Send an ancient poem to the owner of Furong Mountain every snow.

Edit the original text of this paragraph to send Liu Tang, the owner of Furong Mountain, to Changqing, far away from Cangshan at dusk, with cold weather and shabby houses. Chai Men heard dogs barking and went home on a snowy night. Edit the note of this paragraph (1) Furong Mountain: place name. (2) Cangshan: Castle Peak. (3) The White House: the residence of poor families. The roof is covered with white thatch, or the wood is called a white house, so it doesn't need painting. (4) dog barking: dog barking. (5) Return at night: Return at night. At dusk, the mountain is wide and the road is long, and the cold weather makes the thatched cottage look even more shabby. Suddenly there was a dog barking outside Chai Men. At night, I have to stay in the snow. Editor's brief introduction to Liu Changqing (709 ~ 786). Han nationality, born in Xuancheng (now Anhui), looks at Hejian (now Hebei) in the county. A famous poet in Tang Dynasty, he is good at five laws and five words. Official regulatory advice. He has a close relationship with Li Bai, a poet. He has handed down poems by Tang and Liu Suizhou, and five poems are related to the whole Tang Dynasty. Edit this passage to appreciate this poem, which depicts a picture of a snowy night. The first two sentences, what the poet saw and felt in the mountain village. The first sentence "Sunset is far away", "Sunset" indicates the time, which is evening. "Cangshan is in the distance" is what the poet saw on his way through the snow. Overlooking the green hills, the clouds are lingering, suggesting the hardships of trekking and the desire to stay for a long time. The second sentence "cold weather, poor house" points out the place to stay. The "white house", the humble hut of the host family, is even more shabby in the cold winter. The words "cold", "white" and "poor" set each other off in interest, rendering the atmosphere of poverty and innocence and embodying the poet's unique feelings. The last two sentences describe the poet after living in his master's house. "Chai Men smells dogs barking." The poet went into the hut and went to bed. Suddenly, he heard a dog barking on the sofa. The poet guessed that Albert Venn Dicey, the cloak master of Furong Mountain, had returned. From the perspective of listening and listening, these two sentences show a scene in which a dog calls people back. There have always been different interpretations of this poem, and the main difference lies in the understanding of "Gui". One view holds that "returning" is the arrival of a poet, who suddenly found a place to stay in the misty snow, such as "the feeling of home". Another opinion is that the owner of Furong Mountain will return home at night in the snow. The key is where the poet stands. In the former, the poet is outside the "White House" and on his way to the snow; In the latter, the poet is in the "white room", or the first two sentences are outside the house and the last two sentences are inside the house. This poem, with an extremely concise pen, depicts a picture of a cold mountain staying, a tourist staying at dusk and a snowman as the material. Poetry is written in chronological order. The first sentence is about the feeling of tourists traveling on the mountain road at dusk, the second sentence is about what they saw at the boarding house, and the last two sentences are about what they heard at the boarding house after nightfall. Each poem constitutes an independent picture and is interrelated. There are pictures in the poem, but the feelings are seen outside. At the beginning of the poem, the words "the setting sun is far away" are used to outline a picture of the twilight and the long mountain road. There is no clear description of the characters in the poem, but it makes readers feel that their people are ready to go, and their feelings are vividly on the paper. Here, it is a word "far" that points to a vivid picture and reveals a poetic scene. Give people a hint and make people think. From this word, the reader will naturally want to see someone marching on the mountain road at dusk, and infer his lonely and tired travel situation and his desire to stay. Next, the second sentence of the poem asks the reader to follow the pedestrian's line of sight, along this mountain road, and invest in the home for the night. "Cold weather and poor house" is a portrayal of this family; And the word "poor" should be the impression formed after seeing the hut from a distance to knocking at the door. Writing "sunset" before the previous sentence "Cangshan is far away" and writing "cold weather" before this sentence "Baijia is poor" are all ways to increase the level and weight of the poem. The long mountain road has made people feel that the road is far away, and it is even farther to see the sunset; The humble hut has made people feel poor, and it is even poorer in winter. Judging from the context, the word "cold weather" in this sentence has its connecting link. Inheritance is to further render the color of sunset road; Revelation is the foreshadowing of a snowstorm at night. These first two poems, which add up to only ten words, have already written the scenes of hiking and house. The last two poems, "Chai Men smells dogs barking, and the snow returns to people at night", were written after spending the night in the mountain. In terms of words, "Chai Men" is connected with "White House", "snow" is connected with "cold" and "night" is connected with "sunset". In this way, from the perspective of the whole poem, although the second half of the poem opens up another poetic realm, it is closely connected with the first half, so as not to make readers feel out of touch. But here, the cause has made a leap. It seems that "smelling dogs barking" is at night, and most travelers who are tired of hiking have already slept; From