2. This poem is not only sad and sad, it still has an air of suppressing injustice. "Liu Cong Fang Fei Chang, regardless of peach floating or Li Fei", there is resentment against the cold world, but also attachment to human feelings. "360 days a year, the wind, the sword and the frost are pressing each other hard", isn't that an indictment of the ruthless reality that has persecuted her for a long time? "May slaves have wings and fly to the end of the day with flowers. After all, where is Xiangshan? Hide the wind without a trick. It's better to lead an honest and clean life than to be trapped in a ditch ",which is the kind of aloof character who is unwilling to be humiliated and polluted and unwilling to bow his head and yield when freedom and happiness are not available." "
These are its ideological values. The style of this poem imitates the poems of the early Tang Dynasty, and it is a popular and popular poetic style, with concise and fluent words, repeated syllables and smooth lyricism. For example, "Flowers change color this year, who will bloom next year" and "Flowers are similar year after year, but people of different ages" in Liu Xiyi's "Waiting for the North Pulsatilla" in the early Tang Dynasty is enough to show that Cao Xueqin used this method in writing "Burying Flowers". As for the plot of burying flowers, in the Ming Dynasty, Tang Yin buried peony flowers on the east bank of the medicine column with a trick, and Xue Qin's grandfather Cao Yin wrote a poem "Burying Peach Blossoms in a Hundred Years", which can also stimulate the author's imagination. However, when A Dream of Red Mansions came out, Daiyu's burial of flowers almost completely replaced similar descriptions in the past, which also showed her artistic success.