Take care of your clothes in summer and give them to pedestrians. Yuefu Poetry Collection contains 75 poems of Four o'clock at Midnight, including 20 poems of Haruka, 20 poems of Summer, 8 poems of Qiu Ge/kloc-0 and 7 poems of Winter/kloc-0.
The following is the seventh song in Song of Summer. This folk song of Yuefu in the Southern Dynasties describes the homesick women's nostalgia for their husbands in different places, and also euphemistically reflects the hardships and resentment of homesick women.
This thinking woman is obviously also a diaosi woman. She worked hard to raise silkworms and spin silk. As a result, "the silkworm farm is finished", but she has little effect and "is still suffering" Who plundered the fruits of his labor? Although it is not clear in the poem, it is not difficult to imagine that the predator was a rich man at that time and place.
Sifu was deprived of most of the fruits of his labor, so he had to take the rough kudzu cloth and give it to his husband who was far away in a foreign land: "Take care of her clothes in summer and give it to pedestrians." The language of the whole poem is concise, euphemistic and implicit, and the pun is also natural and appropriate, which can better reflect the artistic characteristics of Yuefu folk songs in the Southern Dynasties.
It is particularly worth mentioning that Du Xunhe, a poet in the Tang Dynasty, said that I worked hard every year, and my ass was covered with ramie (silkworm girl) and Zhang Yu, a poet in the Song Dynasty, went to town yesterday and came back with tears. What Luo Qi covered was not a silkworm farmer (Silkworm Girl), but it was not as straightforward as the latter.
Second, reading songs (82) Go to the store to sell the third brother, and Lang will buy Zhang Yu. If you leave with Lang, who will solve your carelessness? Reading Quge, Guo Maoqian's Poems of Yuefu (Volume 46) distinguishes songs from wusheng songs, with a total of 89 songs * * *, of which 82 are selected here.
This folk song of Yuefu in the Southern Dynasties expresses a woman's deep love for her lover who came to buy cloth. In the first two sentences, the cloth seller told herself that she went to the store to sell cloth and her lover came to buy cloth, and made a lyric copy for the following.
"Lang" is often used by women to refer to their lovers in Yuefu folk songs in the Southern Dynasties, such as "Lang is taken by others, which is a negative thing" (the fifteenth of forty-two songs in "Midnight Song") and "Lang sees that I want to take me, and my heart wants to cherish the lotus" (a summer song at four o'clock midnight), and so is this song. With this woman's "Arriving at the Store" and "Langlai" mentioned side by side, with "Selling" and "Buying" mentioned side by side, with "Third Brother" and "Zhang Yu" taking care of each other, it is clear at a glance.
The last two sentences are lyrical, semantic pun and euphemism. Literally, these two sentences seem to be a rhetorical continuation of the previous narrative. It is written that the woman who sells cloth will not break it because of the carelessness of Gebu, but let her lover take the "horse" Gebu away.
In fact, this is lyrical, and it is the girl in cloth who euphemistically shows her heart to her lover: "Although your personality is a little careless, it seems that this plaid is more careless, but I don't want to break up with you, just like letting you take it away without cutting it." What's said here is what's said there. It's chewy.
Reading this folk song of Yuefu, we can know from Going to the Shop that the counter of the cloth shop in the Southern Dynasties was higher. I learned from the "third brother" that kudzu vine was still used as raw material for weaving in the Southern Dynasties. From this poem, we can also see the unique way of lovers expressing their feelings in love women at that time, and get the poetic beauty of "winding up". Third, the degree of mulberry picking. (5) When picking mulberry in spring, the forest was full of joy.
If your silkworms are less than 100, you have to embroider them. This poem is about men and women going to pick mulberry together.
The first two sentences describe a couple going mulberry picking together. March is spring, and mulberry leaves are flourishing, but they don't care about picking mulberry leaves. It's very interesting to enjoy each other in the forest. These two sentences give people an immersive feeling, such as seeing people appreciate each other, such as hearing people laugh.
The last two sentences did not describe the scene of men and women enjoying each other in detail, but turned to writing that the mulberry picking woman spoke to her lover who was addicted to joy and reminded him not to patronize the mulberry picking business in euphemistic language. Between these two sentences and the first two sentences, the plot development jumps greatly, "the words are not connected but the meaning is connected."
This poem is very artistic. The whole poem combines the labor and love life of a young man and woman, and the conception is ingenious.
