Original and Pinyin:
This is a good example.
The propaganda room invited the sages to meet the ministers, and Jia was even more incoherent.
This is a good example.
Poor midnight is unprecedented, and Mo Wen people ask ghosts and gods.
Translation:
Emperor Wen of Han summoned the exiled courtiers in the front hall of Weiyang Palace, and Jia Yi's political talent was unparalleled.
Unfortunately, Emperor Wendi moved his knee to Jia Yi's classroom in the middle of the night, not asking about the people's vitality, but only about ghosts and gods.
Li Shangyin, Han nationality, whose name is Yishan, was born in Yuxi, also known as Fan Nansheng and Fan Nanzi, and was a famous poet in the late Tang Dynasty. He lost his father when he was a child and studied classics and articles with his uncle. 16 years old, famous for ancient prose. He was a scholar in Kaicheng for two years, and worked as a secretary, a provincial scholar, a county magistrate of Hongnong County, and a short-term salt and iron promotion officer.
Appreciation of poetry and literature;
This is an ancient poem that satirizes the times, aiming to express the poet's incompetence through Jia Yi's experience. In the poem, the story of Emperor Wendi summoning Jia Yi to talk in the middle of the night is selected, and it is written that Emperor Wendi cannot know sages and benevolence; "Don't ask ordinary people, ask ghosts and gods" reveals the fatuous characteristics of the late Tang emperor who used medicine to seek immortality, abandoned politics, failed to Ren Xian and ignored people's livelihood. The poem is full of irony, and the irony effect is quite good.
It's a short poem lamenting Jia Sheng's story. Its focus is not on personal poverty, but on pointing out that feudal rulers can't really attach importance to talents and make them play a role in politics. Jia Yi's relegation to Changsha has always been a common theme for poets to express their unfortunate feelings. The author found a new way, specially selected Jia Yi to recall from Changsha and announced the plot of day and night confrontation as poetry material.