-Yu's "Cultural Journey" and "Sunshine Snow"
Appreciation: Using anthropomorphic artistic techniques, it vividly shows that rulers only pursue kingship, and it is impossible to provide broad stage space for artists. Compared with the following "Jiuzhou's painting style is gloomy" and "Yangguan can no longer enjoy warm and mellow poems", most literati have become "demoted officials and courtiers" and "Yangguan collapsed".
● Its water flow is not as abrupt as the Great Wall of Wan Li, but penetrates and extends step by step, and the extension distance is not shorter than the Great Wall. The civilization of the Great Wall is a rigid sculpture, and its civilization is a life of wisdom. The Great Wall assumes a high-level position waiting for people to repair, but it is humble in a corner, like a country mother who never shows off, asks for nothing, and only knows dedication. As soon as you check your resume, the Great Wall is only its offspring.
-"Dujiangyan" in "Cultural Journey"
Appreciation: The use of metaphor, personification and other rhetorical devices vividly shows Dujiangyan's subtle infiltration, gradual extension, agility and modesty. By contrast, Dujiangyan and the Great Wall are compared to highlight their uniqueness and sacredness.
When I was less than 10 years old, I read this poem, and the first sentence was misunderstood. "Farewell to Bai Di in the Morning", "Bai Di" is of course a person, and Li Bai said goodbye to him early in the morning; The emperor wore a white silver robe and stood high on the rock. Because he is dressed in white, he is not very old. He is tall and thin, with an excellent and serene expression. The cold wind in the morning danced with his fluttering clothes, and the gorgeous morning glow burned all over the sky, reflecting his silver robe, making people's eyes full of light and color. He got up early alone without attendants and guards. The poet's long-distance wooden boat is about to be untied, and he is still holding hands to remind him carefully. His voice is like pure silver, echoing among the silent mountains and rivers. But his words are hard to hear clearly, as if from another world. He lives in a small town on the top of the mountain, which governs the mountains and Bijiang River here.
-Yu's Cultural Journey and Three Gorges
Appreciation: This passage uses rhetorical devices such as imagination, association, metaphor and contrast to describe the misunderstanding of "paying a visit to Bai Di in the clouds" when I was a child. Although it is a misunderstanding, it is so beautiful that people can't help laughing. The author's description is vivid and vivid, and he uses rich descriptions of appearance, manner, movements and environment to express the scene in his heart at that time.
I have been to many towns in the south of the Yangtze River, and I can see them with my eyes closed. There are narrow rivers running through the town, beautifully carved stone bridges and houses built by the river. There is water under the floors of these houses, and the piers of stone steps protrude from the lower floors. The women were washing on the dock when a wisp of white smoke rose from Wu Peng's boat, which was only a few feet away from them. Smoke drifted across bridge opening to the other side, and there was a low and wide stone fence on the other side of the river. Several old people sat there quietly watching the passing ships. Compared with the small town composed of diaojiao building by Xiangxi River written by Shen Congwen, the small town in the south of the Yangtze River is less muddy and more calm. There is no torrent in front and no desert behind, so although it is secluded, it is far from imposing; Most of them have a long history, but their always moist lifestyle has not allowed them to keep many ruins and remains, so they can't hear many historical sighs; Of course, they have had honors and disgraces, but they have never staged a grand occasion, so it is not easy to have vicissitudes like Suzaku Bridge and Wuyi Lane. In a word, their historical distance and realistic appearance are dull and durable, narrow and long, just like the criss-crossing stone street.
-Yu's "Cultural Journey" and "Jiangnan Water Town"
Appreciation: The author chooses the typical scenery of Jiangnan town, such as rivers, stone bridges, houses, water, docks and awning boats, to express his good impression of Jiangnan town. Next, the Jiangnan town is compared with the Xiangxi town to show its fluency and stability. Finally, combined with history, the small town in the south of the Yangtze River is simple and durable, long and narrow, and has a long history, which takes us into the quaint small town in the south of the Yangtze River.
● The West Lake gives people a sense of alienation, and there are other reasons. It became famous too early, its relics were too dense, its fame was too heavy, and its landscape pavilions were too involved in history. The result is a very heavy symbolic image. It's ok to visit, but it's hard to get close. In order to get rid of this feeling, one summer, I jumped into the lake and swam alone for a long time, and I had an indissoluble bond with it. The lake is not cold and the bottom is not deep, but the soft velvet ground can't be kicked, reminding people that there is a thousand years of siltation here. After landing, I thought I was in the water from a scenic spot in the Song Dynasty and swam to the left house of A Qing Dynasty. Therefore, the water wave I just touched was immediately abstracted by history and almost unreal.
