1. Poems about the Shaanxi History Museum (poems about the museum)
Poems about the Shaanxi History Museum (poems about the museum) 1. Poems about the museum
Here are two related poems for your reference: Visiting the Shaanxi History Museum (2 poems) A standing Qin terracotta warrior does not do the Six Kingdoms, only Qin, does not understand intrigues, only knows how to move forward courageously, does not write about failure, only pursues success, and is born A revolutionary who is always aloof and male. He merges into the mighty team. He is charging into the battle. Thousands of horses are galloping. He is unstoppable in the smoke and dust. Standing quietly in the museum, a man is still upright and unfazed. He is an invincible god. His eyes radiate a compelling light. His armor Still strong after a thousand years, he walked towards you seriously. Behind him was the clear sky of the Qin Empire. One person held up the First Emperor, held up Qin, held up the ruthlessness of two thousand years, held up the first peak of the Han people, majestic and high-spirited. A terracotta warrior of the Qin Dynasty is striding toward us now, showing a man who will never fall, the spirit of a country and a race. The Shaanxi Provincial History Museum. The atmosphere of the Qin and Han Dynasties is about to break through the solid walls, but there are so few visitors. Information about the Sui and Tang Dynasties It fills the minds of Chinese people and yet so few things are displayed. The museum displays the bravery of tomb robbers and the diligence of archaeologists. It displays the development of tourism and the diligent research of scholars. It displays the immortal memory of heroes and the humble antiques of the past. Displaying physical objects and displaying imaginations, displaying the ins and outs of a country, displaying the quiet reproduction of a nation. In fact, all history is contemporary history. In the tunnel of time, I can see myself hundreds of years ago today, thousands of years later, a noble person. Hidden behind the cyan and delicate porcelain plate is an unknown person with no trace or even the slightest trace, as if it has never existed.
2. Sentences to describe the museum
In the Palace Museum, Qianlong inscribed the Chuxiu Palace: 1. The twin palaces are covered with clear smoke and the sun shines on Penglai in the early morning.
2. The cloud crane has strange wings, and the Yao flower has no dust roots. 3. The clear smoke envelopes the two palaces, and the sun shines on Penglai in the early days of the Nine Cities.
4. The cloud crane has strange wings, and the Yao flower has no dust roots. Visiting the Shaanxi History Museum (2 poems) A standing Qin terracotta warrior does not do the Six Kingdoms, only does the Qin, does not understand intrigues, only knows how to march forward bravely, does not write about failure, only pursues success, a born revolutionary, always aloof, a male, blending into the mighty team, charging into the battle with thousands of horses. The galloping is like the unstoppable smoke and dust. Standing still in the museum, a person is still upright, neither scared nor frightened. He is an invincible god. His eyes radiate a compelling light. His armor is still strong after a thousand years. He walks towards you solemnly. Behind him is the Qin Empire. Thousands of miles of clear sky alone held up the First Emperor, held up Qin, held up two thousand years of ruthlessness, held up the first peak of the Han people, and with high spirits, the terracotta warriors of Qin strode towards the present, walking towards us, showing a man who will never fall. Shaanxi Provincial History Museum The atmosphere of the Qin and Han dynasties has almost broken through the solid four walls, and there are so few visitors. The information of the Sui and Tang dynasties has filled the minds of the Chinese people, and there are so few things on display in the museum. It displays the bravery of tomb robbers and the diligence of archaeologists, displays the development of the tourism industry and the diligent research of scholars, displays the immortal memory of heroes and the humble antiques of the past, displays physical objects, displays imagination, displays the ins and outs of a country, displays The quiet reproduction of a nation. In fact, all history is contemporary history. In the tunnel of time, I can see myself hundreds of years ago today and thousands of years later. Behind a noble cyan and exquisite porcelain plate, there is no name or even a person hiding. There is no trace at all, as if it had never existed.
