the situation has also fallen. Even the flowers and wine they despised before their death can't be counted on, and even the tombs are not guaranteed. If they know it in the sky, they can only watch the farmers plow the land where they are buried. " I didn't see the tomb of Hao Jie in Wuling, no flowers, no wine and no hoe! "A word to an abrupt end, lingering aftertaste. The whole poem has distinct levels, simple and euphemistic language, and is almost a folk monologue. However, it is this kind of monologue that contains infinite artistic tension and gives people endless aesthetic enjoyment and strong sense of identity. It deserves to be the best in Tang Yin's poems. This also coincides with Han Yu's "weak voice of peace, wonderful voice of sorrow;" "Happy words are hard to write, but poor words are easy to write well" ("A Brief Talk on Singing and Preface to Poetry"). The two most prominent and impressive images in this poem are "flowers" and "wine". Peach Blossom was first seen in literary works, and Yao Tao, originally written in The Book of Songs Nan Zhou, was intended to express a free and unrestrained emotion. As soon as Tao Yuanming's Peach Blossom Garden came out, peach blossoms were more used to express their secluded feelings. In ancient times, peach also had the meaning of exorcising ghosts and evil spirits. "Peach" is homophonic with "escape" because of its meaning of avoiding the world. In Tang Yin's poems, the image of "peach blossom" appears frequently. Let me give you a few examples: if you don't board the emperor's ship, you can't sleep well. There is a small house outside Gusu, with thousands of trees and peaches all over the sky. ("Song of Wine to the Moon") Mulberry Leaf Luo and Zhe Ling Ye, Ling Ye Luo make up a graceful figure. Have a graceful demeanour covered in powder, singing and listening to peach catkins. ("Sangtu") The peach blossoms in the wild shops are low, and the spring scenery is mostly painting the west of the bridge. You are complacent and seek happiness, but the poem on horseback is lost. (One of the four paintings) bloom Mancun Wharf looks like a peach garden. Thousands of trees sing in the sun, and thousands of trees dance together in spring. (Taohuawu) Chai Men is clean and the front of the house is green. There is a picture in the middle, and peach blossoms are intoxicating. ("Twenty-four Paintings and Fifteen Poems") It is not difficult to see that the peach blossom images in the examples are all used to express seclusion and seclusion. "Wine" also occupies an important position in China ancient culture and ancient literati. It can be used not only to express tragic and generous feelings, but also to cherish the desolation, arrogance and maverick in the world. There were Liu Ling and Ji Kang in Jin Dynasty, "Eight Immortals Drinking" in Tang Dynasty, and "Asking the sky for wine" in Song Dynasty. In the Ming Dynasty, Tang Yin got drunk and fell asleep. Tang Yin was famous when he was alive. In addition to his prominent position in the history of painting, he also has unique achievements in poetry. His poems are true and simple, informal, widely used in spoken language and fresh in artistic conception, which is unique at that time. With its unique and extraordinary personality and artistic temperament, it gives a typical and vivid interpretation of that free and open era, which is almost absurd and chaotic.
Content appreciation
Tang Yin is brilliant and sharp-edged, but young and frustrated. After seeing through the officialdom, he spurned his official career and finally adopted the same lifestyle as many literati in China history: passive seclusion. This poem is a typical example of this idea. If it seems crazy and arrogant, it seems free and easy, but it also vaguely reveals a kind of loneliness in which the world is drunk and I wake up alone. Its deep-rooted talent and ambition can also be seen.
Skill appreciation
Almost every sentence in the poem is antithetical, and the whole poem is very neat, catchy to read and has strong appeal and emotional impact; The first three sentences also use the thimble technique, which clearly describes the environment at the beginning of the poem, and at the same time, the technique is quite intriguing and fascinating in the context, which naturally brings out the latter part. There are no flowery words in the poem, just like Tang Yin's noble personality.