-The West Lake Dream in the Cultural Journey of Yu.
Appreciation: This article describes the West Lake in an anthropomorphic way. The West Lake is like an old man eager to be certified by the author. The author explains the West Lake historically, giving people a sense of alienation. There are two reasons: first, it is too mysterious to communicate with it at home (it is hard to be true); Second, fame is premature, there are too many relics, fame is too heavy, and there are too many links between the landscape pavilion and history (inaccessible).
● In terms of cultural personality structure, they are a group that lacks conversion. Tradition? By fashion? By the mainland? Through international? By the economy? By culture? By reputation? By strength? With human feelings? By efficiency? They seem to have many supporters, but everyone is a little vague. They are the easiest to go out freely, but they often feel a kind of free and easy loneliness.
-"Shanghainese" in "Cultural Journey"
Appreciation: This passage uses a series of rhetorical questions to express the self-contradiction of Shanghainese. Shanghainese seem to be attached to many things, but they seem to have nothing. The author expounds the free and easy loneliness of Shanghainese from all angles, with a hint of cynicism.
● Unfortunately, the edge of mocking Shanghainese often comes from a more backward norm: saying that Shanghainese worship foreign things, go their own way, and go out of their own way; We hope that Shanghainese will return to simplicity, meekness and unity. In this regard, Shanghainese who are full of sea breeze are a little stubborn and have not completely repented. I'd rather do it temporarily than worry. Confused for a while, maybe a decent group will come forward soon.
-"Shanghainese" in "Cultural Journey"
Appreciation: Near the end, the author's brush strokes seem to be less cold. The author writes about other people's eyes and the attitude of Shanghainese, showing that Shanghainese don't go with the flow, paving the way for looking forward to Shanghainese's broader vision and more independent personality.
Having said all this, the old messenger told him which small hotels he could stay in along the way and which waiters he could trust. There is also eating everywhere, which stall has the thickest pie, and which small shop can buy rice without buying food.
-Yu's "Cultural Journey" and "Letters"
Appreciation: concise, without flowery words, but in a series of comparisons, it shows the character of old believers: hardworking, conscientious, honest and selfless, completely honest, tolerant and kind. He is extremely responsible for his work, so he also explains everything to young believers.
However, generation after generation is not history. Ruins are destruction, burial, farewell and choice. The power of time should leave traces on the earth; The great ship of years should crush the bumps between lanes. There is no yesterday without ruins, and there is no today and tomorrow without yesterday. Ruins are textbooks, let's read a geography as history; Ruins are a process, and life is to start from old ruins and move towards new ruins. At the beginning of the construction, I thought of its future decline, so the ruins are the destination; The renewal construction is based on the ruins, so the ruins are the starting point. Ruins are a long evolutionary chain.
-"Ruins" in Yu's Cultural Journey
Appreciation: This passage uses rhetorical devices such as parallelism, personification and antithesis to express his attitude towards the ruins. The author's unique perspective, surging passion between the lines and brilliant literary talent have strongly shocked the readers' hearts. The author's complex and rich thoughts and feelings are permeated between the lines.
China's history is full of tragedies, but China people are afraid to see the real tragedy. In the end, everyone has a happy reunion to win emotional comfort and psychological satisfaction. Only Qu Yuan, Du Fu, Cao Xueqin, Kong, Lu Xun and Bai Xianyong did not want a happy reunion. They preserved the ruins and purified the tragedy, so there appeared truly profound literature.
There is no tragedy without tragedy, and there is no sublimity without tragedy. Xuefeng is great because the hillside is full of the remains of climbers; The sea is great, because there are sunken ships floating everywhere; The moon landing was great because of the fall of Challenger. Life is great, because there is white hair, farewell and helpless loss. Ancient Greece lived by the sea, and countless warriors who yearned for the other side went wave after wave, so there was a brilliant Greek tragedy.
-"Ruins" in Yu's Cultural Journey
Appreciation: The author uses a series of examples to illustrate the tragedy. In the author's eyes, the ruins culture is the tragedy culture. A series of parallelism is full of momentum and appeal.
I hope it helps you.
Hope to adopt ~