You are the beloved guardian of Nanshan, and I am a returning guest who misses Jianwai. ——Su Shi, Song Dynasty, "Man Jiang Hong, Send to Ezhou Zhu Envoy Jun Shouchang" You are the beloved guardian of Nanshan, and I miss you as a returning guest outside the sword. Coming west from Jianghan, under the tall buildings, the grapes are deep and green. It still brings with it, the waves of the clouds and the spring scenery of the Jinjiang River. You are the beloved guardian of Nanshan, and I am a returning guest who misses you outside the sword. How can you be ruthless about this place and its scenery? Say it diligently.
Jiang Biao's biography, you will stop reading. Crazy virgin, what a pity. The empty island is deserted to the parrots and reed flowers. Not only did the scholars laugh at the dispute, Cao Gong and Huang Zu were both confused. I would like to envoy you to write poems about banishing immortals and chase Huang He. Describing scenery, landscapes, chanting history, remembering the past, homesickness and friendship. Translation and annotations
Translation
The Yangtze River and the Han River rush straight down from the west. Looking from the Yellow Crane Tower, the vast river water is as green as grapes. Clarity. The rivers are connected and seem to carry sprays of melted snow from Minshan Mountain and Emei Mountain. This is the spring scenery of Jinjiang River. You are Tong Tuan who has a reputation of loving the people in Shaanzhou, but I am a prodigal son who is homesick and has not returned home. How can I not have feelings when facing the scenery here? I will describe it passionately.
You must not read "The Biography of Jiang Biao". Mi Heng is really pitiable and deeply regrettable. We can only face Parrot Island from the air, and the reed flowers are still desolate. Why should a scholar struggle with such a person? Powerful figures such as Cao Cao and Huang Zu have already passed by. I hope that you can devote yourself to writing poems like Li Bai and catch up with Cui Hao's famous poem "Yellow Crane Tower". Appreciation
This poem is composed of scenery and emotion, homesickness and nostalgia, from grandeur to wilderness. In the vast wilderness, it does not lose the heroic spirit of composing poems and chasing the yellow crane, and does not lose the persistent pursuit of life. The first part of the poem leads from the scene to the feeling of longing for home and the memory of friends; the second part of the poem shifts from homesickness to nostalgia for the past, expressing one's heart directly.
The chapter begins with a description of the scene. The opening chapter is a broad outline, rising abruptly, depicting the majestic momentum of the river, which turns thousands of times, is vast, and points directly to the East China Sea. The two sentences "Jiang Han Xi Lai" describe the scenery of the rushing river. The famous Yellow Crane Tower stands majestically on Huanghu Mountain in Wuchang, overlooking the vast river. The Yangtze River and the Han River roll from the west and merge into Wuhan. The color of the waves is like fine wine, a deep green. The first two sentences, with lofty momentum, capture the most unique local scenic spots and majestic scenery, and describe the geographical characteristics of Ezhou. "The grapes are deep green", the color is applied heavily, and the color of the water is described with the color of wine. Li Bai's "Song of Xiangyang" uses the poem "Looking at the duck-headed green of Han water from a distance, it is just like the first fermentation of grapes" to describe the Yangtze River flowing in front of the Yellow Crane Tower. A deep blue color like grape wine. The following three words "still bring it with you" are used in Li Bai's sentence "The river brings Emei snow", Du Fu's poem "Denglou" "The spring scenery of Jinjiang comes to heaven and earth", without leaving any trace, it is natural and wonderful, using "grapes" and "snow" Colorful words such as "waves", "Jinjiang" and "spring scenery" are used to describe the "deep blue" river flow. The writing is rich and fascinating. The poet connects the deep green in front of Linghe Building with the spring scenery of Jinjiang River. It is not only full of literary talent and beauty, but also reveals his infinite pursuit and yearning for the Jin family of flowers and the spring-filled Jincheng, thus providing the following "thoughts". Return to the Fu pulse. These two sentences lead from the real scene of "deep green grapes" to the virtual scene of "Ming'e snow waves, spring scenery of Jinjiang", which expands the context of the poem. The river comes from Jinshui of the Minjiang River and connects the Yellow Crane Tower to Chibiji. It is not only a scenic spot where friends live, but also flows from Sichuan. It not only arouses people's longing for home, but also triggers the longing for friends. This provides a strong foundation for the following feelings. The next sentence goes from scene to person, one sentence about the other person, and one sentence about myself. During his tenure as Tongshou in Shaanxi, Zhu Shouchang had a reputation of loving the people and had outstanding political achievements. The original biography of "History of the Song Dynasty" records that Zhu Zai Lang solved a suspicious prison and eliminated the violence. "The county is called a god, and the Shu people still pass it on", which is what "Nanshan Yiaishou" refers to. The word "Nanshan" in the poem should be a mistake of "Shannan". Compared with "Jianwai", "Shannan" is literally better than "Nanshan". Su Shi, a native of Shu, also called Zhu Shouchang, who also claimed to be "thinking of returning guests outside the sword" because of his official career in Shu. Nowadays, he is homesick and unable to return home. The contrast between the two sides not only praises Zhu Shouchang's praised political achievements, but also expresses his lonely situation and strong longing for home. Facing the scenery here, you will feel excited and infinitely melancholy. "To this here" below, you and I are brought together into one, and we have to pour out and express our feelings. Therefore, from the word "qing", we derive the word "shuo", and force out the three words "yinqinshuo". The two streams converge and everything comes naturally.