3. What poems should I read about museums?
Tang Dynasty Yan Zhenqing's "Encouragement to Study": "The lights are bright at three o'clock and the chickens are on at five o'clock. It's the time for men to study. Black-haired people don't know how to study hard and it's early." , Bai Shoufang regrets that he was late in studying." 〔Tang Dynasty" Wang Zhenbai's "White Deer Cave Poems": "I don't realize that spring is already deep when I am reading. It is not a Taoist who comes to make people laugh. Zhou Qing is pursuing. "
[Tang Dynasty] Du Xunhe's "The Book of Leisure": "The shadow of the bamboo on the window is shaking on the desk, and the sound of the wild spring is coming into the inkstone. The young man's hard work will eventually lead to success."
[Song Dynasty] Su Shi's "Song Dynasty Chun Xiucai Returns to the West after Losing His Understanding": "I don't tire of reading old books a hundred times, and I will know myself if I read them carefully. I will inevitably become a famous official in the future, but I can't catch up with you today."
[Song Dynasty] Lu You's "Winter Night Reading Shows Ziyu": "In ancient times, knowledge has left no stone unturned, and kung fu can only be achieved when young and old. After reading it on paper, I feel it is shallow, and I know that it must be done in detail."
[Song Dynasty] Zhu Xi's "Reflections on Reading": "As soon as the half-acre square pond is opened, the skylight and cloud shadows are lingering. I ask where the canal can be so clear, so that there is a source of living water."
[ Song Dynasty Lu Jiuyuan's "Studying": "Reading must be avoided in a hurry, and the time spent in reading is long and interesting. You may as well let it go before dawn, but you must think about it urgently."
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[Ming Dynasty] Yu Qian's "Guanshu": "The scrolls are as affectionate as old friends, and the joys and sorrows of the morning and dusk are close to each other. There are three thousand words in front of my eyes, and there is not a speck of dust in my chest. "
[Qing Dynasty] Xiao Luan said in "Reading and Writing": "The human heart is like a good seedling, and it will grow if it is nourished; the seedlings are irrigated with spring water, and the heart is nourished with reason and righteousness. If you don't study for a day, you will have no good ideas. If you don’t read for a month, your ears and eyes will lose their clarity. "
[Qing Dynasty] Fa Shishan's "Reading": "Reading is like a tree, you can't ask for sudden growth. Planted in empty mountains, the sun comes and the moon goes. The dew leaves are luxuriant and the smoke is becoming more and more vast. "Reading in spring brings long interest. Grinding the inkstone makes the pen smell fragrant. You should not be lazy when studying. The world, the sun and the moon are busier than people. The birds sing and sing, and the peach blossoms and plum blossoms write articles. Every inch of Yang and Yin must be cherished. Don't waste the beauty of spring and time. .
Reading in the summer, the day is long, and I feel happy when I open the book. The fields are cultivated and the mulberry trees are beautiful, and the sound of reading is loud. The scenery is beautiful by the lotus pond, and there are few people in the countryside under the banana trees. , study hard and gain fame.
4. Guide to the Shaanxi History Museum
Now we come to visit the Shaanxi History Museum.
The museum was officially opened to the public on June 20, 1991. It is currently the largest and most advanced national history museum in my country.
It covers an area of ??approximately 70,000 square meters and has a construction area of ??56,000 square meters. meters, with an exhibition area of ??11,000 square meters and a collection of 370,000 items. This museum was built in accordance with Premier Zhou Enlai’s last wishes.
It was in 1973 when Premier Zhou Enlai came to Shaanxi. During the inspection, he was impressed by Shaanxi's rich above-ground and underground cultural relics resources and the small and crude condition of the existing museums, so he proposed that a new museum should be built in Shaanxi. Later, the State Planning Commission and the Shaanxi Provincial Government jointly invested in it. 144 million yuan was spent to build this art palace.
The design of this museum was carried out by Ms. Zhang Jinqiu, a close disciple of Mr. Liang Sicheng, a leading figure in Chinese architecture. The appearance of the building is imitation of the Tang Dynasty style. It deliberately highlights the style of the prosperous Tang Dynasty and reflects the style of a glorious era.
The layout draws on the structural characteristics of traditional Chinese architecture of "axis symmetry, orderly master and slave, central hall, and four corner towers". It is simple and dignified, and creates an atmosphere that combines imperial palaces and traditional gardens, symbolizing China's long history and splendid culture.
