The following are the Chinese major’s notes on the development of poetry in the Han, Wei and Six Dynasties. It should be more accurate. If you want the whole article, you can leave me a message. In addition to this, I have all the information on Chinese majors. How to leave a message: Click my name, then click "Leave a message".
44. Chu songs of the Han Dynasty include Xiang Yu's "Gaixia Song", Liu Bang's "Great Wind Song", Madam Qi's "Mrs. Qi's Song", Liu Che's "Autumn Wind Ci" and "Gourd Son Song", Liang Hong (Eastern Han Dynasty) "Five Ai Song" and Zhang Heng's "Four Sorrows Poems" (already a relatively neat and charming seven-character poem
).
45. Ban Gu wrote a poem "Ode to History", which is the first documented five-character poem by a literati in ancient my country. Since then, Zhang Heng has written "Song of the Same Voice", Qin Jia has written "Poems for Women", Song Zihou has written the five-character Yuefu "Dong Jiaorao", and Xin Yannian has written the five-character Yuefu "Yulin Lang". The representative work of literati's five-character poems in the late Eastern Han Dynasty is the poem "Nineteen Ancient Poems" by Anonymous.
46. The main force and representatives of literary creation in the Jian'an period were the "Three Cao", the "Seventh Son" and the female poet Cai Yan. Due to the efforts of Cao's father and son, the "Seven Sons" and a large number of writers such as Yang Xiu, Min Qin and Cai Yan were recruited into Ye, forming a vibrant Ye literati group.
47. The "Three Caos" are Cao Cao, Cao Pi, and Cao Zhi: the "Seven Sons" refer to Kong Rong of Lu State, Chen Lin and Kong Zhang of Guangling, Can Zhongxuan of Shanyang, Xu Qianweichang of Beihai, Chen Liu, Ruan Yu, Yuan Yu , Runan Yingjuan Delian, Dongping Liu Zhen's official duties.
48. Cao Cao was an outstanding writer during the Jian'an period and the founder of a new situation in Jian'an literature. He created a new trend in Jian'an literature. Cao Cao was excellent in poetry and writing, with free prose form and clear and elegant style. He was hailed by Lu Xun as "the founder of reformed literature". His "Hao Li Xing" was praised by Zhong Xing as "a true record of the late Han Dynasty and a true history of poetry".
49. Cao Cao deserves to be the core figure of Jian'an literature, and his poems and articles have contributed to the creation of a generation of culture. His use of ancient Yuefu inscriptions to write about current events not only created a new trend in Yuefu poetry creation, but also provided important experience and inspiration for the further development of poetry in later generations. In the era when five-character poems flourished, he revived the glory of four-character poems and exerted a positive influence on the creation of four-character poems by Ji Kang, Tao Yuanming, Han Yu and others.
50. Cao Pi's "Yan Ge Xing" uses the epigrammatic style. The whole poem uses seven characters, with each sentence rhyming and one rhyme to the end. It occupies an important position in the development history of Chinese seven-character poetry. Cao Pi was also good at prose and poetry. The "Essays" in his book "Dian Lun" are good at discussion. His famous works include "Books with Wu Zhi" and "Books with Wu Zhi Again".
51. Cao Zhi was later called "King Chen Si" or "King Chen". He was the first writer to vigorously write five-character poems. Zhong Rong called him "extraordinarily high-minded and brilliant in poetry" . Cao Zhi pushed the development of literati's five-character poetry to an unprecedented peak, marking the complete maturity of literati's five-character poetry. Zhong Rong called him "the hero of Jian'an". "Luo Shen Fu" is his masterpiece. There are also "Books with Wu Jichong", "Books with Yang Dezu", and "Seeking Self-examination Table".
52. Kong Rong's prose includes "On the Prosperity of Filial Piety" and "Recommended Ni Heng Biao". Cao Pi said that he had "excellent physical energy" and Liu Xie said that he had "excellent energy for writing". Liu Xie called Wang Can the "Crown of the Seven Sons". His three poems "Seven Sorrows" are the most famous, and his poem "Denglou Fu" is the most famous. Chen Lin wrote "Drinking Horses in the Great Wall Grottoes". Ruan Yuyou wrote "Driving out of Beiguo Gate". Liu Zhen and Cao Zhi were both known as "Cao Liu" at that time, and his three poems "Gift to Congdi" were the best. Xu Qian is the author of Zhonglun. Cai Yan's five-character "Poem of Sorrow and Indignation" is a 540-word autobiographical narrative poem that had a great influence on Du Fu's "Five Hundred Characters" and "The Northern Expedition".
53. Mi Heng has "Diaozhang Heng Wen" and "Parrot Fu". Zhuge Liang has "The Master's Guide".
54. The most representative writers of Zhengshi literature are the "Seven Sages of the Bamboo Grove". Among them, those with the highest moral and literary achievements are Ruan Ji and Ji Kang.
55. The eighty-two five-character "Poems of Praise of Love" is Ruan Ji's representative work, which pioneered the lyrical style of five-character ancient poems in my country. Ruan Ji was the first person since Jian'an to devote himself to writing five-character poems... Zhong Rong commented on Ruan Ji's poems that "the words are within the ears and eyes, and the feelings are conveyed to the outside." He is more prolific in writing than treatises, and his most famous masterpiece is "The Biography of Mr. Adult".