The three words "Yin Qin Shuo" in the first film brought out the whole second film, and he began to talk openly to his friends and comment generously. The two sentences ""Jiang Biao Biography"" lead to his own review and reflection on history. "Jiang Biao Zhuan" is a history book describing the deeds of Soochow figures during the Three Kingdoms period. He advised Zhu Shouchang not to read this book anymore. To evoke it with an angry tone just shows that the feelings are deep and the topic is about to turn to the characters of the Three Kingdoms. The four sentences of "Crazy Virgin" closely follow the above text and express condolences to Mi Heng who relied on his talent and arrogance, leading to the disaster of death. Because Ni Heng was loyal to the Han Dynasty, he was not humiliated. He mocked Cao Cao in public. Cao Cao did not want to bear the name of murder, so he killed Huang Zu under the guise of Liu Biao's subordinates and buried him in Parrot Island in the Yangtze River section of Wuchang. The poet used the deeply touching deeds of the Three Kingdoms figures - Mi Heng as a warning. Then he turned his pen and pointed the irony at Cao Cao and Huang Zu who persecuted the scribes. Now that the wise man is away, he can only look at the Parrot Island in the Yangtze River section of Wuchang. The reed flowers are bleak, and it is withered and desolate. Why should a scholar get entangled with such a person and cause disaster? Su Shi looked at history from a higher perspective, "The scholar who laughed alone was arguing about the bottom of things, Cao Gong and Huang Zu were both confused." "The bottom of the dispute" means what to fight for, which means why should scholars get entangled with such people, leading to disaster? .
The influential figures who dominate for a while, such as Cao Cao and Huang Zu, who harmed talents, will eventually become a passing cloud in the long river of history. This sentence reveals Su Shi's open-minded and adaptable attitude towards life. There is an overtone in this statement, and the target of the attack is faintly pointed at Li Ding and others who framed him. From Su Shi's perspective, Mi Heng's aloofness, Cao Cao's tyranny, and Huang Zu's recklessness all seemed very ridiculous. The words reflect Su Shi's concept of transcending history and getting rid of the limitations of reality. The last three sentences point to the point of view and convey the correct meaning. The poet quoted Li Bai's story to encourage his friends to devote themselves to writing poems like Li Bai and to catch up with Cui Hao's masterpiece "Yellow Crane Tower". This is not only an exhortation to his friends, hoping that he can stay out of the political whirlpool, devote himself to the long-lasting literary career, and write outstanding works to follow the example of his predecessors; it also reflects Su Shi's wish when he lived in Huangzhou and his belief in eternal value. Pursue. Creation background: This poem was written by Su Shi to his friend Zhu Shouchang during the Yuanfeng reign of Emperor Shenzong of the Song Dynasty. It was written in the fourth year of Yuanfeng AD (1081). This is Su Shi's work when he was exiled to Huangzhou. Su Shi (1037-1101) was a writer, calligrapher, painter and gourmet in the Northern Song Dynasty. His courtesy name is Zizhan and his nickname is Dongpo Jushi. Han nationality, Sichuan native, buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). His official career was bumpy throughout his life, but he was knowledgeable, extremely talented, and excellent in poetry, calligraphy, and painting. His writing is unbridled, clear and fluent. Together with Ouyang Xiu, he is called Ou Su, and he is one of the "Eight Great Masters of the Tang and Song Dynasties". His poetry is fresh and vigorous, good at using exaggeration and metaphor, and his artistic expression is unique. He is also called Su Huang together with Huang Tingjian. He started a bold and unrestrained school and had a huge influence on later generations. Together with Xin Qiji, he was called Su Xin. He was good at calligraphy in running script and regular script. He was able to create his own ideas. His pen was rich and ups and downs, and he had an innocent taste. He was called Song Dynasty together with Huang Tingjian, Mi Fu and Cai Xiang. The four schools have the same painting studies and literature, advocate spiritual similarity in painting, and advocate "scholar painting". He is the author of "The Complete Works of Su Dongpo" and "Su Dongpo Yuefu".
Su Shi
Pedestrians have endless thoughts about the autumn wind, and the green mountains across the water feel like their hometown. Lovers complain about the distant night, but they miss each other at night. The cold night is slightly transparent and the clothes are thin, and I can think endlessly. The news of the other family has disappeared, and I miss you a hundred times. When will my heart break? The journey is long and the soul is in pain, but the dream soul cannot reach Guanshan. The snow is falling, the wind is blowing, where can Yulang drink so much? The article has been widely read, making me miss you and feel sad. The war rages on for three months, and a letter from home is worth ten thousand gold. It's the winter solstice in the Handan Posthouse, and the shadows in front of the lanterns hugging the knees accompany me. The longing for lovesickness is self-suffering, and counting the clouds and smoke will always be empty. Farewell to you. Lovesickness blooms all night long. Of course, I can’t get enough of my lovesickness, but I still blame the wind and rain for the sound of autumn. The willows are green and the river is level, and I hear the sound of people stepping on the Langjiang River. A few days south of the Yangtze River and the end of the world, who can express my lovesickness? The meaning is long and the hairspring is short. Acacia brings relief all day long.