Although there are no names in the poem, "there are people who are ready to come out." Poetic language is fresh and lively, and there is a strong breath of life between the lines.
Reading this poem, we can not only appreciate the beauty of art, but also vividly appreciate the local customs at that time. Three textile poems by Bai Juyi 1. The new cloth fur is as white as snow and as soft as a cloud.
The cloth is thick and has a residual temperature for fur. Sit at dusk in the morning and sleep till dawn at night.
Who knows Yan Dongyue, the branches are as warm as spring. I suddenly remembered at night, caressing Qiu and wandering around: is my husband both expensive and helpful? Andrew Wanli Joe, wrapped around the border? Steady and warm as me, there is no cold person in the world.
This poem was written in the early Yuan Dynasty. The whole poem revolves around new cloth and fur.
The first eight sentences reflect the poet's rich life from the new Bumo, and make a wish copy for the following. The last eight sentences leave the newly made cloth and express the poet's feelings and desire to "push others", which is similar to Du Fu's "peace of mind in a spacious building, a great shelter for the poor in the world, and peace of mind in the storm."
Oh! Dyke suddenly saw the house in front of him, and it was enough for me to freeze to death "("The Hut was Blown by the Autumn Wind ") comes down in one continuous line. Another poem by Bai Juyi, The Melody of the New Silk Coat, also expressed similar feelings: "The cold of the people can't be saved, so why should we be independent?" My heart will remember the hardships of farmers' farming, as if I heard the cold of hunger and cold.
When can I have a long greatness and share more Luoyang protection with you? "From this poem, we can understand Bai Juyi's thoughts, and we can also know that some places in China had planted cotton in the middle Tang Dynasty and used cotton to weave clothes. The four sentences of "Guibu" in the poem mainly describe the newly made cloth and fur with exquisite materials: one is Guibu, which is as white as snow, and the other is Wu Mian, which is as soft as a cloud and thick, and the metaphor is novel and appropriate.
"Facing the sun" is followed by "keeping warm for fur", which specifically describes that the newly made cloth fur has good warmth: in cold weather, the poet holds it during the day and covers it at night, which is as warm as spring. As early as 1000 years ago, our ancestors were able to cut out such fabrics and furs with exquisite materials and good thermal insulation with diligent hands, which was amazing.
Second, the red carpet red carpet, choose cocoon silk to boil, pick silk to practice red and blue dyeing. Dye it red and blue, weave it into a carpet and put it on the incense hall.
The incense hall is more than ten feet wide, and the red line is woven into a temple shop. The color silk is soft and fragrant, and the soft flowers are vain.
Beautiful women step into singing and dancing, socks.
2. What are the poems about "cotton cloth"? 1. Newly made silk coat, full of feelings, full of chanting.
Tang Bai Juyi
A new coat with a beautiful appearance like water ripples, the fabric is soft, warm and light.
Sit in the sun in the morning and walk in the snow at night.
There is endless bitterness in the robe, and it is said that kapok is cold.
Friends' banquets are held at night, and they lie down and sleep peacefully in the morning.
The people are hopelessly cold and too warm to be cared for.
My heart will remember the hardships of farmers' farming, as if I heard the cold of hunger and cold.
Let Daegu grow and build Luoyang City with you?
2. Bamboo branches
Tang huangfusong
Betel nut flowers sing, male flies and female flies.
Kapok hangs low, and flowers are waiting for Lang to return.
Lotus is single-minded, and flowers should be worn when they invade the eyes.
In the banquet, the candle is red with tears, and the acacia peach stone is the same.
It's much harder to chop lotus seeds when the wind blows and waves cut.
Peach blossom at the top of the mountain, apricot blossom at the bottom of the valley, two flowers set each other off gracefully.
3. Li
Don
Crimson yarn disciples are silent, and there are always fewer beauties in the mirror.
Today, I am singing and dancing, and kapok is flying warmly.
4. Four Summer Poems in Yantai
Don
The rain curtain in the front pavilion is not sad, and the trees in the back hall are shaded.
The scenery in Shicheng is yellow, and it is empty at midnight.
The silk fan calls the wind into the sky, and the light curtain is blue and deep.
The soul of Shu is alone, and kapok blooms for several nights.
A picture of Guigong is hard to find, and Yan Xunlan is earnest.
I taught Han Yin to throw himself into his arms, but I didn't send Xing Fei to come and go.
What is the source of turbid water and clear waves? The river is clear and the Yellow River is turbid.
