1. Chen Yungao, also known as Zilun
Chen Yungao (Qing Dynasty), Huangzi, also known as Zilun. A native of Yizhou, Zhili. Jinshi during the reign of Emperor Guangxu. The official went to Bideyuan to discuss the matter. Good at calligraphy.
The person mentioned in his poem is Li Bai.
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2. The artistic characteristics of "Journey to the West" Mainly in the following aspects:
First, "Journey to the West" has created vivid and vivid mythological and artistic images such as Sun Wukong and Zhu Bajie. This is of considerable significance in the history of literature.
In addition to Sun Wukong, the image of Zhu Bajie is also worthy of note. He has the characteristics of being reckless and lazy, and is a combination of pig nature and human nature. Naturally, Zhu Bajie also has some strengths, such as being able to endure hardships and stand hard work, and never yielding in front of monsters. But he has many problems, such as being greedy for women, taking advantage of others, and wavering when encountering difficulties. Zhu Bajie's shortcomings reflect some of the universal desires and weaknesses of human beings, which makes people feel particularly friendly when reading them.
Tang Seng is a devout Buddhist. He was determined to achieve righteousness and keep the precepts and diligently, so he was not tempted by the solicitation of wealth, the temptation of beauty and the temptation of power. As a monk, he was kind and sometimes quite compassionate. However, in terms of personality, he is almost the opposite of Sun Wukong. He is cowardly and timid, loves to listen to slander, does not distinguish between right and wrong, and is stupid and confused, which reflects many human weaknesses. He listened to the slander almost to the point of stubbornness. Chapter 56: Because Wukong killed the grass bandits, Tang Monk did not distinguish between right and wrong, but instead punished his disciples: "He chanted the tightening curse in his mouth, strangled the practitioner until his ears turned red, his face became red, his eyes swollen and he was dizzy, and he rolled on the ground. He only taught: 'Don't do anything'. "Recite! Don't recite!" The elder recited it more than ten times and still couldn't stop. He turned around and was in pain.
The demon is also an important artistic image in "Journey to the West". There are many types of demons: the first category is poisonous and evil demons, such as spider spirits, scorpion spirits (pipa spirits) and centipede spirits (thousand-eyed monsters); the tiger power, deer power, sheep power, etc. of Chechi Kingdom, which destroy Buddhas. The method of destruction also falls into this category. Many of them were eliminated. The other type is demons who know how to practice, such as the Bear Spirit in Batu Cave and the Red Boy in Fire Cloud Cave. They all eventually became immortals. Another type uses gods as demons, such as the old monster in yellow robes and the servants and mounts of Buddha, Laojun, Bodhisattva, and Tianzun. In the end, they were captured and returned to their positions one after another. These demons are all enemies of Buddhist scripture seekers. They either want to eat Tang Monk's flesh or deceive Tang Monk's heart. In short, they set up obstacles to prevent them from going to the West to obtain Buddhist scriptures. Some demons are written with very personal characteristics, such as the cunningness of the White Bone Demon, the willfulness of the Red Boy, the lustful and lustful Bull Demon King, etc., which are very vivid. These artistic images form a bizarre mythical world, showing the author's rich artistic imagination.
Secondly, in "Journey to the West", good-natured ridicule and bitter satire are combined to express the author's clear love and hatred for the world in the novel. Sun Wukong is a positive figure that the author vigorously praises, but the author also misses the opportunity to ridicule his shortcomings of "arrogant nature". For example, in "The Second Borrow of the Banana Fan", it is written that he did not learn the trick to shrink the fan, so that a man who was less than three feet tall was arrogantly carrying a large fan that was two feet long. This kindly ridiculed Monkey Sun's complacency. Although Zhu Bajie is also a positive character, the author shows no mercy to his shortcomings. The seventy-fifth chapter describes the three demon kings in the Shituoling cave. There is a treasure called the Yin and Yang two-cylinder that will turn into pus when entering it. Sun Wukong was swallowed, which made Bajie feel very desperate and said to Sha Wujing:
"Bring your luggage and I will divide it between the two of you." Sha Seng said: "Second brother, share it. "What?" Bajie said, "Let's separate. You go to Liusha River and eat people. I'll go to Gao Laozhuang to see my wife's family. I bought a white horse and a life-saving utensil with Master." "
Zhu Bajie always clamored to divide the luggage and return to Gao Laozhuang to be his son-in-law. The author ridiculed Zhu Bajie's character of having no ambition, being easily swayed, and taking advantage.
Thirdly, the structure of "Journey to the West" is quite complete. "Journey to the West" centers on the activities of the characters who learn from the scriptures, and unfolds the plot one by one. "Havoc in Heaven" first introduces the character Sun Wukong who seeks Buddhist scriptures, and then ambush his fate of later Buddhist scriptures; the story of "Jiang Liu'er" explains the birth of Tang Monk and the origin of Buddhist scriptures; the 41 short stories included in the Eighty-One Dilemma It is also shown through the intricate relationships between monks, gods, Buddhas, and demons, which are ups and downs. Each short story is relatively independent, well-organized, and has clear cause and effect. For example, from the capture of Red Boy to the third borrowing of a banana fan, plots such as the abandonment of the Rakshasa girl and the banquet of the Bull Demon were introduced. There are also foreshadowings of the Buddha giving three divine hoops to Guanyin and the old man carrying a sutra falling into the water, which all show the author's ingenuity in structural layout.
Fourthly, the combination of language, rhyme and prose in "Journey to the West" absorbs the essence of folk rap and spoken dialects. When we and the enemy confront each other, they often use rhymes to identify themselves; after the confrontation, they use this to exaggerate the intensity and intensity of the atmosphere. In the dialogues between the characters, the simplicity and clarity of the vernacular and the liveliness of the dialect blend into each other. For example, the use of dialect words such as "not the son of a man", "huoda", "clearing the account", "swallowing whole", and "a bone spicy" is very lively. The author often writes characters with full energy and reveals subtle psychological activities in just a few strokes.
For example, the descriptions of Zhu Bajie eating ginseng fruit, the three demons of Shituo Kingdom scheming, and Sun Wukong using the golden hoop to direct the wind, clouds and thunder and lightning all clearly demonstrate the author's ability to control language.
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If you can make one Fruit is happy, please don't throw it away with your own hands, then it will also make you happy and give you the sweetness of food when you are hungry.
[Haha, the culture is not good and the sentences are average.
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