1, spring tide even the sea level, the bright moon on the sea * * * tide interpretation:
In spring, the river tide is mighty, connected with the sea, and a bright moon rises from the sea, as if spewing out with the tide.
2. Appreciation of Lian Hai Ping Chun Chao and Ming Yue on the Sea;
The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The "sea" here is meaningless, and the river tide is boundless, as if connected with the sea, magnificent. At this time, a bright moon was born with the tide, and the scene was very spectacular.
A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow.
At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: the world is dyed dreamy Yin Hui color, but there is only bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet.
The creative background of moonlit night on the riverside and its influence on later generations;
1. Creation background of Moonlit Night on a Spring River:
"Moonlit Night on the Spring River" is the title of Yuefu's "Five Sounds", which is said to have been written by Chen Houzhu in the Southern Dynasties, but the original words are no longer there. According to Music II of Old Tang Dynasty, Moonlit Night on a Spring River, Flowers in the Garden of Yushu and Tang Tang were written by Chen Houzhu.
Uncle Bao often writes poems with female bachelors and courtiers in the palace, instead of He Xushan, so he chooses those who are particularly gorgeous to write this song. "Later, Emperor Yang Di wrote this song again. The 47-volume Yuefu Poems collected seven articles on a moonlit night on a spring river, including two by Emperor Yang Di. Zhang Wei's poem, wrote a quasi-topic, which is different from the original tune.
2. The influence of Moonlit Night on the Spring River on later generations:
The poem "Moonlit Night on a Spring River" summarizes the experience of predecessors in conception and material selection, and inscribed the voices of many people in the world with the old saying Yuefu. At the same time, it has a high aesthetic value and is told by later generations. For thousands of years, countless readers have been fascinated by it, and it has the reputation of "being isolated and unique, but actually being for everyone".
It is a banner that changed from the elegant style of Qi and Liang Dynasties to the natural beauty in the prosperous Tang Dynasty, and it is also an important milestone in the history of ancient poetry in China. The birth of this poem fills a gap in the history of China's ancient poetry, that is, in the same poem, the moon is the central medium to explore the universe and philosophy of life.
This poem has played an inestimable role in the poetic situation in the prosperous Tang Dynasty, both in the refinement of the theme and the treatment of the theme, and has an important enlightening effect on the poetic creation of later generations.