Andrew lifted his skirt in the mist and took a cloud chariot to call Taijun.
5. Golden Melody/He Xinlang
Liu Song Chenweng
Leaves are jumping in the rain. Children, draw a radial lift. The wind was high last night, and the oriole looked down at the world. But the earth shook and the tide rose like a drum. Green grass on the balcony of the bamboo pavilion, asking whether the kapok guest's soul will return. Crying dew, temple bell language. Dreams are like bitter spirits. Sighing and drifting, the previous degree is not the same, bright and heavy. My eyes are full of no one, and I forget the sorrow of the king. Drunk and black. The misty Maoling is quiet and the night is still in Chu. It will take a long time to collect qingliu.
3. What are the new silk tops about "cotton cloth" in the poem? There are poems about Bai Juyi in the Tang Dynasty. Silk is soft, even, moist and light.
Sit in the sun in the morning and walk in the snow at night. There is endless bitterness in the robe, and it is said that kapok is cold.
Friends' banquets are held at night, and they lie down and sleep peacefully in the morning. The people are hopelessly cold and too warm to be cared for.
My heart will remember the hardships of farmers' farming, as if I heard the cold of hunger and cold. Let Daegu grow and build Luoyang City with you? Huangfusong's bamboo branch poem "Betel nut flower" is a partridge singing, male fly and female fly in Tang Dynasty.
Kapok hangs low, and flowers are waiting for Lang to return. Lotus is single-minded, and flowers should be worn when they invade the eyes.
In the banquet, the candle is red with tears, and the acacia peach stone is the same. It's much harder to chop lotus seeds when the wind blows and waves cut.
Peach blossom at the top of the mountain, apricot blossom at the bottom of the valley, two flowers set each other off gracefully. Li, a disciple of Li Shangyin in the Tang Dynasty, has no voice, but there are always fewer beauties in the mirror.
Today, I am singing and dancing, and kapok is flying warmly. In the summer and Tang dynasties, Li Shangyin in Yantai wrote four poems about the front pavilion, and the back hall was fragrant with trees.
The scenery in Shicheng is yellow, and it is empty at midnight. The silk fan calls the wind into the sky, and the light curtain is blue and deep.
The soul of Shu is alone, and kapok blooms for several nights. A picture of Guigong is hard to find, and Yan Xunlan is earnest.
I taught Han Yin to throw himself into his arms, but I didn't send Xing Fei to come and go. What is the source of turbid water and clear waves? The river is clear and the Yellow River is turbid.
Andrew lifted his skirt in the mist and took a cloud chariot to call Taijun. Jin Lu Qu/He Xinlang, Liu Songchen and Weng Yeyetiaozhu Rain.
Children, draw a radial lift. The wind was high last night, and the oriole looked down at the world.
But the earth shook and the tide rose like a drum. Green grass on the balcony of the bamboo pavilion, asking whether the kapok guest's soul will return.
Crying dew, temple bell language. Dreams are like bitter spirits.
Sighing and drifting, the previous degree is not the same, bright and heavy. My eyes are full of no one, and I forget the sorrow of the king.
Drunk and black. The misty Maoling is quiet and the night is still in Chu.
It will take a long time to collect qingliu.
4. The poem "Four Musts, Ode to Cotton" describing cotton.
(Author: Heshui Zuo)
I don't like being listed as a summer flower, but I'm clean and beautiful.
Give up children's ambitions in winter, and snow and ice warm Qian Qian in winter.
note:
(1) cotton. It is the seed fiber of Malvaceae cotton, which is native to subtropical zone. Plants are shrubby, generally 1 to 2 meters. The flowers are milky white and egg yellow. Shortly after flowering, it turned deep red, then faded, leaving a small green capsule called cotton boll. There are cottonseed in cotton bolls, and the fluff on cottonseed grows from cottonseed hulls and fills cotton bolls. The cotton peach splits when it matures, revealing soft fibers. The fiber is white to white with yellow, about 2-4 cm long and contains about 87-90% cellulose. Cotton fibers can be made into fabrics of various specifications, which are suitable for making various garments, furniture and industrial fabrics. Cotton fabric has good warmth retention, fastness and wear resistance, and it absorbs moisture quickly and is comfortable to wear.
(2) Summer flowers. Cotton bears fruit after opening milky white or purplish red flowers in summer.
(3) give up children. Cotton seeds must be separated from fibers before use.