The displays of the Shaanxi History Museum can be divided into basic displays and special displays. and temporary exhibitions. Today we are going to visit the basic display, which is the permanent display. It systematically displays the development process of Shaanxi from the Lantian Monkey Man to the Opium War. The prosperous times of feudal societies such as Zhou, Qin, Han and Tang and the important position of Shaanxi in Chinese history.
Now we come to the preface hall. The preface here is not text, but three giant photos: The roaring Yellow River and the endless Loess Plateau are not only the natural environment that ancient Shaanxi people relied on for survival, but also the premise and foundation for the birth, emergence and continuous development of Shaanxi's history and culture
The two photos. Behind it, there are giant photos of the tomb of Emperor Xuanyuan, the founder of the Chinese nation’s humanities, marking the beginning of Shaanxi’s ancient civilization and Chinese civilization. These wordless prefaces composed of photos symbolize the history and culture of Shaanxi through broad and vigorous scenes. It is a profound, long-lasting and humanistic traditional spirit with global influence.
Now you can see the giant lion in the center of the hall, which was originally located in front of the tomb of Yang, the mother of Empress Wu Zetian of the Tang Dynasty. We can see that it is beautifully carved and majestic in shape, and can be called "the first lion in the East".
The art of lions and stone lions in ancient China was introduced from Afghanistan. Therefore, this stone lion is not only a reflection of Shaanxi's history and culture, but also a product of the blending of Eastern and Western cultures.
The first paragraph of Shaanxi’s ancient history is prehistory, which spans from about 1.15 million years ago to the 21st century BC. There are important discoveries in every paragraph of this period. The cultural peaks are successive and connected end to end, and they have a prominent position in the country.
The first thing everyone sees is the head of the Lantian ape-man. She was discovered in Gongwangling, Lantian County in 1964. She was a woman in her 30s.
Lantian Man is about 1.15 million years old and is the earliest known Homo erectus in northern Asia. About 200,000 years ago, humans have developed to the Homo sapiens stage.
The Dali people in Shaanxi are one of them. About 8,000 years ago, humans have entered the Neolithic Age. The Laoguantai Culture is the earliest known cultural relic of the Neolithic Age in Shaanxi.
There are three important differences between the Neolithic Age and the Paleolithic Age: first, they learned to make pottery; second, they had settled down and had primitive agriculture; third, the emergence of ground stone tools. Yangshao culture is a stage of the development of the Neolithic Age.
This type of cultural relic was first discovered in 1921 in Yangshao Village, Mianchi County, Henan, hence its name. And because a large number of painted pottery was found in this type of cultural relics, it is called "painted pottery culture".
The Banpo site is an important part of Yangshao culture and a prosperous stage during the matrilineal clan commune period.
Later, with the development of social economy, men replaced women and took the dominant position in society.
Humanity has entered the period of patriarchal society. Longshan culture is a typical culture of the patriarchal clan commune period.
This type of culture was named after it was first discovered in 1928 in Longshan Town, Zhangqiu County, Shandong Province. And because a large amount of gray pottery was discovered, Longshan Culture is also called "grey pottery culture" or "black pottery culture".
After the Longshan Culture, our country's history entered the era of legends, which is what is known in history as the "Military Democracy Period." Huangdi was an outstanding leader during this period, and he was revered as the ancestor of the Chinese nation.
Every year during the Qingming Festival, descendants of Yan and Huang from home and abroad come to the Yellow Emperor’s Mausoleum to trace their roots and ancestors, identify with Chinese culture, and sublimate their patriotism here, thus creating a strong cohesion and centripetal force. After the Yellow Emperor, three more outstanding leaders appeared in human history: Yao, Shun, and Yu.
Later, Dayu's son Qi established the Xia Dynasty. At this point, China entered the period of rule by the slave dynasty.
The political center of the Xia Dynasty was in Henan, and the emergence, development and prosperity of the Zhou people were mainly in Shaanxi. The Zhou people actually experienced three different stages of development: the Zhou nation, the Zhou Fang Kingdom, and the Western Zhou Dynasty.