dusk to night arrival, from cold invasion to snowstorm, from entering the hut to going to bed, there should be some descriptions in the middle, but the poem skips this paragraph and omits some plots, making the cause more compact. The poet thought carefully between his choices. If this effort is not made, perhaps the second half of the poem should further describe the depression of people living in houses, write about the desolation of mountain houses and the silence of the environment, or write about the coming of snow at night. Otherwise, you can also write about your own travel and your thoughts after the night. But the poet put these things aside and didn't write. Unexpectedly, he saw a noisy dog barking in the silence. This shows the change of scale, giving people the feeling that a strange peak suddenly appeared on the flat ground. As far as writing is concerned, the first half of a poem is written according to what you see and hear, and the second half is written according to what you hear and hear. Because, since the night has come and people have gone to bed, it is impossible to write what they have seen and heard, but only what they have heard and heard. The sentence "Chai Men" should be written about what I heard in the hospital on the sofa in the dark: the sentence "snowstorm" should not be seen, but heard, because I heard all kinds of voices and knew that someone had come back in the snowstorm. I only wrote "Smell the dog barking" here, probably because it was the first sound to break the still night, and it was also the first one I heard, but what I actually heard was not only the dog barking, but also the sound of Melissa Zhou, knocking at the door, the sound of Chai Men's switch, the sound of family members' response, and so on. These sounds are intertwined. Although the person who spent the night was not in the hospital and had never seen it, it was enough to conceive the picture of returning from the snowstorm from this noisy sound. Liu Changqing, a poet in the Tang Dynasty, wrote a poem "The Lord of the Lotus Mountain on a Snowy Night", which was widely circulated and well-known. The last sentence "Returning on a Snowy Night" was even borrowed as the title of the play by the playwright, making this poem more famous in the contemporary era. However, the understanding of this poem is quite problematic, and the usual analysis is hardly convincing. There are two main problems. First, the title. The words "Furong Mountain in the Snow" seem to be enough for this poem. Why did you add the word "master"? So some people think that this is an article and the word "master" should be deleted; Second, many appreciators have already begun to ponder "Chai Men smells dogs barking, and returns to people in the snowy night". Imagine that the poet stayed in a farmhouse in Furong Mountain for one night and heard the return of the owner of the farmhouse on a snowy night. The barking people replied, "These voices are intertwined. Although the people who stayed overnight were not in the hospital or witnessed it with their own eyes, it was enough to conceive a picture of snow returning to people from this noisy sound. " There are many such appreciation articles, but they are similar. Everyone thinks that the first couplet is a snowy night, and the second couplet is heard by poets. As a kind of personalized appreciation, "Poetry and Painting" might as well hang up like this. But as everyone knows, in this way, not only the word "master" in the title disappeared, but it really became a problem, and the spirit of the whole poem was cut off, making a concise five-line masterpiece suddenly become a rambling text, and more importantly, the artistic ingenuity of the poem immediately vanished. The poet knows what is underground, so he doesn't want to sit up and complain! Now, we might as well copy the whole poem of "Twenty Sons" as follows: dusk, Cangshan is far away, cold and white. Chai Men heard dogs barking and went home on a snowy night. Liu Changqing (709 ~ 789? ) word study, Xuancheng (now Anhui) people, a Hejian (now Hebei) people. About the Tianbao period, the official finally made a secretariat of Suizhou. According to [Yuan] Xin's biography of talented people in Tang Dynasty, "Changqing is the best in the world and quite vulgar. Sex is just, and there are many forces. Therefore, when two people move away, people will know that they are wronged. " Liu Changqing was demoted twice, and the injustice can be seen in every poem. For example, "You can't be straight when you wake up and laugh alone" (Deng Gan said Zuo Ting), "The land is far away from you, but the sky is high, and the cruel officials bully you" ("First demoted Nanba to Poyang, looking for Li Jiajiang Pavilion"). However, he has deep feelings for life and friends. In his own relegation, he still cares about the situation of his friends, such as: "Being a courtier is farther away, and Qingshan Wan Li is alone" ("Farewell to Pei Langzhong and Demote Jizhou"). Judging from the content and artistic conception of Lord Hibiscus in the Snow House, it is not bad to say that this poem was written on the way to being demoted. In the first part, I wrote about the long journey in the snow. "Sunset" is an image, which contains sadness. In ancient poetry, every sunset is associated with sorrow. For example, Cui Hao's "Yellow Crane Tower" ends with "But I look to my hometown", and the twilight is getting thicker, and the mist of sadness is filled on the river waves. Meng Haoran's "Sleeping in Jiande" ends with "My boat is sailing in the fog, the day is getting shorter, and the old memories begin". Melancholy sets the tone for the whole poem. Coupled with the bleak reality of the "Cold White House", the desolation of official travel and the grief and indignation of moving down have been secretly circulated among words. The wonderful thing is the second