Zuo Si's Marriage Poem "Marriage Poem"

The staff is used to recruit hermits and discard the ancient and modern.

There is no structure in the cave, but there is a piano in the mountain.

The white clouds stop, Dan Payao.

Shiquan tree is Qiong Yao, with fiber scales floating or sinking.

Unless it is silk and bamboo, the mountains and rivers have a clear sound.

What is that whistling song waiting for? The bush is mourning itself.

Autumn chrysanthemum is also a grain, and orchids are heavy.

I'm tired of hesitating. I want to vote for my hairpin. After Dongshan's landing, Guo became a family.

At present, there is a cold spring well, and the conversation is refreshing.

Among the lush green leaves, bamboo and cypress are real.

Weak leaves hold frost and snow, and flying glory flows through Tianjin.

Jue clothing is impermanent, likes and dislikes have flexion and extension.

Knot, crown dust removal.

Huilian is not my bend, and the first yang is not my benevolence.

The same view, like writing. 1 Policy: twigs. Tip: look for it. Take the branch to the hermit. ② Wasteland: A barren road. Horizontal: plug. Eternal: it has been banned since ancient times. The road is barren, as if no one has access to it since ancient times.

3 caves: caves. Structure: refers to the building. This sentence and the next sentence mean that there are only caves without houses, but there are people playing the piano in the mountains.

(4) White clouds: The article Shi Shuo Ren Xinyu Dan is marked as "Snow White" and can be downloaded from. Yin: the north of the mountain is yin. Gang: The ridge. Danpa (pā Party): Honghua. Yang: Shannan is Yang. Yang Lin: The forest in Shannan. These two sentences mean that snow stops in the north of the mountain and flowers bloom in the south of the mountain.

⑤ Wash: Shock. Qiong Yao: Meiyu, this refers to rocks. Fibrous scales; Fish. Or ups and downs: ups and downs. Springs stir among rocks, and small fish float in streams.

⑥ Silk: stringed instruments. Bamboo: wind instrument. This sentence and the next one mean that mountains and rivers have their own beautiful sounds without playing stringed instruments.

⑦ Singing: chanting. Shrub: A cluster of trees. These two sentences mean why we sing. The sound of the wind blowing on the bush is a sad song.

8: Eat. Double cropping: Double cropping. Room: Miscellaneous. Double lapels: worn on lapels. There are autumn chrysanthemums in the food and orchids in the skirt.

9 hesitation: wandering. Boredom: fatigue. Wandering in the world, my feet are tired

Attending: The ancients used it to connect the crown with the hair. Giving up the crown means giving up the official position. Let's abandon our official position and live in seclusion here! The first poem describes the life and living environment of a hermit and expresses the poet's determination not to go with the flow. Since ancient times, hermits have always been a group that cannot be ignored, which embodies a value orientation of the literati class. It is not only the product of Taoism's cold outlook on life, but also the result of Confucianism's personality that "there is no way in the world to live in seclusion" Therefore, as the undertaker of moral power, hermits often realize the perfection of self-personality and even the redemption of the public soul by opposing the secular in the era of restless value melee. Hermit and his life have always been an important theme in literature.

The first two sentences of the poem point directly to the theme, saying that we should go beyond the barren road through ancient and modern times and look for a hermit. Then, the environment around the hermit was described in detail in a long space: white clouds fluttered over the hill; Red flowers shine in the mountains; The stirred spring water is clear, and there are fish swimming gracefully. These four sentences are what you can see. The next four sentences are written to listen to: there is no noise and noise of silk and bamboo, but there is a clear sound played by mountains and rivers; You don't have to pinch your mouth to make songs, but you have your own sad songs of shrubs. No matter what you see or smell, everything is very natural and harmonious, without any traces of artificial carving. Then, Qiu Ju said that the poet started with food and clothing, showing the nobleness and simplicity of the hermit. In the last two sentences, the poet spoke his mind and vowed to go home to chase the hermit. The scenery of this poem is meticulous and true, the language is simple and simple, and the nature is discussed at the end of the poem, which reflects the poet's noble feelings.

Comment on Lu Tongqun's Dictionary of Poetry Appreciation in Wei, Jin, Southern and Northern Dynasties

There is a poem "Recruit Hermits" written by Huainan Mountain and "Selected Works" written by Zuo Si, which have similar topics but different tastes. "Recruit hermits" is to summon hermits to leave the mountains and return to the crowd to go to court; And Zuo Si's "Introduction" is to recruit a hermit and want to be with him.