The cultural relic we are seeing now is called "Ding", which is a bronze vessel from the Western Zhou Dynasty during the heyday of the slave dynasty. Bronze refers to an alloy of copper and tin, named after its blue-gray color.
As for the tripod, it was originally a cooking utensil, a pot for cooking meat. Later, with the strengthening of the ritual and music system, the tripod gradually became a symbol of power and rank. Legend has it that Xia Yu once made a Jiuding, which represents the nine states of the world and serves as a symbol of political power.
From now on, the acquisition of the world was called "Dingding". During the Spring and Autumn Period, King Chuzhuang, one of the Five Hegemons, sent an envoy to inquire about the importance of the nine tripods of the Zhou Dynasty. From then on, "asking for the top" became synonymous with attempts to usurp political power.
The idioms we are talking about now, "Zhu Lu Zhong Yuan", "Who will win the deer," and "Who dares to aspire" are all related to this cultural relic. Ding can generally be divided into dome and square top.
The dome generally has a bulging belly, two ears, and three legs. The whole shape gives people a sense of stability and power. Therefore, people use the word "lion's chest and tiger's feet" to describe it.
The idioms "big name" and "three pillars" reflect its modeling characteristics on the other hand. The patterns on bronzes are an important part of the study of bronze art and have also become an important part of Chinese art history, reflecting the people of that time to a certain extent.
5. The complete poem "History Museum" by Xi Murong
Attachment: Xi Murong's poem "History Museum" - Can a person's life be like a museum? At first there was only the mountain moon and the extremely cold and dark cave in my memory. Then you came towards me with a smile. The clouds dispersed in the cool morning. Now that I should follow the road to meet you, please let us settle in a place with abundant water and grass. I will learn to predict bad luck on oracle bones and burn my love and faith into the painted pottery with water patterns and cloud patterns. At that time, all the stories will begin. I will wade by a fragrant river and pass by the hibiscus. The poems of thousands of hibiscus are also simple to my heart. It's simple. At first, there was only the mountain moon and the extremely cold and dark cave in my memory. Then you walked towards me with a smile. In the cool morning, the clouds dispersed. Now that I should follow the road to meet you, please let us walk in the lush water and grass. I will learn to predict bad luck on oracle bones and burn love and faith into painted pottery with water patterns and cloud patterns. At that time, all the stories will begin. I will ford the river by a fragrant river and pass by a thousand lotus poems. The heart is also simple. Two wild geese are flying rapidly. The seasons change. Along the river, I slowly look southward. I once carved a wooden Guanyin. The round hand also carved a stone Buddha in the Sui Dynasty. The smiling lips of the flying pieces gradually appeared. The dearest and most familiar outline in my heart is in the huge and cold grotto. I am a humble and uncomplaining craftsman. I have traced it over and over again in life after life. But where exactly did I go wrong? Why in the reincarnation of thousands of lives have I always missed the moment I was looking forward to. Before the storm came, I had buried clues for you so deeply. After the storm, why were there always some important details that you missed and it was hard to find the way back? And on a moonlit night, I poured you a glass of wine with tears in my eyes, and then hurriedly played the pipa. Urge you to mount your horse. At that time, the world that was once lush with water and grass had already entered into mythology. Only the withered red willows and poplars were left. Thousands of miles of yellow sand came and went. It seemed that there was always the sound of the tide calling in the dark night. The heart was full of incomprehensible tenderness, which could not be embroidered with colorful silk threads. The spring days are getting farther and farther away, and the clouds are getting thicker and thicker. My mottled heart slowly wanders between legends and legends. I will meet you again in this life. You are outside the cabinet. I am already in the cabinet, separated by a piece of cold glass. I am eager. You seem to hear some voices in your confusion, waiting for your arrival. Of course, you can never believe that all the silks, all the silks, all the three colors and clay sculptures, all the carvings and carvings in this cabinet were given to you by me. My love is my soul that has survived through thousands of calamities and hardships. 