56. Ji Kang’s poems include four-character, five-character, six-character, Yuefu and Sao styles, but his four-character poems achieved the highest achievement. His representative works are the eighteen poems and "Poetry of Indignation". Liu Xie called Ji's poems "Qingjun", and Zhong Rong called Ji's poems "Junqie". The article includes "Taishi's Proverbs". In his article "Book of Severing Diplomacy with Shan Juyuan", there are "seven things that are inevitable and two that are extremely unbearable". Liu Xie said that Ji Kang's writings were "exuberant and lively" and "the teacher's heart is devoted to the discussion".
57. Three Zhangs (Zhang Zai, Zhang Xie, Zhang Kang), two Lu (Lu Ji, Lu Yun), two Pans (Pan Yue, Pan Ni), and one Zuo (Zuo Si) in the Taikang period , became famous for a while. Fu Xuan and Zhang Hua were famous poets in the early Western Jin Dynasty. Fu Xuan is famous for his Yuefu poems, including "Hu Xing in Autumn" and "Qin Nu Xiu Xing". Zhong Rong said that Zhang Hua's poems have "more love for children but less romance".
58. Pan Yue is "good at writing poems about mourning". "Ode to Nostalgia", "Ode to Widows", "Essay on the Eternal Death", etc. are all good at describing grief. Three five-character "Poems of Death" written in memory of the forgotten wife are masterpieces handed down from generation to generation.
59. Lu Ji was regarded as the "hero of Taikang" by Zhong Rong. He is the founder of parallel prose. His parallel prose includes "Essays on Emperor Wu of the Wei Dynasty", "Preface to the Ode of a Sigh on the Death", and "Preface to the Ode of a Hero". His famous thesis works include "Wen Fu".
60. Zuo Si’s masterpiece is the eight poems "Ode to History". He was the most accomplished poet in the Taikang and Western Jin Dynasties. Liu Xie believed that his poem "Ode to History" was a "five-character warning" and highly praised "Zuo Sifeng". Among Zuo Si's poems and poems, the most famous one is "Sandu Fu", written in Luoyang Zhigui.
61. Guo Pugong is good at poetry and rhymes. There are more than twenty of his poems in existence today, among which fourteen "Poems on Traveling Immortals" are his representative works. Zhong Rong believed that his poems "are brilliant in style, brilliant and playable", "the words are generous and far away from Xuanzong", "they are just songs of humiliation, not the taste of immortals".
62. The Xuanyan poets of the Eastern Jin Dynasty include Sun Chuo, Xu Xun, Huan Wen, Yu Liang, Zhi Dun, etc., with Sun and Xu as the representatives.
63. Among Tao Yuanming's three poems, "Xian Qing Fu" is imitated from Zhang Heng's "Ding Qing Fu" and Cai Yong's "Jing Qing Fu". "Ode to a Feeling of Scholars" is imitated from the work of Dong Zhongshu and Sima Qian with the same title. The most outstanding of his poems and poems is "Return and Lai Xi Ci". Tao Yuanming's prose works include "The Biography of Mr. Wuliu" and "The Peach Blossom Spring". Yuan Hao asked about Tao Shi's poem and said: "When the luxury is gone, you can see the sincerity." Xiao Tong of the Liang Dynasty compiled the "Collected Works of Tao Yuanming" in eight volumes.
64. The development of poetry in the Southern Dynasties can be divided into three stages: the representative writers of landscape poetry in the Liu and Song Dynasties are Xie Lingyun, Yan Yanzhi and Bao Zhao, known as the "Three Great Masters of Yuan and Jia". Qi and Liangchu were the periods when the "Yongming Style" was formed and flourished, with representative writers such as Shen Yue and Xie Tiao. The period from the middle of Liang Dynasty to Chen Dynasty was the period when "palace style poetry" flourished. The representative writers were Xiao Gang, Xiao Yi, Xu Xing, Xu Ling, Yu Jianwu and Yu Xin. Xie Lingyun was called "the hero of Yuanjia" by Zhong Rong, and he and Yan Yanzhi were called "Yan Xie".
65. Bao Zhao’s masterpiece is "The Journey Is Difficult". Zhong Rong called Bao Zhao "talented and humble". His style is bold and elegant, and Du Fu said: "Elegance and elegance lead to joining the army."
66. Shen Yue put forward the famous argument that "articles should be based on three changes", namely "easy to see things", "easy to read" and "easy to read".
67. Xie Tiao’s creative idea is that “good poems are as round and beautiful as bullets.” He is the banner of Yongming style and the "first hero" and "crown" of Qi and Liang poetry circles.
68. Xiao Gang proposed that "you must be cautious before establishing yourself, and your articles must be dissolute." Xiao Gang, his younger brother Xiao Yi, Emperor Liang Yuan, and court literati such as Xu Zhen and Yu Jianwu promoted the style of palace style poetry, and they were all famous for writing erotic style. People then called this formal style of erotic style poetry "Xu Yu Style". "Once the ugliness of "Yutai" was washed away, the style of the Song Dynasty suddenly opened up." The poet referred to is Yin Keng.
69. Bao Zhao was a master of parallel prose in the Song Dynasty. His famous work is "Deng Da Lei Bank and Letter to My Sister". There are also excellent parallel prose works in the Qi and Liang Dynasties, such as Kong Zhigui's "Beishan Yiwen", Tao Hongjing's "Thanks to Zhongshu", Wu Jun's "Sishu with Song and Yuan Dynasties", and Qiu Chi's "Shu with Chen Bo". "Miscellaneous peanut trees, flocks of orioles flying around" comes from "The Book with Chen Bo".
70. Xu Ling was a famous parallel prose writer during the Liang and Chen dynasties, and "Preface to the New Odes of Yutai" was his representative work.