The first sentence, "Cudgel a hermit", comes straight to the point and points out the topic. "Policy". According to Yang Xiong dialect, it is a branch of a tree. China people have always stressed that "seeing the micro-knowledge": setting an elephant rib is more luxurious than doing it; Wear fur in May, and you will know that people are not greedy. Folding branches into sticks, the image of the old robe holder and his character of refusing luxury can be seen. The words "wasteland is everywhere in ancient and modern times" and "unstructured cave" describe the hermit's room and the surrounding roads. As a hermit, of course, you have to break up with others and abandon prosperity. The stories of "Three Paths into the House" and "Frog Kung" are legendary stories, and these common words "Caotang" and "Penghu" are enough to illustrate this point. However, the hermit described by the author is not only "grass from scratch" and "hut counting" He doesn't have a house at all, but lives in a cave like Chao Fu. There is no road around his residence, as if no one has walked here since ancient times. However, the depth of his seclusion can be imagined. Only the faint piano sound coming from the mountain can explain his existence. These sentences are about close-ups in front of us. Among them, the "waste painting across ancient and modern times" also implies the contrast with purple and red dust, while the "unstructured hole" implies the contrast with the high Tang dynasty, which will be understood after reading the following. Next, write "Baiyun" and "Shiquan" overlooking. Wandering in white clouds, coming and going without a trace, is exactly what hermits love to appreciate and feel; Trees are lush, danhua looms, clear springs are gurgling, and fish are playing. What a quiet, free and vibrant natural world! Isn't Zhuangzi envious of the happiness of silver carp in the vast water? There is no "washing pillow stones and drinking water from springs" in Cao Mengde. "Qiu huxing? Is it immortal? These are in stark contrast to the noise, intrigue and killing of human nature in the real society! The author's description of the hermit's living environment is everywhere, which shows his strong hatred of reality.

What you see in the above six sentences is the living environment of hermits; "There is a Harp in the Mountain" is about what you have seen and heard, and it is about the activities of hermits. In ancient poetry, playing the piano has always been a hobby of elegant people, especially hermits. Examples are numerous. Just look at Tao Yuanming, who can't play the piano, and play a stringed piano in his hand, and you will know his position in the hermit's life. Sitting alone in such a quiet and empty place is even more obvious, comparable to ordinary hermits.

The continuation of a sentence "non-silk non-bamboo" is slightly different from the above. All of the above are what you have seen and heard, and the meaning of comparison is implicit, but here is the first object for comparison. Silk and bamboo are still talking and pulling strings, which refers to the music enjoyed by bureaucrats and nobles when they are drinking and having fun. (It should be noted that when we say "silk bamboo", we usually refer to the music played by female geisha, so it does not include Gao Shi playing the piano alone as a gift. Therefore, the inscriptions in Liu Yuxi's humble room are both "you can tune the pipa" and "there is no doubt that there is no ear." Qin was excluded from the silk and bamboo. Compared with the voice of mountains and rivers, the former represents wealth and vulgarity, while the latter represents high sentiment and elegance. Stone in Xiao Tong, ming prince "(taste) boating in the back pool, Panyu Hou Guisheng said that playing female music is suitable." The prince didn't answer, and recited Zuo Si's Invitation Poem: "Why is the silk and bamboo, and the mountains and rivers have a clear sound?" The track stopped in shame. This can illustrate this point. Song is a way that celebrities, including hermits, often like to express their feelings since Wei and Jin Dynasties. Reflection? Zhuge Liang Biography quoted Wei Lue as saying that Zhuge Liang "takes his time in the morning and evening and often kneels and shouts"; Ruan Ji in the Western Jin Dynasty was also good at whistling. Jin Shu? Biography of Ruan Ji said that he met a real person named Sun Deng in Sumenshan, and he screamed, "Sounds like a couple, sounds like a rock valley. In this way, singing, like playing the piano, is also a trick for experts. However, the author does not agree with this. In the author's opinion, no matter how beautiful the artificial voice is, it can't compare with the "nature" of the spring water, the clear and clear, and the whine of the wind blowing in the sunny forest. Of these four sentences, the first two are comparative and the last two are foil, which highlights the author's love for seclusion.