The first sentence: "I don't love the name of Xiahua." Cotton produces beautiful flowers in summer, including milky white, egg yellow and red. At this time, bees also ushered in the harvest season. However, in people's memory and the list of flowers including "summer flowers", cotton has not been included in the name. What people say about cotton is that its fiber can be used by people. As for the cotton written by the poet by anthropomorphic means, it is also a "false name" of "not loving" its fragrance, which is completely different from some people in society who covet and pursue personal fame and fortune.
The second sentence: "Clean my body, Bi Ye Bu Xia Yun". It vividly depicts that the white fiber of cotton is white and flawless, just like a white cloud in a thousand green fields. Under the sunshine, it is as beautiful and spectacular as rosy clouds, decorating the beautiful mountains and rivers of China like a cloth. But in the process of decoration, it is self-love, expressing people's spirit of honesty and self-discipline, virtue and professional ethics.
The third sentence: "Cold enough to give up children's ambitions." Cotton fibers must be separated from cottonseed before use, so that they can be spun and woven or made into quilts. The image in the poem is that cotton should serve people in the north and south of the river, or be ambitious. If you want to warm thousands of families, you must have the heart of "giving up your son" and "loving your son" so that you can rush to all directions in China. This is a touching spirit of great love and selflessness, and it is the dedication of many people with lofty ideals in China for thousands of years. However, in the real society, some people are not only not ambitious, but also greedy for money and harm the people for their children, which makes people feel sad.
The fourth sentence: "flying snow and ice are warm in winter." This is the ultimate important value of cotton, and it is also the "ambition" of cotton, and it is the destination and goal of its life. The images in the poem express the value and goal orientation of our life, not personal enjoyment. The whole poem is four sentences, which is meaningful. The appearance of cotton is exquisite, but it is actually a profound metaphor for the feelings and dedication of the people's benevolent people.
The poem consists of 28 words, describing the whole process of cotton from flowering to warmth. It personifies and behaviouralizes cotton with 1 1 words such as "don't love the false reputation", "lead an honest and clean life", "give up the child" and "warm family", and writes a poem of patriotism and love for the people through ideographic expression. At present, we have seen many poems about cotton, many of which are excellent, but this poem about cotton is one of the best.
This poem was published in the 9th issue of China Journal of Ci Poetry (20 12). Because of touching poems and lofty artistic conception, there are many quotations.
5. The ancient poems about cloth are simple and ever-changing with pure cotton as raw material. Coarse cloth gradually faded out of people's lives and weaving. The old coarse cloth has been innovated and changed by modern technology. China people's clothes, with primitive spinning wheels, are coarse in texture and richer in color, and become new home textile products suitable for modern people's needs. The twill used by Zeng's mother is now all over Qilu. After careful design, nearly two can be replaced with more than 20 kinds of natural yarns.
Before western textile technology was introduced to China, I felt more comfortable. Wearing pure cotton cloth is very popular in the upper class of royal aristocrats. In the past hundred years, with the modernization of textile industry, wooden looms have been carefully woven and tied with cloth. "Green" means "Zeng Mu". It has a history of thousands of years in China, and "nature" has become the fashion people pursue. What is coarse cloth?
It is ingenious and environmentally friendly. The beds are all made of coarse cloth by hand. The coarse cotton cloth is also a tribute to the imperial court and a precious traditional gift for foreign friends and neighbors. Han dynasty.
Grandma Fang, escape. With the change of people's consumption concept in recent years, we have made a comprehensive plan and made a line.
Du Fu, a famous poet in the Tang Dynasty, wrote a poem "Wan Qi Lu Mao won the class, and men plowed and women weaved together" in Memories of Time Past. The picture of "Big Mother" on the Han stone relief in Wushi Temple, Jiaxiang County, Shandong Province is monotonous and comprehensive in color. From the Spring and Autumn Period and the Warring States Period to the Han Dynasty, it was from picking cotton yarn to embossing weaving on the machine.
"Wan Qi Lu Mao" is known as "wearing clothes and wearing the world"? Coarse cloth is also called "homespun". Handmade coarse fabric processing is extremely complicated and tedious.
Guoan min' an pure cotton old coarse cloth is very good.
6. What is the poem about Zhangqiu's old coarse cloth? Coarse cloth, also known as "homespun", is made of pure cotton by simple working people and carefully woven with primitive spinning wheels and wooden looms. It has a history of thousands of years in China.