6. In the dusk, you turned around indifferently and gradually drifted away. The long corridor was silent and the gods were silent. I finally turned into wood and stone, just like in the previous life, there were still thousands of hibiscus outside the corridor. The light purple soft pink blooming in the water and the snow-like white are like an unknown Song Dynasty painting, slowly dyed in time and slowly annihilated. At first, there was only the mountain moon and the extremely cold and dark cave in the memory. Then you Walking towards me with a smile, the clouds have dispersed in the cool morning. Since I should follow the road to meet you, please let us settle in a place with abundant water and grass. I will learn to predict bad luck on oracle bones and burn love and faith into my heart. In the painted pottery with water patterns and cloud patterns, all the stories at that time began. We crossed the river by a fragrant river. A thousand hibiscus poems were simple. My heart was also simple. Two wild geese were flying rapidly. The seasons changed. Along the river, I slowly searched southward. In the past, my round hands had carved a wooden Guanyin. I had also carefully carved a stone Buddha from the Sui Dynasty. The smiling lips and flying pieces gradually emerged as the most dear and familiar outline in my heart. In the huge and cold grotto, I am a humble and uncomplaining craftsman. I have repeatedly traced the three for life after life, but where exactly did I go wrong? Why do I always miss the moment I look forward to in the reincarnation of thousands of lives? The clues I buried so deeply for you before the storm came, why there are always some important things after the storm. The details have been left out by you, and the way back is hard to find. On a moonlit night, I poured you a glass of fine wine with tears in my eyes, and then hurriedly pulled my pipa to urge you to mount your horse. At that time, the world that was once lush with water and grass had long since entered mythology, and only withered tamarisks and white poplars remained for thousands of miles. The yellow sand comes and goes, as if there is always the sound of tide calling in the dark night. My heart is full of incomprehensible tenderness. The spring days are endlessly embroidered with colorful silk threads. The clouds are getting farther and farther away, and the clouds are getting thicker. My mottled heart is between legends and legends. Wandering slowly for five years, I will meet you again in this life. You are outside the cabinet, and I am already inside the cabinet, separated by a piece of cold glass. I am eagerly waiting for your arrival. In the confusion, you seem to hear some voices. Of course, you will never believe it. All the silks, all the silks, all the three colors and clay sculptures, all the carvings and carvings in this cabinet are the love I give you, and they are my soul that has endured thousands of calamities and hardships. 6 In the twilight, you turn around and walk away indifferently. Fading away, the long corridor is silent and the gods are silent. I have finally become a tree and a stone. Just like in the previous life, there are still thousands of hibiscus blooming faintly in the water outside the corridor. They are light purple and soft pink, and the snow-like white is like an unknown Song Dynasty painting in time. The dye slowly fades away.
6. Guidelines for Shaanxi History Museum
Shaanxi History Museum is a national-level modern large-scale museum. It is a group of majestic Tang Dynasty-style buildings, covering an area of ??about 70,000 square meters. The construction area is more than 50,000 square meters.
It brings together the essence of Shaanxi culture and shows the development process of Chinese civilization. In view of Shaanxi’s position in Chinese history, the state government invested 144 million yuan to build the Shaanxi History Museum, which was opened in 1991. It was completed and opened in June. The museum building is simple, elegant and unique.
It closely combines Chinese classical palace architecture and courtyard architecture, with colorful colors? Thank you very much? What's wrong with you? Chen? Is this the disciple of Jiyin? Fai Bei Zhen? br />The museum has a collection of 113,000 pieces (groups) of fine cultural relics unearthed in Shaanxi. The exhibition room covers an area of ??1,100 square meters. It is divided into seven parts: prehistory, Zhou, Qin, Han, Wei, Jin, Southern and Northern Dynasties, Sui and Tang, Song, Yuan, Ming and Qing Dynasties. The images are displayed systematically. It comes from the history of Shaanxi from 1.15 million years ago to 1840 AD. In Chinese history, 11 dynasties once established their capitals in Shaanxi, which lasted for more than 1,000 years. It is the region with the most capital dynasties and the longest capital period in my country. Therefore, from a certain perspective, the ancient history of Shaanxi is the oldest in Chinese history. concentrate.
