Second, expand the scope of knowledge:
1. Appreciation of the original poem: Returning to the Garden.
Few people do as the Romans do. Their nature is to love nature.
I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.
I want to open up wasteland in Minamino and keep my humility to the fields.
The house is surrounded by about ten acres of land, thatched cottages.
Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.
The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.
Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
There is no dust and debris in the yard, and the quiet room is comfortable and leisurely.
Trapped in a cage without freedom for a long time, I finally returned to the forest today.
2. Introduction: Returning to the Pastoral Residence is a group of poems by Tao Yuanming, a writer in the Jin and Song Dynasties, with five poems (one for six). The first poem, from the intense boredom of official life, describes the beautiful and moving rural scenery and comfortable and pleasant rural life, reveals a sense of relief and expresses the love for nature and freedom. The second poem deliberately describes the tranquility of rural life, describes a quiet and pure world in plain language, and shows the tranquility of the countryside and the author's calm mood. The third poem vividly describes the author's experience of working and living in the farmland, with a light and elegant style, full of the poet's happy mood and seclusion. In the fourth song, the writer personally participated in and loved labor, indicating that he did not reduce his interest in labor because of the hard work of going out early and returning late, but deepened his feelings for labor and strengthened his determination to make a living by farming. The fifth poem tells the story of the author's return from farming, expressing his happy and complacent mood, with mellow connotation and sincere feelings. The sixth poem tells about the poet's day's labor life, and finally reveals his labor experience and his intention to live in the field. At the end of the poem, some scholars thought it was not a Tao poem, while Su Shi thought it was a Tao poem, and commented: "If Yuan and Ming poems are scattered at first, they are familiar with strange sentences.
3. Author: Tao Yuanming (365 ~ 427), a poet, ci writers and essayist in the Eastern Jin Dynasty. A latent and vivid figure, a private and quiet festival. Xunyang Chaisang (now Jiujiang, Jiangxi) was born. Jin Shu and Song Shu both called him the great-grandson of Tao Kan. He once served as a wine offering ceremony in Jiangzhou, joined the army in Zhenjun, and was with Peng. Later, he retired and left his career. Good at poetry and prose. Poetry often describes the rural scenery and their life in the countryside, which often implies the disgust of dirty officialdom, the spirit of unwilling to go with the flow and the yearning for a peaceful society; I also wrote about my anxiety about the shortness of life, and my philosophy of conforming to nature and being happy, which is more philosophical. Its artistic features are both dull and bright; The language is simple and natural, but it is quite concise and unique in style. There is Tao Yuanming's collection.