After describing the living environment of the hermit, the author turned his attention to his clothes and food. The food and clothing of ancient hermits are mostly described as "Polygonatum sibiricum, Atractylodes macrocephala" and "Shikeng Poria cocos" to see that they eat less and are clean; "Quail knot" and "short brown endless" look at the shabby clothes. But the author only used one sentence to write about food, "Qiuju is also a food", and only used one sentence to write about clothes. The orchid of Qiuju is a fragrant and chaste thing, and a symbol of the hermit's personality and image. Only these are enough to pay for the rest. Compared with hermits who eat autumn chrysanthemums and admire orchids, the stupidity and vulgarity of nobles who are tired of fine food and meticulous food are more and more obvious. At this point, the poem has written enough about the hermit's behavior and diet, and it is enough to make people carefree and fascinated without a subjective evaluation. So the poet couldn't help feeling: "I'm tired of hesitating. I want to vote for me." "He also wants to take off the hair clasp on his hat, and intends to leave his post and pursue the remains of the hermit. These two sentences are the only direct expression in the poem, but after carefully describing the hermit's residence, they seem to come naturally and have no sudden feeling. These two sentences are also the finishing touch to gain momentum and make the whole poem look full of energy and thought-provoking.

The scenery of this poem is unpretentious, and the language is noble and solemn. Not like the poet's mind, so it is not allowed. Poetry is like a person. Nobuo! Wang Ziyou lives in Yin Shan. It snows heavily at night, sleeps, gets a room, and drinks at will. Looking around Jiao Ran, because of hesitation, he recited poems with hidden thoughts. Suddenly recalled Diana Road; Wear it at all times, even when taking a boat at night. When I arrived at Sufang, I built the door and didn't return. When people asked him why, the king said, "I left on impulse and came back exhausted." Why should I wear it? "

Wang Huizhi, son of Xi. Yin Shan: Shaoxing County, Zhejiang Province. Zuo Si was a famous scholar in the Western Jin Dynasty. Its hidden poem says: the staff is used to recruit hermits, and the ancient and modern are abolished. There is no structure in the cave, but there is a piano in the mountain. The white clouds stop, Dan Payao. Dai Kui. [Build] it. [Shu] Shu County, which is now Sheng County. There is a small stream, which is the upper reaches of Cao 'e River, and can go upstream from Yin Shan. Zuo Si, a writer in China's Western Jin Dynasty. The words are too strong. Linzi (now Zibo) was born. The year of birth and death is unknown. Born in poverty, he is not handsome, but he is talented. During the reign of Emperor Wu of Jin Dynasty, because his sister was elected to the palace, his family moved to Luoyang and served as a doctor. When Hui Jin proclaimed himself emperor, he was attached to the powerful Jami and was an important member of the "Twenty-four Friends" of the literati group. In the first year of Yongkang, Krabi was punished and retired to Yichun to concentrate on writing. Sima Tang, the late king of Qi, was called the governor of archives, so there was no such thing. In the second year of Taian (303), he moved to Jizhou because Zhang Fang violently attacked Luoyang, and died soon.

Zuo si

Zuo Si was the most accomplished writer in Taikang period. Survivors wrote only two poems today, 14. Sandu Fu and Ode to History are his representative works. According to "Biography of Zuo Si in the Book of Jin", he wrote Sandu Fu in 10, saying that "the mansion is contending for biography, and Luoyang is expensive for it". There are eight poems about history in Selected Works. Although it was not written in a short time, most of them are complicated historical facts. It is called "ode to history", but in fact, it is "ode to the ancients, and everyone knows his own temperament" (Shen Deqian's Ancient Poetry Source). Its main purpose is to express his ambition to make contributions, to lash out at the unreasonable gate valve system, and to express extreme contempt and resistance to the gate valve system. For example, in the first song ("Weak Crown Abandons Soft Heart"), he used historical events to show his talent, showing the grand ambition of "Zuo Li Qiang Xiang, Right Li Qiang Hu" and the noble sentiment of "returning to the field for a long time without being knighted". The second song (The Sword of Yu Yu), taking the sword and the mountain seedlings as metaphors, vividly reveals the extremely unreasonable phenomenon that "the decadent gate valve system is flogged in Jun Gao all over the world" and expresses its strong indignation and injustice. These eight poems obviously inherited Jian 'an's style, with majestic language and lofty artistic conception, full of heroism, realism and romanticism. Zhong Rong's poems are called "Zuo Si Feng".

Zuo Si was once famous for his Sandu Fu in Kyoto, but it was his eight epic poems that established his literary status. (See Selected Works) These eight poems are full of historical facts, integrating ancient and modern times, and even quoting classics. "Everyone admires the ancients and has their own temperament" (Shen Deqian's Ancient Poetry Source). The basic feature of Ode to an Epic is to express profound realistic content in ingenious artistic form.