When I first saw the Mekong case, I was very moved, but I was still a little disappointed. Based on the "Mekong River 105 Tragedy" that shocked China and foreign countries, the whole drama tells the story of drug police and drug dealers in China, Laos, Myanmar and Thailand who finally solved the case successfully. Objectively speaking, in this era when bad movies are rampant and good dramas are hard to find, Mekong Case is indeed a good drama, but there are some serious injuries in it, which really makes the overall situation drop a lot.
In order to highlight the protagonist's character and ignore the protagonist's professional identity, it is not desirable in itself. There are reasonable differences between film and television works and reality, which is understandable, but the plot setting cannot yield to the character characteristics without bottom line.
Gao Ye is a father, whose daughter was killed by a drug dealer, but he is also a police officer and the detachment leader of the anti-drug detachment. No matter how much pressure you are under, observing discipline is the most basic professional principle of a policeman. Takano is portrayed as a paranoid, relying on Jiang Haifeng's preferences and ignoring discipline. In the process of being prevented from investigating, he jumped out of the window and ran away ... finally, such a person who ignored discipline became a hero. I'm afraid many people will find it incredible. Are you telling the audience that heroes are undisciplined people?
The reason why a hero is a hero depends entirely on the scarcity of the hero, which requires him to bear hardships that ordinary people can't bear, to bear the burden of humiliation in the face of pressure, and not to be confused. According to this logic, high detachment obviously does not conform to the essential characteristics of heroes. When Gao Ye was the first to make a correct judgment, it was also a kind of compensation for the plot defect.
Of course, being immersed in love with children is a part of film and television works. After all, it is considered from the audience's point of view, and the fight between police and bandits without emotion is inevitably boring. In the emotional entanglement between Takano and Huiyu, it is obvious that the fit with the plot is not high enough.
The usual logic of film and television should be that the hero and heroine are busy with their work and their feelings are gradually alienated. Finally, because of life and death and * * * handling cases, we found each other's preciousness and irreplaceability, and finally turned to arms and completed a beautiful karma. For example, many years ago, he and Shen realized the combination of emotion and plot in the TV series "Skynet is slow but not leaking". Although not perfect, it is also logical.
The handling of emotional problems in the Mekong case is indeed problematic. On the surface, the reason why Takano alienated Huiyu was because Takano was deeply worried about the round car accident. Takano and Huiyu, one in Kunming and the other in Beijing, had a round car accident in Banna, which made a great leap in spatial logic, but there was a lack of a clue connecting them in the story, which made people feel a little stiff.
What kind of ingredients determine the chef's play. Taking drug control as the main theme determines that this TV series will not have an imaginary plot. Therefore, the relationship between plot design and main logic is bound to be an important problem to be solved.
As a form of expression of culture, film and television plays are naturally inseparable from the inherent national feelings. How to properly express feelings is undoubtedly the biggest test for the creative staff. As the core of the play, Takano and Huiyu undertake the mission of biochemical feelings. Unfortunately, the plot setting and imperfect details make it impossible for them to sublimate their great feelings to the best state.
Of course, although there are some unsatisfactory places. However, in this era of bad drama supported by the residual value of burning fans, "Mekong River Case" is also a good work.
Whether it is a film or a commercial film, we should look at it from the perspective of film and television. Although there are still flaws, through this drama, we really understand the hardships of the anti-drug police. 105 Although it has been five years since the Mekong River tragedy, it is a memory that everyone in China cannot and should not forget.
Because memory is the best memory.