The textile processing of hand-made coarse cloth is extremely complicated. From cotton picking to weaving on the machine, there are more than 70 processes, including ginning, bouncing, spinning, knotting, sizing, twisting, doffing, warping, brushing, heald making, breaking, drawing, lifting, screening, weaving and unloading. There are more than 20 kinds of natural yarns, and through careful design, nearly 2000 kinds can be transformed. It is ingenious and ever-changing
Before the western textile technology was introduced to China, the clothes and beds of ordinary people in China were handmade with coarse cloth. Coarse cloth has gradually faded out of people's lives in the process of textile industry modernization in the past hundred years because of its simple lines, monotonous colors and rough texture. In recent years, with the change of people's consumption concept, "green, environmental protection and nature" has become the fashion people pursue. Through the innovation and change of modern science and technology, the ancient coarse cloth has become a new home textile product suitable for the needs of modern people, with richer colors and more comfortable feel.
From the Spring and Autumn Period to the Warring States Period to the Han Dynasty, Qilu was the center of domestic cotton. "Wan Qi Lu Mao" is known as "wearing clothes to wear the world".
Du Fu, a famous poet in the Tang Dynasty, wrote a poem "Wan Qi Lu Mao won the class, and men plowed and women weaved together" in Memories of Time Past. In the Han Dynasty, in the picture of "Zengmu casting rafters" on the Han stone relief in Wushi Temple, Jiaxiang County, Shandong Province, the oblique loom used by Zengmu was the ancestor of the vertical loom used by every household in Qilu today.
The sign in Grandma's Square is just a picture of "Great Mother's Investment". Wearing pure cotton cloth was once very popular in the upper class of royal nobles. In the Central Plains and around the capital, pure cotton coarse cloth is also used as a tribute to the imperial court and a precious traditional gift exchanged with foreign friends and neighbors.
Guoan min' an pure cotton old coarse cloth is very good.
7. The poem describing the female red is a part of China folk art.
It used to refer to women's needlework, such as knitting, knitting, sewing, embroidery, patchwork, tapestry embroidery, flower arrangement, sizing and dyeing. All traditional skills made by women by hand are called "needlework". China's needlework art is characterized by its favorable weather, geographical location, beautiful materials and dexterity, and this needlework art has been passed down from generation to generation by mother and daughter-in-law, so it can also be called "mother's art".
Generally speaking, it can be divided into nine categories: textile, printing and dyeing, sewing, embroidery, shoes and hats, knitting, flower arrangement, flour flowers and toys. In the old society, needlework refers to women's textile, sewing, embroidery and other work and the finished products of these work.
The word "female worker" was originally written as "female worker". Later, with the development of the times, people are more accustomed to using the word "female worker" to refer to female workers engaged in textile, sewing and embroidery, but its original meaning is placed in a subordinate position. In order to avoid confusion, people use "red" as a variant of "worker", and the original meaning of "female worker" is transferred to the word "female worker", not itself. The Modern Chinese Dictionary explains it this way: In the old days, it referred to women's textile, sewing, embroidery and other jobs and the finished products of these jobs.
Ci Hai's explanation is much more comprehensive: female workers, (1) are also called "female work" and "female red". It used to refer to women's textile, embroidery, sewing and other things.
(2) A woman who used to be an actress. Today, it generally refers to female employees.
Female work is the same as "female worker (1)". According to the literature, the custom training of Huainan Ziqi: "Jinxiu usurper group also harms female workers."
"Book of Rites, Special Sacrifice in the Suburb": "The beauty of embroidery in literary works and the beauty of sparse cloth are also against the beginning of female achievements." Biography of Historical Records of Huo Zhi: "Taigong advised her to be a woman, and she was extremely clever and learned fish and salt."
Hanshu records: "Qi San obeys the official, and the official weaves embroidery, which is difficult to achieve. Everything that hurts the actress will stop, and there is nothing to lose. " Yan Shigu quoted Ruchun as saying: "Red also works."
Wu Zhi's note to Wang Wei in Yuancheng: "Female workers are singing on the loom." "Peach Blossom Fan": "Yongxian is lazy, and several degrees are female red."
History from sericulture to cotton planting to spinning and weaving, from threading needles to sewing clothes, is a great progress of human civilization. In the 5,000-year history of Chinese civilization, textiles and clothing are two dazzling and wonderful flowers. Therefore, closely related needlework should have a long history.
