one
In spring, as long as you sow a seed, you can harvest a lot of food in autumn.
There is no waste of heaven and earth, and the toiling peasants are still starving to death.
Secondly,
At noon in summer, the sun is very hot, farmers are still working, and beads are dripping into the soil.
Who would have thought that our bowl of rice and grain are full of the blood and sweat of farmers?
Translation:
one
Sow a seed in spring and you can harvest a lot of food in autumn.
There is not a piece of land that is not cultivated, but farmers still starve to death.
Secondly,
Farmers are weeding in the midday sun, and sweat drips from them on the land where seedlings grow.
Who knows that every meal on the plate is bought by farmers with hard work?
Two poems, Compassion for Peasants, are five-character ancient poems written by Shen Li, a poet in the Tang Dynasty, and are included in The Whole Tang Poetry.
This group of poems profoundly reflects the living conditions of farmers in feudal China. The first poem vividly depicts the fruitful scenes everywhere, highlighting the realistic problem that farmers have worked hard to get a bumper harvest but starved to death with empty hands. Hard-working farmers got a bumper harvest with their hands, but they starved to death with their hands empty.
The second song describes the scene of working in farmers' fields at noon in the scorching sun, which generally shows the hard work life of farmers all year round. "Who knows that every grain is hard" is not an empty sermon, nor is it a moaning without illness; It is similar to a profound motto, but it not only wins by its persuasiveness, but also reflects the poet's infinite resentment and sincere sympathy in this deep sigh.
The poetry anthology selected typical life details and well-known facts, and concentrated on describing the social contradictions at that time. The style of the whole poem is simple and heavy, the language is popular and simple, the syllables are harmonious and bright, the combination of reality and reality, and the comparative application enhances the expressive force of the whole poem. These two poems are not only widely circulated among the people, but also have a certain influence in the history of literature. In modern times, they are chosen as ideological textbooks for primary schools.
Famous comments
Fan Yi's friends' party in Yunxi: It was originally recommended by Gong Li (a gentry), and he often asked Lu Guanghua for advice on "ancient style". Wen said that Qi Yuan was warm outside, and Di Jing said, "If I look at Li Erjie, I will be your minister." As he said.
Zhou Zun's General Comment on the Forest at the Tang Poetry Appraisal Meeting: Wu Shan people say: It's written in good faith, and it's written in pity. It's safe to read in romantic language? Knowing the difficulty of farming, you can't bear to make people rich with debauchery. Today, those who lie high in the water temple and the wind pavilion are still suffering from inflammation. How about setting an afternoon sweat?
Wu Qiao's "Poems Around the Furnace": Poems are unintentional; Have a heart, but also suffer from nothing to say. For example, weeding at noon, poetry is rare.
He Shang's "Poetry in the Wine Garden": "Poetry has different interests and has nothing to do with reason." However, the reason is not enough to hinder the beauty of poetry. For example, Yuan Cishan's Journey to the Mausoleum, Meng Dongye's Ode to a Wanderer, Han Tui's monster hunt and Gong Li's Poems of Compassion for Peasants (that is, ancient style) are all really advocated by the Six Classics.
Li E's Yi Shi's Notes: This kind of poetry is won purely by meaning, not by words, and the change of "ghost" is also a trend.