●Features: The Shaanxi Provincial Museum integrates the architectural styles of ancient Chinese palaces and courtyards. It is elegant and solemn, simple and generous, with a coordinated layout and grand momentum. It reflects the national style and local characteristics. The museum is equipped with central air conditioning , Multifunctional lighting system, using computer management system and central control system. It has a modern cultural relics warehouse and a lecture hall with simultaneous interpretation functions in multiple languages.
Gold-inlaid jade bracelet ●The architectural shape of the Shaanxi History Museum inherits the grand, majestic, elegant and solemn style of the Tang Dynasty, and draws on the layout form of our traditional palaces of "axis symmetry, orderly master and slave, central hall, and towers in four corners" , while using modern advanced technology to organically combine the classical architectural style of my country’s prosperous Tang Dynasty with the functional requirements of modern museums, maintaining both ancient style and modern features. The roof is made of gray-green glazed tiles popular in the Tang Dynasty, which looks luxurious, solemn, simple and elegant. The wall materials are imitation asbestos bricks. The doors and windows are made of large pieces of brown glass and aluminum alloy frames. The museum is equipped with a fully enclosed central air-conditioning system that can control temperature and humidity. , multifunctional lighting system, automatic fire prevention and anti-theft system, computer control management system; equipped with a cultural relics protection technology center, with advanced laboratory testing, testing technology and cultural relics protection and restoration methods.
In order to strengthen cultural exchanges between China and foreign countries, a computer-controlled library with a collection of 300,000 books and an international academic lecture hall with simultaneous interpretation in 6 languages ??have been built. In addition, there are well-equipped cultural relics libraries, reference rooms, shopping malls, etc.
●Collection: The museum has a collection of 370,000 fine cultural relics unearthed in Shaanxi. Visitors can appreciate the prehistoric, Zhou, Qin, Han, Wei, Jin, Southern and Northern Dynasties, Sui, Tang, Song, Yuan, Ming, Shaanxi historical relics from the Qing Dynasty 1.15 million years ago to 1840 AD. ●Structure: The exhibition room has a total area of ??11,000 square meters, divided into three parts: basic exhibition, special exhibition and temporary exhibition. Among them, the exhibition of ancient Shaanxi history, the exhibition of Shaanxi bronze treasures, the essence of pottery servants of Shaanxi past dynasties exhibition and the exhibition of authentic Tang tomb murals are the most popular. attraction.
●Entering the museum hall, you will be greeted by huge photos showing the roaring Yellow River and the endless Loess Plateau. This is the geographical environment that gave birth to Shaanxi’s history and culture.
The history of Shaanxi is the history of the Loess Earth Civilization. The giant lion standing in the center of the hall is a symbol of this civilization.
With its majestic shape, majestic momentum, exquisite stone carvings and grand spirit, it can be called "the first lion in the East". This stone lion comes from the Shun Tomb of Yang, the mother of Wu Zetian, the only female emperor in Chinese history.
Ancient Chinese lions and lion carving art were introduced from Afghanistan. The romance and strangeness of Central Asia and the depth and richness of East Asia are so perfectly integrated here, which embodies the keynote of Shaanxi’s history and culture. The nearly 1,500-meter exhibition line consists of three parts: basic display, special display and temporary display.
The basic display on the upper and lower floors in the center of the museum brings together the essence of cultural relics unearthed in Shaanxi. More than 3,000 rare treasures on display are selected from hundreds of thousands of cultural relics unearthed in Shaanxi. Many precious cultural relics It is made public to the world for the first time and is divided into seven parts: Prehistory, Zhou, Qin, Han, Wei, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Song, Yuan, Ming and Qing Dynasties. It systematically displays the ancient history of Shaanxi from 1.15 million years ago to 1840 AD, and makes people Understand the basic appearance of some important archaeological sites in Shaanxi. Han·Sishen tile (Suzaku), 15.8 cm in diameter and 2 cm wide in edge wheels, was unearthed from the Han Chang'an City site in Shaanxi.
The Suzaku unloaded the orb from its mouth, raised its head and raised its tail, making it even more majestic and powerful, and extremely sacred. Now collected in Shaanxi History Museum.
Repost.