According to archaeological findings, in the Paleolithic period 18000 years ago, cavemen had used bone needles to sew animal skin. In the Neolithic Age more than 7,000 years ago, Hemudu people not only used bone needles, but also used twisted wires and spinning wheels. In Liangzhu culture more than 4,000 years ago, raw textiles such as hemp thread, silk thread and ribbon appeared, which all formed the embryonic form of embroidery and its products. China's agricultural society of more than 3,000 years has not only established the idea of taking agriculture as the foundation, but also formed the tradition of male ploughing and female weaving. Women have studied embroidery, weaving, tailoring and sewing since childhood. This is especially important in Jiangnan area.
Especially in the Ming and Qing dynasties, the social requirements for women and the criteria for husbands to choose a spouse were all measured by four aspects: "morality, speech, tolerance and work", among which "work" was women's work. Coupled with the highly developed handicraft industry at that time, it was only during this period that needlework really became popular in a universal sense.
As a work closely related to people's daily life, it is also reflected in ancient works of art. The most popular poem and poem is Ode to a Wanderer by Meng Jiao, a poet in the Tang Dynasty: "The thread in the mother's hand makes clothes for her wayward boy's body. Before leaving, I had a stitch for fear that my son would come back late and his clothes would be damaged.
But how much love can keep this inch of grass from growing and pay for the sunshine? . "This wonderful poem, which has been used by people for thousands of years to encourage gratitude, also describes the picture of a loving mother sewing a shirt and sewing for her son.
Qin Taoyu, another poet in the Tang Dynasty, wrote a poem "Poor Woman", which vividly depicts a talented woman, in my heart forever, who is good at embroidery and expresses the poet's talent: "She lives on a thatched roof and never wears fragrant silk. She is eager to arrange marriage, but how dare she?" . Who would have known her cutest simple face, dressed frugally in the era of pity.
Her finger embroidery is unparalleled, but she can't compete with painting eyebrows. Year after year, she sewed gold thread for other girls in the bridal gown! The earliest picture of women's red in painting can be traced back to Zhang Xuan's "Tao Ren Map" in Tang Dynasty. Then there is the pastel painting "Tao Ren Map" unearthed in Jingxing County, Hebei Province.
The scenes of court and folk needlework are reproduced respectively. The Embroidered Lady Fan, painted by Ren Xun, a painter in Qing Dynasty, shows the luxurious life of an ancient well-behaved girl, whose pastime is embroidery and nourishing.
In addition, there are many myths and legends and anecdotes about needlework. The Silkworm Fu written by Xunzi in the Warring States Period and the Search written by Gan Bao in the Jin Dynasty both contain the myth of the silkworm god Matou Niang. There is a legend about the Weaver Girl in the Ming and Song Dynasties. Meng Mu used the story of stopping weaving to educate Mencius as a metaphor for giving up school, and Liu Xiang compiled it into Biography of Women in the Han Dynasty. At the end of Yuan Dynasty and the beginning of Ming Dynasty, Tao Zongyi recorded the deeds of Huang Daopo, a female weaver in Yuan Dynasty.
Of course, since ancient times, there have been countless women masters. It is said that Mrs. Zhao, the prince of Wu in the Three Kingdoms period, had "three unique skills": she could weave a tapestry of dragons and phoenixes with colored silk with her fingers as a "stunt"; You can embroider a map of "Wuyue Country" on square silk with needle and thread, which is the "needle"; Tapping with glue is "broken wire".
According to legend, there was a strange girl, Lu Meiniang, in Yongzhenyuan period of Tang Dynasty. At the age of fourteen, she could embroider seven volumes of Hokkekyo on a foot-long silk. The word is only as big as Xiaomi, and it is clearly divided. However, nothing was left out. By the Ming Dynasty, Gu embroidery in Shanghai had become famous all over the world, among which Han Ximeng was the representative embroidery master.
At the end of the Qing Dynasty and the beginning of the Republic of China, there was also a famous embroidery expert, Shen Shou, who once taught embroidery in the court, founded embroidery schools and workshops, and even went to Japan to study embroidery better. In addition, the monograph "Xueguan Embroidery Spectrum" was published, which has far-reaching influence.
In terms of clothing, I'm afraid the best clothing is the official clothing of the royal family, with a crown and a worn robe. But unfortunately, with the passage of time, the progress of society and the development of science and technology, mechanization replaced manual work, and needlework was greatly impacted, which was originally small.