The ten major mistakes in metrical poetry are as follows:
(1) It does not conform to the rhythm. In addition to the sentence structure and word count of this type of poetry meeting the requirements of metrical poetry, the lines in the poems do not matter whether they are straight or oblique, so they cannot be regarded as metrical poetry. The reason why metrical poetry is called metrical poetry is because it has the rhythmic beauty of music in its staggered rhythms and rhythms.
If the number of words is just the same length but not straight and oblique, the reading will lack this kind of beauty, and it will not even have the smoothness of a limerick, and its quality will be greatly compromised. Regarding the basic knowledge of Ping and Ze, there is a detailed explanation in my first article "Master these practical poetry writing skills and raise your level to three levels", so I won't repeat them here.
(2) Mixed rhymes with flat and oblique rhymes. Whether it is a quatrain or a rhymed poem, unless there are special requirements, the rhyme is usually the same to the end. It is rare to change the rhyme midway. For example, "Spring River Flower Moonlight Night" is a Yuefu poem, which is very long and has special requirements on meter. So it is reasonable for the rhyme to change.
But we can also see that the entire poem "Spring River Flowers and Moonlight Night" is a four-line turn, and the whole poem is full of rhythmic beauty. When we write poems today, we sometimes change rhymes in the middle of a quatrain. For example, the first two sentences rhyme with one rhyme, but the last sentence changes to another rhyme. It reads very awkwardly, and this mistake is very inappropriate. .
(3) The confrontation is not in place. Antithesis is an important aspect that reflects the artistic quality of metrical poetry. Antithesis requires neatness, that is, the structure, part of speech, and meaning of the poem are all relative. The two couplets of the quatrains may or may not be in opposition; the middle two couplets of the verse, namely the chin couplet and the neck couplet, must be in opposition (but there are exceptions), the first couplet may be in opposition or not, and the last couplet is generally incorrect. No matter how good the poems are, they cannot be called "regular poems".
(4) Offense. I believe that when you are learning poetry writing, you must have heard this sentence: "One, three, and five don't matter, two, four, and six are clear." Therefore, when people write poems, they often only pay attention to the numbers 2, 4, 6, and ignore the numbers 1, 3, and 5. But is this standard necessarily correct? This is not the case, because after ignoring the first, third, and fifth, it is easy to commit a taboo in writing poetry, that is, "committing loneliness".