couplet. The poet stayed in a shabby white house, pushed Chai Men away, and suddenly heard a dog barking. It seems that this farm dog is not welcoming guests from afar, but directly facing its owner. The word "home" is exactly what the poet wrote about his feeling of "home". Imagine that when the sun sets, a poet is not easy to find a temporary place to live, so he feels comforted and suddenly feels like a night master. Isn't that reasonable? ! As the poet said in another poem, "these desolate waters, these silent mountains, when you come, like me, are so far away?" ? "("On Passing Jia Yi's Home in Changsha ") The conditions and tastes are exactly the same. Writing "Harajuku" seems to have returned to my humble abode in the countryside. This kind of "anti-customer-oriented" feeling is intertwined, which not only wins by surprise, but also writes a unique feeling. More importantly, it twists and turns and implicitly expresses my frustration in my official career and infinite inner sigh. [Ming] Tang Ruxun's "Interpretation of Tang Poetry" commented on this poem: "This poem directly gives practical things, but it is really sad for people who are down and out to read it." The image and implication beyond its image are really intriguing. This poem not only uses the artistic conception of "opposing the customer"-winning by surprise, but also adopts the artistic techniques that complement each other. There are four sentences in the whole poem, each sentence is enough to become an independent artistic picture, and each picture contains the artistic charm of the unity of opposites between emotion and scenery. The first sentence "the sunset is far away" means that one day it will be far away from the journey, thus strengthening the sad atmosphere of relegation; The second sentence "Cold weather and poor White House" is the opposition between cold snow and poor White House. Although the farmer is poor and the White House is simple, it is no less than a rare enjoyment for those who are wandering on the road and eager to avoid the cold. The third sentence, "Chai Men smells dogs barking", Chai Men Fei Jing, is a sign of poverty, but the barking of dogs reveals opportunities and vitality, which is in sharp contrast with the former, and it is also a place where the poet feels more cordial and life-conscious; The fourth sentence "Snowstorm returns to people at night", which means hardship and cold, but being able to "return at night" contains emotional interest and detached human warmth, and is also the feeling of the soul after suffering. As the saying goes, "if you are up to speed, you will be lucky", if you are poor, you will be bright and flood, and if you are foggy and leopard, when it comes to returning at night in the snow, its symbolic significance is also obvious. Because the four pictures seek unity in opposition and blend in interweaving, they are memorable, so they can give people a particularly strong feeling. In addition, the rhythm of the words used in this poem also has some noteworthy places. The first sentence "sunset" means going in and out, and "far" means rising tone. Together with the two horizontal tones of Cangshan, one sentence forms the rhythmic beauty of four tones: flat, rising, going and entering, while the other three sentences are roughly the same, or the horizontal tones have yin and yang changes, such as "it's cold", and the Nuo sounds have changed up and down, such as "dog barking" and "snowy night", as well as "far" and "barking" in the suffixes. Therefore, the first half of Liu Changqing's poem focuses on the objective description of relegation to seclusion, and the second half focuses on subjective expression, which is natural and smooth. In the form of expression, the two complement each other. Melody, like a round and beautiful projectile, has its own beauty, and there is no so-called context jump. Although the poems are full of style, they are still full of meaning, which makes people think deeply. At this point, the meaning of the word "master" in the title is self-evident and solved. This "master" of Furong Mountain is none other than the poet's self-calling. About the author: Huang Zhihao, Liu Changqing (709-780), born in Hejian. Kaiyuan Jinshi He oversaw the history of the empire. It was eventually the secretariat of Suizhou. According to "All Tang Poems", Changqing praised Shang Yuan and Bao Ying with poems. Huang Fushi said: "There is no Liu Changqing sentence in the poem, and the veteran Song Yu has called it; There is no word Luo in the language, and Song Yu has always been called a sinner. "Its name is so heavy. Poetry is full of feelings about political setbacks, which also reflects this disorder. It is famous for its five words, including Liu Suizhou Collection. His life was bumpy, and there were some sentimental works, but it also reflected the desolate scene of the Central Plains after the Anshi Rebellion. For example, everyone in Muling Guanbei returned to Yuyang, tired soldiers, and built roads with new interests. The style is bleak and gloomy. Liu Changqing's poems are mainly composed of five words and seven words, especially five words. The five laws are concise and vague, and delicate in depth and density. For example, New Year's works such as Yueyang Tower Looking at Dongting Lake, Bijian Villa, Xi Huangfu, Shi Yu and Early Spring of Haiyan Officials. There are also many beautiful sentences in the Seven Laws, such as "You can't see the drizzle and wet clothes, but you can't hear the idle flowers" (not to mention the poetry garden). "Can I follow your footsteps in the autumn grass and or in the bleak Woods where only the setting sun passes?" (On passing Jia Yijia in Changsha). Five wonders, such as "Lotus Mountain Master in the Snow", "Moon in the River" and "Seeing the Spirit Master in the Car", are won by painting with simple techniques and full of charm.